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June 13th
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1989
10/15/89
Crowd/Tuning
1:12
Let The Good Times Roll>
3:53
Aiko Aiko
7:35
Walkin' Blues
6:24
Far From Me
5:46
Row Jimmy (Tape Flip After Song)
11:37
Victim Or The Crime>
8:41
Standing On The Moon, Set Break
8:11
Tuning
2:25
Samson And Delilah
7:07
Just A Little Light>
5:03
Crazy Fingers>
8:45
Estimated Prophet>
12:47
Eyes Of The World>
11:03
D..rums> (Tape Flip At Start)
8:39
Space>
10:48
Stella Blue>
8:28
Throwing Stones>
9:10
Not Fade Away, NFA Chant..
8:30
NFA Chant Continued
2:54
Box Of Rain
4:58
FIN
View on archive.org
Sources
Taper: Don Pearson
2:39:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-15.147666.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > Dat (shnid=142542) supplies: Standing On The Moon (0:17 - 0:26) All Transfers and Mastering By Charlie Miller [email protected] September 27, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes -- Two sets of masters were used to make the second set complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:39:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-15.147631.ultramatrix.sbd.pearson.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > Dat (shnid=142542) supplies: Standing On The Moon (0:17 - 0:26) All Transfers and Mastering By Charlie Miller [email protected] September 27, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes -- Two sets of masters were used to make the second set complete
Transferrer: Charlie Miller
2:40:10
SBD
Rating:
9.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-15.sbd.walker-scotton.miller.83298.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD Drums (0:00 - 0:36) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
2:37:23
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
SHNID:
gd1989-10-15.175752.mtx.tobin.flac2496
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 01-JAN-2026 - Trader Little Helper - Tagged 01-JAN-2026 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: hansokolow
2:34:25
SBD
Rating:
8.00 / 2 ratings
Transferrer:
hansokolow
SHNID:
gd1989-10-15.mtx.hansokolow.96884.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid= 3159 SBD>C>DAT>CDR ----------------------------------- DAUD: shnid= 89674 AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - SOTM cuts-in due to tape-flip, crossfaded together. - Glitch at 0:19 in SOTM. - Disc break is seamless. - Tape-flip at 2:39.160 in Jam, mended together. - Soundforge used for fades, clean-up around tape flips, adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums. ----------------------------------- My Notes: AUD source slowed down, song by song, to match the SBD source. Transition between Victim and SOTM is missing from the AUD. Some small gaps between songs, cross-patched. Estimated-> Eyes is one example. There's a good chunk of Drums missing from the SBD. On Fall break from Oberlin College, I tried to get into the previous night to no avail. We did show up with tickets to this night, which was my second Dead show. It was one of my first experiences with acid, and I recall the drug really setting in during this phenomenal Just A Little Light. During Crazy Fingers I was amazed by how the band seemed to be slowing down drastically between every beat, making it very gooey. It was the drugs. Sadly, I lost the North Sea fisherman's cap that my German friend, Gert had given me at my first Dead show, in Berkeley in August. Also, word went around during the set break that Wavy Gravy was hanging out in the lobby, and though my friends egged me on to go meet him and tell him that I was born in a house in Berkeley where he once lived, the drugs were too strong for me to leave my seat. Amazingly, we didn't even bother to try to get into the following night, Bobby's birthday. Hi Dave and Sonja! -Tano ([email protected])
Source 6 of 17
2:25:11
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd89-10-15.sbd.chaser.3159.sbeok.shnf
Source:
SBD> C> DAT> CDR
Taper Notes:
View NotesSBD> C> DAT> CDR; seeded by Chaser
Taper: Ted Mattes
2:41:00
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-10-15.142542.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 3, 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:37:23
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-10-15.175778.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 03-JAN-2026 - Trader Little Helper - Tagged 03-JAN-2026 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Dave Boedicker
2:36:43
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-10-15.149522.DAK.boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boeicker,Official Taper Section.
Taper Notes:
View NotesNotes: 1)Tape Flip After End Of "Victim Or The Crime"(Clean Flip.Nothing Really Missed On Next Song "Standing On The Moon" 2)Tape Flip Near Very End Of "Eyes Of The World" Warts And All. Enjoy!!
Taper: Ted Mattes
1:44:15
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-10-15.138138.set2.Schoeps.FOB.Mattes.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes* Note The circulating 1st set list the mics as CMC44. Was there a mic change during set?? Doubtful. Different taper? Maybe, but less than a handful of Schoeps and DATs FOB in '89. Ted doesn't recall, so short of holding his masters it's an mystery for now. Feelers are out there & if I learn something I will report back. In the meantime enjoy this fine FOB in its full Schoeps glory, for the first time. patch info shnid: 83298 SBD -> Cassette Master (TDK MA-XG90) s2t12 - 0:01 - 0:21 -Set I- shnid: 125556
Taper: M.Laurentus
2:37:05
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1989-10-15.125662.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Ted Mattes
52:46
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1989-10-15.125556.mk4.flac16
Source:
Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- We don't have the set II DAT - RIP Adam Katz 10/14/1989 - 48k version exists Seeded to etree on: 08/25/2013
Taper: Ted Mattes
52:46
Taper:
Ted Mattes
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1989-10-15.125555.mk4.48khz.flac16
Source:
<b>flac16/48kHz</b>; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- We don't have the set II DAT - RIP Adam Katz 10/14/1989 - 48k version exists Seeded to etree on: 08/25/2013
Taper: Alabama Bob,Mr. Currier
2:33:56
Taper:
Alabama Bob,Mr. Currier
Transferrer:
Keo
SHNID:
gd1989-10-15.Senn441sNak300.AlabamaBob.Currier.Keo.120535.Flac1644
Source:
Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for sending me the tapes to work on and to Alabama Bob for running the main set up this show was recorded from!Some higher recording levels present in "Throwing Stones and "Not Fade Away" and in a few other songs here and there but considering the time frame,songs and a show I was at,the good out weighs the not as good IMO!Highlights for me was the "Victim Or The Crime> Standing On The Moon" to close the first set."Just A Little Light" shines as well as the "Stella Blue" out of "Space" and some interesting noodling from Jerry before and after the "Eyes" and into the song itself! Seems Jerry did not want to stop playing possibly due to the very energentic crowd through out the show! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Alabama Bob,Mr. Currier
2:33:56
Taper:
Alabama Bob,Mr. Currier
Transferrer:
Keo
SHNID:
gd1989-10-15.Senn441sNak300.AlabamaBob.Currier.Keo.120533.Flac2496
Source:
Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for sending me the tapes to work on and to Alabama Bob for running the main set up this show was recorded from!Some higher recording levels present in "Throwing Stones and "Not Fade Away" and in a few other songs here and there but considering the time frame,songs and a show I was at,the good out weighs the not as good IMO!Highlights for me was the "Victim Or The Crime> Standing On The Moon" to close the first set."Just A Little Light" shines as well as the "Stella Blue" out of "Space" and some interesting noodling from Jerry before and after the "Eyes" and into the song itself! Seems Jerry did not want to stop playing possibly due to the very energentic crowd through out the show! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Jon Pasternak
2:36:57
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1989-10-15.akg458.pasternak.mallick.107841.flac16
Source:
Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
Taper: Andrew F.
2:32:20
Rating:
6.67 / 3 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1989-10-15.senn421.andrewf.89674.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- SOTM cuts-in due to tape-flip, crossfaded together. - Glitch at 0:19 in SOTM. - Disc break is seamless. - Tape-flip at 2:39.160 in Jam, mended together. - Soundforge used for fades, clean-up around tape flips, adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums. * In Memory of Adam Katz *