RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.5k208
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59784
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.7k766
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.9k243
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.4k580
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.2k403
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h79990
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k241
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k274
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k691
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k175
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4k516
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.4k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.6k784
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85872
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k559
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k578
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k425
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.1k920
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60273
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13621
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29322
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1989
12/28/89
tuning
2:06
Let The Good Times Roll
4:51
Feel Like A Stranger
10:32
Dire Wolf
3:40
Little Red Rooster
11:21
Ramble On Rose
7:16
Queen Jane Approximately
7:57
Just A Little Light
7:29
Let It Grow
11:48
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:30:28
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2021
SHNID:
gd1989-12-28.154423.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Drums with Willie Green III -- Recorded by Dan Healy and Don Pearson -- Thanks to Ted Mattes for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 153956 2496 > 1644
Taper: Recorded by Dan Healy and Don Pearson
2:30:29
SBD
Taper:
Recorded by Dan Healy and Don Pearson
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2021
SHNID:
gd1989-12-28.153956.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Drums with Willie Green III -- Recorded by Dan Healy and Don Pearson -- Thanks to Ted Mattes for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Source 3 of 15
2:24:12
SBD
Rating:
8.22 / 10 ratings
SHNID:
gd1989-12-28.sbd.miller.32254.sbeok.flac16
Source:
SBD -> Master Cassette
Lineage:
Master Cassette -> Sonic 20-bit -> SBM2 -> CD
Taper Notes:
View Notes-- Drums appears on Infrared Roses (w/ Willie Green III) -- Encore is on disc One to fit show onto 2 discs -- Thanks to David Gans for supplying the discs.
Taper: Ted Mattes
2:36:17
Rating:
8.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-12-28.142684.schoeps-akg414.composite.mattes.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording of the 1st set, as well as the Dat clone of the 2nd Set - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid322254 ultramatrix source which supplies a 0:36 patch in "Queen Jane Approximately" Mastered by Scott Clugston July 10, 2018
Taper: Ted Mattes
9:32
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-12-28.142684.schoeps.akg.414.composite.mattes.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording of the 1st set, as well as the Dat clone of the 2nd Set - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid322254 ultramatrix source which supplies a 0:36 patch in "Queen Jane Approximately" Mastered by Scott Clugston July 10, 2018
Source 6 of 15
2:32:42
SHNID:
gd1989-12-28.165021.mtx.seamons.ht159.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 2, 2023
Taper Notes:
View NotesNotes: Drums with Willie Green III. A few clicks removed during Foolish Heart.
Taper: Archival Audio
2:33:50
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-12-28.140421.fob.AA.toak1.flac1644
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: first 3 minutes of set 1 had multiple patches in LTGTR with the right used for left (AKA mono). Only about 30 seconds of LTGTR patched. The rest of set one is unpatched. No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Archival Audio
2:33:50
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-12-28.140375.AA-fob-toak1.flac2448
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ I was taping with taper buddy, John DeTally and we were up front in the quite zone with John Ammons, and I think Clay and or Sean, though I am not sure of who exactly we were with, we were acting as quiet blockers and redirecting folks around as best we could. John DeTally and I took turns wearing the mics and running the decks, both WM-D6C's Mine first then his. The blanket space was about half way between the house soundboard mix position and the stage and was fairly large I believe it was 4 large king size tie died sheets sewn together... plus made a few others surrounding the quite fob taping zone... It sounds very sweet way up in there. I had DIY'd my To a K1 capsules to be "active" from the bodies sometime in 1988 , I believe. Later Some on I knew "machines some threaded parts, though out of aluminum, and with the fine threading it proved to be too soft and would occasionally lose connections, I think for this run I simply had the cables electrical taped on to the caps and bodies. There were multiple pops and high transient clips and crackles, in the left channel. I only ran 12/27 and 12/28 upfront, I did not want the stress on 12./30 or 12/31 so I ran from way in the back in the Official Taping Section (OTS) which was not even on the floor, but in the back elevated stands. Finally I am able to master both of these FOB nights, and use the right channel to patch the left, where needed. It is certainly a labor of love, but well worth the effort I hope that you enjoy the recordings too. No EQ or other effects were applied. Tech Notes: first 3 minutes of set 1 had multiple patches in LTGTR with the right used for left (AKA mono). Only about 30 seconds of LTGTR patched. The rest of set one is unpatched. No patches in second set For many years this was the only source I had to listen to my own and is why I started taping, so I could hear the shows I attended. enjoy - ArchivalAudio
Taper: Unknown
1:07:00
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-12-28.139207.FOB.s1.Schoeps.Ammons.Noel.t-flac16
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes- Could be a Weber pull, could be a Mattes, could be both. - Could be watermelons.
Taper: Lance Deal
2:33:51
Taper:
Lance Deal
Transferrer:
jwpetty
SHNID:
gd1989-12-28.131028.cmc521.fob.deal.jwpetty.flac16
Source:
Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal;
Lineage:
Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
Taper: Baker
2:27:11
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-12-28.Nak300CP4.Baker.Keo.126031.Flac1644
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from Mr. Baker's collection of master recordings and the Grateful Dead's December run of shows!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Baker
2:27:11
Taper:
Baker
Transferrer:
Keo
SHNID:
gd1989-12-28.Nak300CP4.Baker.Keo.126030.Flac2496
Source:
Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Baker for recording and sharing his source for this show!Another excellent share from Mr. Baker's collection of master recordings and the Grateful Dead's December run of shows!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Da Weez
2:22:38
Rating:
8.00 / 1 rating
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1989-12-28.117731.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger & Gerry Gordon
2:25:49
Rating:
2.00 / 1 rating
Taper:
Keith Litzenberger & Gerry Gordon
Transferrer:
Keith Litzenberger
SHNID:
gd1989-12-28.sennme80.wklitz.91643.flac
Source:
Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section
Lineage:
DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades and Sample Rate Conversion)>CDWAV>FLAC
Source 15 of 15
2:26:27
SHNID:
gd1989-12-28.fob.oleynick.12565.sbeok.shnf
Source:
2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN