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Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1989
9/29/89
Tuning >
2:39
Let The Good Times Roll
4:26
Feel Like A Stranger
7:13
Franklin's Tower
10:15
Wang Dang Doodle
6:55
Jack A Roe
5:27
Stuck Inside Of Mobile With The Memphis Blues Again
8:56
We Can Run But We Can't Hide
7:20
Bird Song
13:31
Promised Land
4:34
Tuning >
2:25
China Cat Sunflower >
6:08
I Know You Rider
5:39
Blow Away
8:50
Tuning/Equipment Problem Break
3:15
Playin' In The Band >
8:46
Terrapin Station >
14:51
Drums >
2:24
Drums >
6:22
Space >
8:25
I Need A Miracle >
4:32
Death Don't Have No Mercy >
6:42
Sugar Magnolia
8:53
The Mighty Quinn
4:46
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151621.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete -- 151409 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151409.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:44:22
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.dsbd.walker-scotton.miller.81705.sbeok.flac16
Source:
SBD -> Dat D
Lineage:
Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC
Taper Notes:
View NotesPatch Info: The following song sare patched with SBD Cassette Master: Set 1 Tuning (Complete Track) Let The Good Times Roll (Complete Track) 8:45 in Bird Song through 5:17 Drums Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:48:58
SBD
Rating:
8.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.sbd.walker-scotton.miller.81704.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- A 2nd SBD Cass Master was used to patch the tape flip -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:40:06
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-29.157192.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 6 of 11
2:36:48
SBD
Rating:
9.00 / 6 ratings
SHNID:
gd89-09-29.sbd.17703.sbeok.shnf
Source:
SBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD)
Taper Notes:
View NotesSBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD); See txt file for details of patched tracks; Transferred, edited and seeded to Etree by Charlie Miller
Taper: Ted Mattes
2:46:58
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-09-29.141772.OTS.Schoeps.Mattes.Miller.Noel.T-flac1644
Source:
Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
Taper Notes:
View NotesNotes: - DC offset was removed - small, pesky clicks were dealt with according. - power outage after Blow Away (give it just a minute) - Last 'Death Don't Have No Mercy' 3/21/70 Early [1334]
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:06
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-29.157198.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Jeff Bowen
2:43:14
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1989-09-29.127422.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS)
Lineage:
XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS, Section 202, Row H, Seat #5 Tapers Notes: I remember THIS weekend well. Saturday’s show recording went pretty well. I was stunned to hear the first notes of ‘Death Don’t Have No Mercy’ in the second set. I remember thinking that the opening notes sounded vaguely familiar, but I couldn’t place them at first. I got a chill when I realized that it was in fact the song that I thought it was. The crowd went nuts, seeing how it was going to be the first time this song had been played in 19 years! Jerry’s vocals were so chilling, and Brent’s vocals were amazing. I miss both of them so much. Fortunately this show’s recordings still sound decent, in comparison to my master from 9/30/89. Sunday was an adventure. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco in the afternoon, and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of Bay Area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm, which is like the ’lot from Hell’. We ran to the amphitheatre carrying all of the recording equipment with the rest of the stragglers and my ex-wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment during the set break. (I was borrowing a set of Nakamichi CM-300s from a friend for this weekend’s shows. I was hesitant to take them into Golden Gate Park for the Airplane show because I didn’t know if taping would be allowed. It was, and I had ‘played it safe’ and left them locked up back in Oakland and had to use my Aiwa CM-30 for the SF gig. (I ran the same Nakamichi CM-300s with CP-4 shotgun capsules, but for some reason I used another friend’s Marantz PMD-430 to record the Sunday Dead second set instead of my D6, but I don’t remember why that master has not aged well, suffering print through, and is not worthy of a transfer.) Included in the torrent is a scan of three of my Dead ticket stubs, with 9/29/89 on the top.
Taper: sal
2:22:40
Rating:
10.00 / 3 ratings
Taper:
sal
Transferrer:
D5scott
SHNID:
gd1989-09-29.117927.SonicStudioDSM-1Sx.sal.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes;
Lineage:
Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 11 of 11
2:43:12
Rating:
8.89 / 10 ratings
SHNID:
gd89-09-29.ultramatrix.braverman.7282.sbeok.shnf
Source:
Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN
Taper Notes:
View NotesUltramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G