RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 9th
Years
1995
30.1k
PlaybackListensHours
48h59179
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.5k189
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.9k357
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k290
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.2k463
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h8.4k1k
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.3k285
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k125
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k185
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h64872
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.3k149
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2.1k255
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.2k156
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.2k152
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.4k176
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h5.7k629
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k201
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k226
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h19.2k2.7k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h4.8k682
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h58057
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k962
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h5k638
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.2k276
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k168
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.2k238
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.9k306
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h840113
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13517
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24612
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h332
7d1156
30d59235
2 shows
2 tapes
1989
10/18/89
Tuning
1:35
Shakedown Street
16:47
Little Red Rooster
9:15
Peggy-O
7:47
Queen Jane Approximately
7:12
Bird Song
13:16
Music Never Stopped
6:32
Tuning
0:52
China Cat Sunflower
6:21
I Know You Rider; Ship Of Fools
13:14
Women Are Smarter
7:35
Terrpain Station
12:48
Drums >
11:14
Space
10:20
Gimmie Some Lovin'
4:16
All ALong The Watchtower
5:59
Black Peter
9:40
Around & Around
3:39
Good Lovin'
6:12
US Blues
6:12
FIN
View on archive.org
Sources
Taper: Don Pearson
2:45:02
SBD
Rating:
6.00 / 1 rating
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-18.147728.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 7, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:45:02
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-18.147697.sbd.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > Dat (shnid=142562) supplies: Drums (1:49 - end of track) Space (0:00 - 6:20) All Transfers and Mastering By Charlie Miller [email protected] October 7, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes
Transferrer: Charlie Miller
2:45:03
SBD
Rating:
9.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-18.sbd.walker-scotton.miller.83776.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R.
Transferrer: Matrix by Kevin Tobin
2:37:53
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1989-10-18.147723.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-OCT-2019 - Trader Little Helper - Tagged 12-OCT-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Keith Litzenberger
2:46:51
SBD
Rating:
8.00 / 2 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1989-10-18.101845.wklitz.sennheiserME80.flac
Source:
Sennheiser ME-80's>Technics SV-MD1 from front left corner of SBD
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Transferrer: Kevin Tobin
2:37:42
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-18.mtx.tobin.89967.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD)
Taper Notes:
View NotesAudio Source Information SBD (shnid = 83776) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 29, 2007 Patch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD >From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R.) AUD (shnid = 89963) Master: JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF -> Adobe Audition 3.0 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 10-FEB-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio\Video Patches: None Brokedown House Production
Source 7 of 19
2:38:01
SBD
Rating:
8.13 / 16 ratings
SHNID:
gd89-10-18.sbd-matrix.nawrocki.12091.sbeok.shnf
Source:
Healy Ultramix > MC > DAT > CDR with Aud patches
Taper Notes:
View NotesHealy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki
Taper: Jim Vita
1:33:55
Rating:
10.00 / 1 rating
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-10-18.164835.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Keith Litzenberger for the Sennheiser ME80 source which supplies a 5:54 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Jim Vita
1:33:55
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1989-10-18.164834.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Keith Litzenberger for the Sennheiser ME80 source which supplies a 5:54 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2022
Taper: Ted Mattes
2:50:10
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-10-18.142562.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 3, 2018
Taper: Dave Boedicker
2:43:20
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-10-18.149607.DAK.Boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassete Deck>2 Maxell MX-90 Monute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 107.Row 5.Seat 16.
Taper Notes:
View NotesNotes: 1)Tape Flip After "Queen Jane Approximately"(No Music Missed On Next Song "Bird Song") 2)Tape Flip During Drums Enjoy!!!!
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:37:55
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-10-18.147725.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 12-OCT-2019 - Trader Little Helper - Tagged 12-OCT-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Craig Hillwig
2:45:26
Rating:
10.00 / 1 rating
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1989-10-18.120496.mk21.sbeok.flac16
Source:
Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- DAT was stopped during encore break with fades applied - 48k version exists Seeded to etree on: 06/06/2012
Taper: Craig Hillwig
2:45:26
Taper:
Craig Hillwig
Transferrer:
Lenny Stubbe
SHNID:
gd1989-10-18.120495.mk21.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps; CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- DAT was stopped during encore break with fades applied - 44.1k version exists Seeded to etree on: 06/06/2012
Transferrer: Jeff Bowen;Brad Foster
2:43:52
Transferrer:
Jeff Bowen;Brad Foster
SHNID:
gd1989-10-18.nak300.juteau.116662.flac
Source:
Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;
Lineage:
DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
Taper Notes:
View NotesNotes: - Tracked by set, burn to disc however you please. -- Thanks to Gene for sharing his master! Thanks to Jeff for sharing his transfer! All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set. Log and cue files included. Enjoy!
Source 16 of 19
2:40:46
SHNID:
gd1989-10-18.100218
Transferrer: Kevin Tobin
2:37:46
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-18.dts.tobin.89968.sbeok.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View NotesAudio Source Information SBD (shnid = 83776) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 29, 2007 Patch Info: (2) Nakamichi 300/CP4 + (1) Nakamichi 300/CP3 -> Cassette Master -> CD From 1:41 in Drums to 6:21 in Space Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Jill and Rob R.) AUD (shnid = 89963) Master: JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF -> Adobe Audition 3.0 --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 10-FEB-2008 --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:37:42
Transferrer:
Kevin Tobin
SHNID:
gd1989-10-18.aud.lazycow.89963.flac
Source:
JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master
Lineage:
S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF -> Adobe Audition 3.0
Taper Notes:
View Notes------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 10-FEB-2008 --------------------------------------------------------- Audio\Video Patches: None Brokedown House Production
Taper: Jill and Rob R
2:52:18
Rating:
9.20 / 5 ratings
Taper:
Jill and Rob R
SHNID:
gd89-10-18.nak.rob_r.7551.sbefail.shnf
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni )
Taper Notes:
View NotesDigital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube