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Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h56576
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1k136
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.5k459
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.8k729
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.8k623
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k346
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k123
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.5k389
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h958107
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k198
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k415
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k172
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k146
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k248
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.6k423
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k214
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k257
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.6k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.3k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22224
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.6k475
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.5k1.1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k267
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h45559
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11315
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h43028
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h252
7d1368
30d63237
2 shows
2 tapes
1989
9/29/89
Let The Good Times Roll
4:33
Feel Like a Stranger
7:16
Franklin's Tower
11:32
Wang Dang Doodle
7:08
Jack-a-roe
4:49
Stuck Inside of Mobile with the Memphis Blues Again
10:04
We Can Run
7:50
Bird Song
12:26
Promised Land
4:28
China Cat Sunflower
8:19
I Know You Rider
6:38
Blow Away
8:00
Dead air/equipment malfunction (about five minutes)
5:19
Playing in the Band
8:42
Terrapin Station
13:48
drums
8:45
space
10:07
I Need a Miracle
4:52
Death Don't Have No Mercy
6:34
Sugar Magnolia
8:37
The Mighty Quinn
3:25
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151621.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete -- 151409 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151409.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:44:22
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.dsbd.walker-scotton.miller.81705.sbeok.flac16
Source:
SBD -> Dat D
Lineage:
Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC
Taper Notes:
View NotesPatch Info: The following song sare patched with SBD Cassette Master: Set 1 Tuning (Complete Track) Let The Good Times Roll (Complete Track) 8:45 in Bird Song through 5:17 Drums Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:48:58
SBD
Rating:
8.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.sbd.walker-scotton.miller.81704.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- A 2nd SBD Cass Master was used to patch the tape flip -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:40:06
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-29.157192.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 6 of 11
2:36:48
SBD
Rating:
9.00 / 6 ratings
SHNID:
gd89-09-29.sbd.17703.sbeok.shnf
Source:
SBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD)
Taper Notes:
View NotesSBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD); See txt file for details of patched tracks; Transferred, edited and seeded to Etree by Charlie Miller
Taper: Ted Mattes
2:46:58
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-09-29.141772.OTS.Schoeps.Mattes.Miller.Noel.T-flac1644
Source:
Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
Taper Notes:
View NotesNotes: - DC offset was removed - small, pesky clicks were dealt with according. - power outage after Blow Away (give it just a minute) - Last 'Death Don't Have No Mercy' 3/21/70 Early [1334]
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:06
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-29.157198.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Jeff Bowen
2:43:14
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1989-09-29.127422.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS)
Lineage:
XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS, Section 202, Row H, Seat #5 Tapers Notes: I remember THIS weekend well. Saturday’s show recording went pretty well. I was stunned to hear the first notes of ‘Death Don’t Have No Mercy’ in the second set. I remember thinking that the opening notes sounded vaguely familiar, but I couldn’t place them at first. I got a chill when I realized that it was in fact the song that I thought it was. The crowd went nuts, seeing how it was going to be the first time this song had been played in 19 years! Jerry’s vocals were so chilling, and Brent’s vocals were amazing. I miss both of them so much. Fortunately this show’s recordings still sound decent, in comparison to my master from 9/30/89. Sunday was an adventure. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco in the afternoon, and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of Bay Area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm, which is like the ’lot from Hell’. We ran to the amphitheatre carrying all of the recording equipment with the rest of the stragglers and my ex-wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment during the set break. (I was borrowing a set of Nakamichi CM-300s from a friend for this weekend’s shows. I was hesitant to take them into Golden Gate Park for the Airplane show because I didn’t know if taping would be allowed. It was, and I had ‘played it safe’ and left them locked up back in Oakland and had to use my Aiwa CM-30 for the SF gig. (I ran the same Nakamichi CM-300s with CP-4 shotgun capsules, but for some reason I used another friend’s Marantz PMD-430 to record the Sunday Dead second set instead of my D6, but I don’t remember why that master has not aged well, suffering print through, and is not worthy of a transfer.) Included in the torrent is a scan of three of my Dead ticket stubs, with 9/29/89 on the top.
Taper: sal
2:22:40
Rating:
10.00 / 3 ratings
Taper:
sal
Transferrer:
D5scott
SHNID:
gd1989-09-29.117927.SonicStudioDSM-1Sx.sal.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes;
Lineage:
Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 11 of 11
2:43:12
Rating:
8.89 / 10 ratings
SHNID:
gd89-09-29.ultramatrix.braverman.7282.sbeok.shnf
Source:
Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN
Taper Notes:
View NotesUltramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G