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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k151
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h64891
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k903
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6k791
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k403
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k164
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k302
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h917102
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k189
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6.1k706
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k196
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k416
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k710
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87173
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k609
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k660
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k473
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k267
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k618
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10817
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1989
12/28/89
Tuning
3:13
Let The Good Times Roll
4:32
Stranger
10:50
Dire Wolf
3:39
Little Red Rooster
11:23
Ramble On Rose
7:09
Queen Jane Appoximately
8:03
Just A Little Light
7:14
Let It Grow
12:10
Tuning
1:13
Foolish Heart>
9:06
Looks Like Rain
8:46
Drums*>
13:33
Space>
9:01
Gimme Some Lovin>
5:33
All Along The Watchtower>
6:28
Stella Blue>
7:56
Turn On Your Lovelight
8:25
U.S. Blues
7:35
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:30:28
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2021
SHNID:
gd1989-12-28.154423.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Drums with Willie Green III -- Recorded by Dan Healy and Don Pearson -- Thanks to Ted Mattes for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 153956 2496 > 1644
Taper: Recorded by Dan Healy and Don Pearson
2:30:29
SBD
Taper:
Recorded by Dan Healy and Don Pearson
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2021
SHNID:
gd1989-12-28.153956.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Drums with Willie Green III -- Recorded by Dan Healy and Don Pearson -- Thanks to Ted Mattes for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Source 3 of 15
2:24:12
SBD
Rating:
8.22 / 10 ratings
SHNID:
gd1989-12-28.sbd.miller.32254.sbeok.flac16
Source:
SBD -> Master Cassette
Lineage:
Master Cassette -> Sonic 20-bit -> SBM2 -> CD
Taper Notes:
View Notes-- Drums appears on Infrared Roses (w/ Willie Green III) -- Encore is on disc One to fit show onto 2 discs -- Thanks to David Gans for supplying the discs.
Taper: Ted Mattes
2:36:17
Rating:
8.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-12-28.142684.schoeps-akg414.composite.mattes.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording of the 1st set, as well as the Dat clone of the 2nd Set - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid322254 ultramatrix source which supplies a 0:36 patch in "Queen Jane Approximately" Mastered by Scott Clugston July 10, 2018
Taper: Ted Mattes
9:32
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-12-28.142684.schoeps.akg.414.composite.mattes.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording of the 1st set, as well as the Dat clone of the 2nd Set - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid322254 ultramatrix source which supplies a 0:36 patch in "Queen Jane Approximately" Mastered by Scott Clugston July 10, 2018
Source 6 of 15
2:32:42
SHNID:
gd1989-12-28.165021.mtx.seamons.ht159.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 2, 2023
Taper Notes:
View NotesNotes: Drums with Willie Green III. A few clicks removed during Foolish Heart.
Taper: Archival Audio
2:33:50
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-12-28.140421.fob.AA.toak1.flac1644
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: first 3 minutes of set 1 had multiple patches in LTGTR with the right used for left (AKA mono). Only about 30 seconds of LTGTR patched. The rest of set one is unpatched. No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Archival Audio
2:33:50
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-12-28.140375.AA-fob-toak1.flac2448
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: first 3 minutes of set 1 had multiple patches in LTGTR with the right used for left (AKA mono). Only about 30 seconds of LTGTR patched. The rest of set one is unpatched. No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Unknown
1:07:00
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-12-28.139207.FOB.s1.Schoeps.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Could be a Weber pull, could be a Mattes, could be both. - Could be watermelons.
Taper: Lance Deal
2:33:51
Taper:
Lance Deal
Transferrer:
jwpetty
SHNID:
gd1989-12-28.131028.cmc521.fob.deal.jwpetty.flac16
Source:
Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal;
Lineage:
Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
Taper: Baker
2:27:11
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-12-28.Nak300CP4.Baker.Keo.126031.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from Mr. Baker's collection of master recordings and the Grateful Dead's December run of shows!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Baker
2:27:11
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-12-28.Nak300CP4.Baker.Keo.126030.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from Mr. Baker's collection of master recordings and the Grateful Dead's December run of shows!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Da Weez
2:22:38
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1989-12-28.117731.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger & Gerry Gordon
2:25:49
Rating:
2.00 / 1 rating
Taper:
Keith Litzenberger & Gerry Gordon
Transferrer:
Keith Litzenberger
SHNID:
gd1989-12-28.sennme80.wklitz.91643.flac
Source:
Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades and Sample Rate Conversion)>CDWAV>FLAC
Source 15 of 15
2:26:27
SHNID:
gd1989-12-28.fob.oleynick.12565.sbeok.shnf
Source:
2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN