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June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1989
10/15/89
Let The Good Times Roll
4:18
Iko Iko
7:37
Walkin' Blues
7:37
Far From Me
5:42
Row Jimmy
11:41
Victim Or The Crime
8:10
Standing On The Moon
8:11
Tuning
1:34
Samson And Delilah
8:04
Just A Little Light
4:41
Crazy Fingers
8:41
Estimated Prophet
12:41
Eyes Of The World
10:53
Drums
9:54
Space
10:44
Stella Blue
7:59
Throwing Stones
9:09
Not Fade Away
11:49
Not Fade Away
2:51
Box Of Rain
5:07
FIN
View on archive.org
Sources
Taper: Don Pearson
2:39:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-15.147666.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > Dat (shnid=142542) supplies: Standing On The Moon (0:17 - 0:26) All Transfers and Mastering By Charlie Miller [email protected] September 27, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes -- Two sets of masters were used to make the second set complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson
2:39:07
SBD
Taper:
Don Pearson
Transferrer:
Charlie Miller
SHNID:
gd1989-10-15.147631.ultramatrix.sbd.pearson.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Schoeps CMC4/MK4 > Dat (shnid=142542) supplies: Standing On The Moon (0:17 - 0:26) All Transfers and Mastering By Charlie Miller [email protected] September 27, 2019 Notes: -- Recorded by Don Pearson -- Patch source recorded by Ted Mattes -- Two sets of masters were used to make the second set complete
Transferrer: Charlie Miller
2:40:10
SBD
Rating:
9.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-10-15.sbd.walker-scotton.miller.83298.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (2) Nakamichi 300/CP4 + (2) Nakamichi 100/CP1 -> Cassette Master -> CD Drums (0:00 - 0:36) Notes: -- Set 2 is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes -- Patch source recorded By Steve Cherson
Transferrer: SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
2:37:23
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (96/24) by Kevin Tobin
SHNID:
gd1989-10-15.175752.mtx.tobin.flac2496
Source:
SBD + AUD Matrix 2 Source Mix (96/24)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 01-JAN-2026 - Trader Little Helper - Tagged 01-JAN-2026 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: hansokolow
2:34:25
SBD
Rating:
8.00 / 2 ratings
Transferrer:
hansokolow
SHNID:
gd1989-10-15.mtx.hansokolow.96884.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources: SBD: shnid= 3159 SBD>C>DAT>CDR ----------------------------------- DAUD: shnid= 89674 AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. Notes: - SOTM cuts-in due to tape-flip, crossfaded together. - Glitch at 0:19 in SOTM. - Disc break is seamless. - Tape-flip at 2:39.160 in Jam, mended together. - Soundforge used for fades, clean-up around tape flips, adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums. ----------------------------------- My Notes: AUD source slowed down, song by song, to match the SBD source. Transition between Victim and SOTM is missing from the AUD. Some small gaps between songs, cross-patched. Estimated-> Eyes is one example. There's a good chunk of Drums missing from the SBD. On Fall break from Oberlin College, I tried to get into the previous night to no avail. We did show up with tickets to this night, which was my second Dead show. It was one of my first experiences with acid, and I recall the drug really setting in during this phenomenal Just A Little Light. During Crazy Fingers I was amazed by how the band seemed to be slowing down drastically between every beat, making it very gooey. It was the drugs. Sadly, I lost the North Sea fisherman's cap that my German friend, Gert had given me at my first Dead show, in Berkeley in August. Also, word went around during the set break that Wavy Gravy was hanging out in the lobby, and though my friends egged me on to go meet him and tell him that I was born in a house in Berkeley where he once lived, the drugs were too strong for me to leave my seat. Amazingly, we didn't even bother to try to get into the following night, Bobby's birthday. Hi Dave and Sonja! -Tano ([email protected])
Source 6 of 17
2:25:11
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd89-10-15.sbd.chaser.3159.sbeok.shnf
Source:
SBD> C> DAT> CDR
Taper Notes:
View NotesSBD> C> DAT> CDR; seeded by Chaser
Taper: Ted Mattes
2:41:00
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-10-15.142542.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston July 3, 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:37:23
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-10-15.175778.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 03-JAN-2026 - Trader Little Helper - Tagged 03-JAN-2026 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Dave Boedicker
2:36:43
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-10-15.149522.DAK.boedicker.flac1644
Source:
Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boeicker,Official Taper Section.
Taper Notes:
View NotesNotes: 1)Tape Flip After End Of "Victim Or The Crime"(Clean Flip.Nothing Really Missed On Next Song "Standing On The Moon" 2)Tape Flip Near Very End Of "Eyes Of The World" Warts And All. Enjoy!!
Taper: Ted Mattes
1:44:15
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-10-15.138138.set2.Schoeps.FOB.Mattes.Ammons.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Taper Notes:
View Notes* Note The circulating 1st set list the mics as CMC44. Was there a mic change during set?? Doubtful. Different taper? Maybe, but less than a handful of Schoeps and DATs FOB in '89. Ted doesn't recall, so short of holding his masters it's an mystery for now. Feelers are out there & if I learn something I will report back. In the meantime enjoy this fine FOB in its full Schoeps glory, for the first time. patch info shnid: 83298 SBD -> Cassette Master (TDK MA-XG90) s2t12 - 0:01 - 0:21 -Set I- shnid: 125556
Taper: M.Laurentus
2:37:05
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1989-10-15.125662.AT835.flac16
Source:
Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Ted Mattes
52:46
Taper:
Ted Mattes
Transferrer:
Lenny Stubbe and Craig Hillwig
SHNID:
gd1989-10-15.125556.mk4.flac16
Source:
Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- We don't have the set II DAT - RIP Adam Katz 10/14/1989 - 48k version exists Seeded to etree on: 08/25/2013
Taper: Ted Mattes
52:46
Taper:
Ted Mattes
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1989-10-15.125555.mk4.48khz.flac16
Source:
<b>flac16/48kHz</b>; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;
Lineage:
Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- We don't have the set II DAT - RIP Adam Katz 10/14/1989 - 48k version exists Seeded to etree on: 08/25/2013
Taper: Alabama Bob,Mr. Currier
2:33:56
Taper:
Alabama Bob,Mr. Currier
Transferrer:
Keo
SHNID:
gd1989-10-15.Senn441sNak300.AlabamaBob.Currier.Keo.120535.Flac1644
Source:
Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for sending me the tapes to work on and to Alabama Bob for running the main set up this show was recorded from!Some higher recording levels present in "Throwing Stones and "Not Fade Away" and in a few other songs here and there but considering the time frame,songs and a show I was at,the good out weighs the not as good IMO!Highlights for me was the "Victim Or The Crime> Standing On The Moon" to close the first set."Just A Little Light" shines as well as the "Stella Blue" out of "Space" and some interesting noodling from Jerry before and after the "Eyes" and into the song itself! Seems Jerry did not want to stop playing possibly due to the very energentic crowd through out the show! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Alabama Bob,Mr. Currier
2:33:56
Taper:
Alabama Bob,Mr. Currier
Transferrer:
Keo
SHNID:
gd1989-10-15.Senn441sNak300.AlabamaBob.Currier.Keo.120533.Flac2496
Source:
Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Currier for sending me the tapes to work on and to Alabama Bob for running the main set up this show was recorded from!Some higher recording levels present in "Throwing Stones and "Not Fade Away" and in a few other songs here and there but considering the time frame,songs and a show I was at,the good out weighs the not as good IMO!Highlights for me was the "Victim Or The Crime> Standing On The Moon" to close the first set."Just A Little Light" shines as well as the "Stella Blue" out of "Space" and some interesting noodling from Jerry before and after the "Eyes" and into the song itself! Seems Jerry did not want to stop playing possibly due to the very energentic crowd through out the show! As ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Jon Pasternak
2:36:57
Taper:
Jon Pasternak
Transferrer:
Dave Mallick
SHNID:
gd1989-10-15.akg458.pasternak.mallick.107841.flac16
Source:
Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
Taper: Andrew F.
2:32:20
Rating:
6.67 / 3 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1989-10-15.senn421.andrewf.89674.sbeok.flac16
Source:
Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes- SOTM cuts-in due to tape-flip, crossfaded together. - Glitch at 0:19 in SOTM. - Disc break is seamless. - Tape-flip at 2:39.160 in Jam, mended together. - Soundforge used for fades, clean-up around tape flips, adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums. * In Memory of Adam Katz *