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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55375
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h995133
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k439
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.7k490
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6k751
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.6k594
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1k122
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.6k403
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h977109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k416
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k171
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k246
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.8k453
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k218
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.4k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22324
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.5k468
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.2k1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k278
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42955
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11515
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41427
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1368
30d63237
2 shows
2 tapes
1991
3/20/91
Feel Like a Stranger >
9:05
Cold Rain & Snow
8:01
Little Red Rooster
11:08
Althea
10:13
Black Throated Wind *
5:34
crowd **
1:01
Tennessee Jed
8:42
The Music Never Stopped >
7:50
Might As Well *
4:45
Eyes of the World **
20:41
Foolish Heart >
10:42
Estimated Prophet >
12:13
He's Gone//
13:18
//Drums%
0:47
Drums >
8:55
Space >
6:39
The Other One >
10:06
Wharf Rat >
9:44
Sugar Magnolia
9:42
The Weight
5:49
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.154460.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152131 2496 > 1644
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.152131.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.fixed-98038.93177.sbeok.flac16
Source:
SBD -> Dat
Lineage:
Dat -> Cassette Master -> Sound Forge -> CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 100 -> Cassette Master -> CD (shnid=76521) supplies: Eyes Of The World (2:02 - 2:09) Notes: -- Set 2 is seamless -- Diginoise in Eyes Of The World fixed with AUD patch
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.93038.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Source 5 of 13
2:38:04
SBD
Rating:
8.00 / 15 ratings
SHNID:
gd91-03-20.sbd.oconnor.11272.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:03:02
Rating:
8.00 / 1 rating
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 06, 2020
SHNID:
gd1991-03-20.149506.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: first row center, taper’s section
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Last 'Might As Well'; 4/5/88
Taper: Rich Gastwirt
3:00:53
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-20.138740.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
Transferrer: Charlie Miller
18:38
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.aud-schk.miller.34559.sbeok.flac16
Lineage:
Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
Taper: Fitzy
2:54:28
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132417.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:54:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132416.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Hunter Seamons
2:53:19
Rating:
8.40 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-03-20.mtx.seamons.111794.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper Notes:
View Notes1) The cuts in the SBD and AUD in He's Gone overlapped. Boyd McHugh's AUD (shnid=76521) patches about 10 seconds of the AUD here, making the show now complete. 2) There are sound system issues during a portion of Eyes, it appears, particularly in the left channel. 3) There are occasional clicks in the sources. Some were removed or diminished. 4) During Drums, the AUD has different sound effects than the SBD has, for whatever mixing reason. The AUD sounds much more echoey, making the MTX appear to have more of a phasey sound, but this is due to the echoey sound effects used rather than unsyncliness. There's also some 360 degree sound movement.
Taper: Dave Cohen
2:54:55
Rating:
8.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1991-03-20.nak.cohen.107168.flac16
Source:
3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Boyd McHugh
1:41:07
Rating:
8.00 / 1 rating
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1991-03-20.aud-set2.mcgugh.hanscom.76521.sbeok.flac16
Source:
Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.