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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1989
9/29/89
Tuning
2:34
Let The Good Times Roll
4:15
Feel Like A Stranger ->
7:18
Franklin's Tower
11:35
Wang Dang Doodle
7:17
Jack-A-Roe
5:09
Stuck Inside of Mobile With the Memphis Blues Again
10:08
We Can Run
7:43
Bird Song ->
12:42
The Promised Land
4:36
Tuning
2:34
China Cat Sunflower ->
5:45
I Know You Rider
7:07
Blow Away
8:02
Equipment Break
5:22
Playing in the Band ->
8:46
Terrapin Station ->
15:28
Drums ->
7:09
Space ->
9:52
I Need a Miracle ->
4:56
Death Don't Have No Mercy ->
6:40
Sugar Magnolia
9:19
The Mighty Quinn (Quinn The Eskimo)
4:41
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151621.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete -- 151409 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151409.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:44:22
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.dsbd.walker-scotton.miller.81705.sbeok.flac16
Source:
SBD -> Dat D
Lineage:
Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC
Taper Notes:
View NotesPatch Info: The following song sare patched with SBD Cassette Master: Set 1 Tuning (Complete Track) Let The Good Times Roll (Complete Track) 8:45 in Bird Song through 5:17 Drums Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:48:58
SBD
Rating:
8.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.sbd.walker-scotton.miller.81704.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- A 2nd SBD Cass Master was used to patch the tape flip -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:40:06
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-29.157192.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 6 of 11
2:36:48
SBD
Rating:
9.00 / 6 ratings
SHNID:
gd89-09-29.sbd.17703.sbeok.shnf
Source:
SBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD)
Taper Notes:
View NotesSBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD); See txt file for details of patched tracks; Transferred, edited and seeded to Etree by Charlie Miller
Taper: Ted Mattes
2:46:58
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-09-29.141772.OTS.Schoeps.Mattes.Miller.Noel.T-flac1644
Source:
Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
Taper Notes:
View NotesNotes: - DC offset was removed - small, pesky clicks were dealt with according. - power outage after Blow Away (give it just a minute) - Last 'Death Don't Have No Mercy' 3/21/70 Early [1334]
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:06
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-29.157198.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Jeff Bowen
2:43:14
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1989-09-29.127422.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS)
Lineage:
XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS, Section 202, Row H, Seat #5 Tapers Notes: I remember THIS weekend well. Saturday’s show recording went pretty well. I was stunned to hear the first notes of ‘Death Don’t Have No Mercy’ in the second set. I remember thinking that the opening notes sounded vaguely familiar, but I couldn’t place them at first. I got a chill when I realized that it was in fact the song that I thought it was. The crowd went nuts, seeing how it was going to be the first time this song had been played in 19 years! Jerry’s vocals were so chilling, and Brent’s vocals were amazing. I miss both of them so much. Fortunately this show’s recordings still sound decent, in comparison to my master from 9/30/89. Sunday was an adventure. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco in the afternoon, and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of Bay Area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm, which is like the ’lot from Hell’. We ran to the amphitheatre carrying all of the recording equipment with the rest of the stragglers and my ex-wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment during the set break. (I was borrowing a set of Nakamichi CM-300s from a friend for this weekend’s shows. I was hesitant to take them into Golden Gate Park for the Airplane show because I didn’t know if taping would be allowed. It was, and I had ‘played it safe’ and left them locked up back in Oakland and had to use my Aiwa CM-30 for the SF gig. (I ran the same Nakamichi CM-300s with CP-4 shotgun capsules, but for some reason I used another friend’s Marantz PMD-430 to record the Sunday Dead second set instead of my D6, but I don’t remember why that master has not aged well, suffering print through, and is not worthy of a transfer.) Included in the torrent is a scan of three of my Dead ticket stubs, with 9/29/89 on the top.
Taper: sal
2:22:40
Rating:
10.00 / 3 ratings
Taper:
sal
Transferrer:
D5scott
SHNID:
gd1989-09-29.117927.SonicStudioDSM-1Sx.sal.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes;
Lineage:
Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 11 of 11
2:43:12
Rating:
8.89 / 10 ratings
SHNID:
gd89-09-29.ultramatrix.braverman.7282.sbeok.shnf
Source:
Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN
Taper Notes:
View NotesUltramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G