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Bands
Grateful Dead
Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1989
Sources
Taper: Don Pearson
2:45:02
SBD
Rating:
6.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-18.147728.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 7, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:45:02
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-18.147697.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > Dat (shnid=142562) supplies: Drums (1:49 - end of track) Space (0:00 - 6:20) All Transfers and Mastering By Charlie Miller [email protected] October 7, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes
Transferrer: Charlie Miller
2:45:03
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-18.sbd.walker-scotton.miller.83776.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R.
Transferrer: Matrix by Kevin Tobin
2:37:53
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1989-10-18.147723.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-OCT-2019 - Trader Little Helper - Tagged 12-OCT-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Keith Litzenberger
2:46:51
SBD
Rating:
8.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1989-10-18.101845.wklitz.sennheiserME80.flac
Source:
Sennheiser ME-80's>Technics SV-MD1 from front left corner of SBD
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Transferrer: Kevin Tobin
2:37:42
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-18.mtx.tobin.89967.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid = 83776) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 29, 2007 Patch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD >From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R.) AUD (shnid = 89963) Master: JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF -> Adobe Audition 3.0 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 10-FEB-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio\Video Patches: None Brokedown House Production
Source 7 of 19
2:38:01
SBD
Rating:
8.13 / 16 ratings
SHNID:
gd89-10-18.sbd-matrix.nawrocki.12091.sbeok.shnf
Source:
Healy Ultramix > MC > DAT > CDR with Aud patches
Taper Notes:
View NotesHealy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki
Taper: Jim Vita
1:33:55
Rating:
10.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-10-18.164835.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Keith Litzenberger for the Sennheiser ME80 source which supplies a 5:54 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Jim Vita
1:33:55
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-10-18.164834.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Keith Litzenberger for the Sennheiser ME80 source which supplies a 5:54 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Ted Mattes
2:50:10
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-10-18.142562.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 3, 2018
Taper: Dave Boedicker
2:43:20
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-10-18.149607.DAK.Boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassete Deck>2 Maxell MX-90 Monute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 107.Row 5.Seat 16.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Queen Jane Approximately"(No Music Missed On Next Song "Bird Song") 2)Tape Flip During Drums Enjoy!!!!
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:37:55
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-10-18.147725.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-OCT-2019 - Trader Little Helper - Tagged 12-OCT-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Craig Hillwig
2:45:26
Rating:
10.00 / 1 rating
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1989-10-18.120496.mk21.sbeok.flac16
Source:
Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- DAT was stopped during encore break with fades applied - 48k version exists Seeded to etree on: 06/06/2012
Taper: Craig Hillwig
2:45:26
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1989-10-18.120495.mk21.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps; CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- DAT was stopped during encore break with fades applied - 44.1k version exists Seeded to etree on: 06/06/2012
Transferrer: Jeff Bowen;Brad Foster
2:43:52
Transferrer:
Jeff Bowen;Brad Foster
SHNID:
gd1989-10-18.nak300.juteau.116662.flac
Source:
Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;
Lineage:
DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
Taper Notes:
View NotesNotes: - Tracked by set, burn to disc however you please. -- Thanks to Gene for sharing his master! Thanks to Jeff for sharing his transfer! All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set. Log and cue files included. Enjoy!
Source 16 of 19
2:40:46
SHNID:
gd1989-10-18.100218
Transferrer: Kevin Tobin
2:37:46
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-18.dts.tobin.89968.sbeok.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesAudio Source Information SBD (shnid = 83776) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 29, 2007 Patch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R.) AUD (shnid = 89963) Master: JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF -> Adobe Audition 3.0 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 10-FEB-2008 --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:37:42
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-18.aud.lazycow.89963.flac
Source:
JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Lineage:
S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF -> Adobe Audition 3.0
Taper Notes:
View Notes------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 10-FEB-2008 --------------------------------------------------------- Audio\Video Patches: None Brokedown House Production
Taper: Jill and Rob R
2:52:18
Rating:
9.20 / 5 ratings
Taper:
Jill and Rob R
SHNID:
gd89-10-18.nak.rob_r.7551.sbefail.shnf
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni )
Taper Notes:
View NotesDigital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube