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Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h55174
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k292
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k348
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4k536
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.8k492
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k413
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k374
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k177
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k123
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k226
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.9k675
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k192
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h2k247
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.1k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k248
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k276
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h13.9k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40743
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k522
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k739
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k204
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k226
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62778
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32724
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1989
9/29/89
tuning
2:45
Let the Good Times Roll
4:12
Feel Like a Stranger ->
7:16
Franklin's Tower
9:14
tuning
2:18
Wang Dang Doodle
7:11
Jack A Roe
5:32
Stuck Inside of Mobile with Memphis Blues
10:07
We Can Run But We Can't Hide
7:36
Bird Song ->
12:34
Promised Land
4:29
tuning
2:33
China Cat Sunflower ->
5:42
I Know You Rider
7:03
Blow Away
7:54
equipment breakdown
4:44
Playing in the Band ->
8:44
Terrapin Station->
14:58
Drums ->
8:24
Space ->
8:34
I Need a Miracle->
5:17
Death Don't Have No Mercy ->
6:26
Sugar Magnolia
8:58
Quinn the Eskimo (The Mighty Quinn)
4:27
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151621.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete -- 151409 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:46:43
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] September 22, 2020
SHNID:
gd1989-09-29.151409.sbd.miller.flac2496
Source:
SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Bobby plays Artificial Flowers before China Cat Sunflower -- This is one of the few Healy Mix soundboards from 1989 (no ambient mics) -- Multiple masters were used to make this show complete
Transferrer: Charlie Miller
2:44:22
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.dsbd.walker-scotton.miller.81705.sbeok.flac16
Source:
SBD -> Dat D
Lineage:
Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC
Taper Notes:
View NotesPatch Info: The following song sare patched with SBD Cassette Master: Set 1 Tuning (Complete Track) Let The Good Times Roll (Complete Track) 8:45 in Bird Song through 5:17 Drums Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:48:58
SBD
Rating:
8.00 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-09-29.sbd.walker-scotton.miller.81704.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- A 2nd SBD Cass Master was used to patch the tape flip -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:40:06
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-09-29.157192.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Source 6 of 11
2:36:48
SBD
Rating:
9.00 / 6 ratings
SHNID:
gd89-09-29.sbd.17703.sbeok.shnf
Source:
SBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD)
Taper Notes:
View NotesSBD>Dat>Samplitude>Cool Edit Pro>CD(Patched with SBD>Cm>Dat>CD>Cool Edit Pro>CD); See txt file for details of patched tracks; Transferred, edited and seeded to Etree by Charlie Miller
Taper: Ted Mattes
2:46:58
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-09-29.141772.OTS.Schoeps.Mattes.Miller.Noel.T-flac1644
Source:
Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
Taper Notes:
View NotesNotes: - DC offset was removed - small, pesky clicks were dealt with according. - power outage after Blow Away (give it just a minute) - Last 'Death Don't Have No Mercy' 3/21/70 Early [1334]
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:40:06
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-09-29.157198.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2022 - Trader Little Helper - Tagged 04-JUL-2022 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Jeff Bowen
2:43:14
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1989-09-29.127422.nak304.bowen.flac16
Source:
Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS)
Lineage:
XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC
Taper Notes:
View NotesLocation: OTS, Section 202, Row H, Seat #5 Tapers Notes: I remember THIS weekend well. Saturday’s show recording went pretty well. I was stunned to hear the first notes of ‘Death Don’t Have No Mercy’ in the second set. I remember thinking that the opening notes sounded vaguely familiar, but I couldn’t place them at first. I got a chill when I realized that it was in fact the song that I thought it was. The crowd went nuts, seeing how it was going to be the first time this song had been played in 19 years! Jerry’s vocals were so chilling, and Brent’s vocals were amazing. I miss both of them so much. Fortunately this show’s recordings still sound decent, in comparison to my master from 9/30/89. Sunday was an adventure. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco in the afternoon, and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of Bay Area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm, which is like the ’lot from Hell’. We ran to the amphitheatre carrying all of the recording equipment with the rest of the stragglers and my ex-wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment during the set break. (I was borrowing a set of Nakamichi CM-300s from a friend for this weekend’s shows. I was hesitant to take them into Golden Gate Park for the Airplane show because I didn’t know if taping would be allowed. It was, and I had ‘played it safe’ and left them locked up back in Oakland and had to use my Aiwa CM-30 for the SF gig. (I ran the same Nakamichi CM-300s with CP-4 shotgun capsules, but for some reason I used another friend’s Marantz PMD-430 to record the Sunday Dead second set instead of my D6, but I don’t remember why that master has not aged well, suffering print through, and is not worthy of a transfer.) Included in the torrent is a scan of three of my Dead ticket stubs, with 9/29/89 on the top.
Taper: sal
2:22:40
Rating:
10.00 / 3 ratings
Taper:
sal
Transferrer:
D5scott
SHNID:
gd1989-09-29.117927.SonicStudioDSM-1Sx.sal.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes;
Lineage:
Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 11 of 11
2:43:12
Rating:
8.89 / 10 ratings
SHNID:
gd89-09-29.ultramatrix.braverman.7282.sbeok.shnf
Source:
Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN
Taper Notes:
View NotesUltramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G