Bands
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Bands
Grateful Dead
Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h60782
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k221
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.1k376
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.1k270
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.1k445
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k305
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k133
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.7k197
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h68676
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k168
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.4k401
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k139
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k177
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.9k445
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k225
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k244
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h19.3k2.7k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h7.1k1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h41044
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h6k802
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.6k847
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.2k275
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k190
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k191
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k239
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h849113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13418
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29317
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1991
Sources
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.154460.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source -- This is 152131 2496 > 1644
Taper: Don Pearson and Dan Healy
3:18:10
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 24, 2021
SHNID:
gd1991-03-20.152131.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X100)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.fixed-98038.93177.sbeok.flac16
Source:
SBD -> Dat
Lineage:
Dat -> Cassette Master -> Sound Forge -> CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Nakamichi 100 -> Cassette Master -> CD (shnid=76521) supplies: Eyes Of The World (2:02 - 2:09) Notes: -- Set 2 is seamless -- Diginoise in Eyes Of The World fixed with AUD patch
Transferrer: Charlie Miller
2:54:08
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.sbd.miller.93038.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master -> Sound Forge -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Source 5 of 13
2:38:04
SBD
Rating:
8.00 / 15 ratings
SHNID:
gd91-03-20.sbd.oconnor.11272.sbeok.shnf
Source:
SBD>DAT>CDR
Taper Notes:
View NotesSBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
Taper: Master Digital FOB Recording by Dave Brotman & Jeff Metchick
3:03:02
Rating:
8.00 / 1 rating
Taper:
Master Digital FOB Recording by Dave Brotman & Jeff Metchick
Transferrer:
Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 06, 2020
SHNID:
gd1991-03-20.149506.OTS.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648
Source:
Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: first row center, taper’s section
Lineage:
Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes; - Last 'Might As Well'; 4/5/88
Taper: Rich Gastwirt
3:00:53
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1991-03-20.138740.Schoeps-cmc4-mk4.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
Transferrer: Charlie Miller
18:38
Transferrer:
Charlie Miller
SHNID:
gd1991-03-20.aud-schk.miller.34559.sbeok.flac16
Lineage:
Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
Taper: Fitzy
2:54:28
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132417.Nak300sSenn441s.Fitzy.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:54:29
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1991-03-20.132416.Nak300sSenn441s.Fitzy.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show!Some higher recording levels here and there as well as some louder parts where the audience over takes the music.Still all and all another excellent share from the Fitzy collection of masters and the Grateful Dead's Spring 1991 Tour!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Hunter Seamons
2:53:19
Rating:
8.40 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1991-03-20.mtx.seamons.111794.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
Taper Notes:
View Notes1) The cuts in the SBD and AUD in He's Gone overlapped. Boyd McHugh's AUD (shnid=76521) patches about 10 seconds of the AUD here, making the show now complete. 2) There are sound system issues during a portion of Eyes, it appears, particularly in the left channel. 3) There are occasional clicks in the sources. Some were removed or diminished. 4) During Drums, the AUD has different sound effects than the SBD has, for whatever mixing reason. The AUD sounds much more echoey, making the MTX appear to have more of a phasey sound, but this is due to the echoey sound effects used rather than unsyncliness. There's also some 360 degree sound movement.
Taper: Dave Cohen
2:54:55
Rating:
8.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1991-03-20.nak.cohen.107168.flac16
Source:
3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4)
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Boyd McHugh
1:41:07
Rating:
8.00 / 1 rating
Taper:
Boyd McHugh
Transferrer:
Dave Hanscom
SHNID:
gd1991-03-20.aud-set2.mcgugh.hanscom.76521.sbeok.flac16
Source:
Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section.
Lineage:
MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks.