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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2k277
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h61687
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.2k697
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.5k198
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.7k481
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k355
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.5k441
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k155
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78989
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k193
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k237
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k682
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.4k700
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h13.9k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.9k960
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87273
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k554
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k564
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k408
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k248
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.3k820
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k579
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h36526
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h433
7d1277
30d57234
2 shows
2 tapes
1989
7/2/89
tuning
3:06
Playin' In The Band >
5:18
Crazy Fingers >
7:32
Wang Dang Doodle
6:25
crowd/tuning
1:39
We Can Run But We Can't Hide
5:19
Tennessee Jed
7:33
crowd/tuning
1:32
Queen Jane Approximately
6:23
To Lay Me Down
8:24
crowd/tuning
2:31
Cassidy
5:56
Don't Ease Me In
3:08
Friend Of The Devil
10:08
crowd/tuning
1:26
Truckin' >
6:58
He's Gone >
13:44
Eyes Of The World >
10:34
Drums >
8:32
Space >
9:53
The Wheel >
4:55
Dear Mr. Fantasy >
6:55
Hey Jude Reprise >
3:45
Sugar Magnolia
9:33
The Mighty Quinn (Quinn the Eskimo)
5:10
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:38:35
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-02.138306.mtx.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This is 138287 24 bit -> 16 bit
Transferrer: Charlie Miller
2:38:37
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-02.138287.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:39:53
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-07-02.150431.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-AUG-2020 - Trader Little Helper - Tagged 08-AUG-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Andrew F.
2:37:47
SBD
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1989-07-02.fob.nak300.andrewf.99912.flac16
Source:
FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Patch from ID-8243 in Drums 03:12 > 03.17. - 2nd Set disc break is seamless.
Taper: Andrew F.
2:37:48
SBD
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1989-07-02.fob.nak300.andrewf.99911.flac24
Source:
FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496
Taper Notes:
View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.
Source 6 of 21
2:42:24
SHNID:
gd1989-07-02.153412.MTX.photoLeon.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesMatrix Created in Adobe Audition by Joe Noel July 2, 2021 Notes: - Los Lobos opened - last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200] - last 1st-set "Crazy Fingers": 04-04-86 [225] - first 24 seconds of s2t01 is source #1 only - Source #2 was pitch corrected - EotW (00:13 - 00:49) is missing vocals Thanks to: - Ted Mattes for the stellar FOB recording - John Ammons for the top shelf transfer - Charlie Miller for the board source & transfer - Thanks to Jack Schlottman for the critique - Sabrina & her Mom
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:39:51
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-07-02.150433.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-AUG-2020 - Trader Little Helper - Tagged 08-AUG-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Dave Boedicker
2:37:29
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-07-02.149202.Dak.boedicker.flac1644
Source:
Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette
Lineage:
Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.
Taper Notes:
View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down") 2)Tape Flip During Drums
Taper: Ted Mattes
2:41:01
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16
Source:
Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notespatch info: * s1t01: all ** s1t02: 0:20 - 0:23 & 1:05 - 1:09 * (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend) ** (133781) AKG 414-BTL FOB, DAT notes: - Los Lobos opened - Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel. - This was a quintessential New England summer day. I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm. It was a nice vantage point to hear Los Lobos. Mind you, I was sore I was missing them. Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket. Her mom said "She insisted you have it." I will never forget it. Not because I got miracle'd but because of the smile on this young girls face. It's forever etched into my memory. While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped. She thought it was beautiful & like that, Mom was off in Sabrina's tow. I saw them later on during The Wheel & Sabrina came & danced with us. When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along. When Hey Jude broke, she erupted again. But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it. She picked up on the theme immediately & danced like a soldier would march. She was our pied piper there & it was a simple & pure moment. - Joe. Grateful to: - Ted Mattes for this stellar recording - John Ammons for sharing his Archives with us - Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts - Droncit for his efforts on the Thompson pull - Sabrina & her Mom
Transferrer: Remaster by droncit
2:35:40
Rating:
10.00 / 2 ratings
Transferrer:
Remaster by droncit
SHNID:
gd1989-07-02.134395.MOTB.droncit.flac16
Source:
Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;
Lineage:
FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe
Taper Notes:
View NotesDroncit Notes: This was a request for an interesting show in need of an upgrade/restoration. This is my attempt. The original has vocals dominating and the music sounds like it's more in the background. I've tried to bring it up front. I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser. I also concatenated the tracks and re-cut them. All work with DC8.5 Forensics and Traders Little Helper. 9/28/15
Taper: Dan Tepper
2:32:50
Rating:
9.60 / 5 ratings
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-07-02.133781.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: John Bleich
2:36:19
Rating:
10.00 / 2 ratings
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)
Lineage:
mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
Taper Notes:
View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243) Thanks to John for transferring his masters for me to work on edited and mastered SIRMick
Taper: Bob Morris
2:25:32
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1989-07-02.nak300.morris.crazyfingers.106586.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Danny Thomson
2:35:17
Rating:
10.00 / 1 rating
Taper:
Danny Thomson
Transferrer:
Derek McCabe , mastered by Chris Ladner
SHNID:
gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24
Source:
FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.
Lineage:
Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.
Taper Notes:
View NotesMastering Notes: - Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab. - First notes of FOTD/start of second set missing. On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again. - Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.
Taper: Danny Thomson
2:35:40
Rating:
8.89 / 9 ratings
Taper:
Danny Thomson
Transferrer:
Derek McCabe , mastered by Chris Ladner
SHNID:
gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16
Source:
Audience FOB Recording
Lineage:
FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8)
Taper Notes:
View NotesNotes: - Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab. - first notes of FOTD/start of second set missing. on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again. - Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.
Taper: Tim Alexander
2:36:08
Rating:
9.00 / 2 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24
Source:
FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)
Lineage:
Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
Taper Notes:
View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV) Transferred and seeded by Bill Tetzeli ([email protected]) Known flaws: - Friend of the Devil cuts in at the beginning. This was patched with the Schoeps source from :00 to :14 - Tape flip in Drums. This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14. All patches made in CE Pro with levels matched and crossfades. Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now. IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set). First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume. Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation. It sounds a ghost of a hair's ghost away from being a Healy matrix. Many thanks to Tim Alexander for lending me these phenomenal masters!
Taper: Tim Alexander
2:36:19
Rating:
10.00 / 1 rating
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-02.fob.senn421s.alexander.77444.flac16
Source:
FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)
Lineage:
Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC
Taper Notes:
View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) Known flaws: - Friend of the Devil cuts in at the beginning. This was patched with the Schoeps source from :00 to :13 - Tape flip in Drums. This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10. All patches made in CE Pro with levels matched and crossfades. Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set). First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there. Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation. It sounds a ghost of a hair's ghost away from being a Healy matrix. Many thanks to Tim Alexander for lending me these phenomenal masters!
Source 18 of 21
2:39:47
Rating:
9.27 / 11 ratings
SHNID:
gd1989-07-02.schoepsmk2.30364.flac16
Source:
<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
Taper Notes:
View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
Taper: Unknown
2:42:13
Rating:
10.00 / 1 rating
SHNID:
gd1989-07-02.akg414.30363.flac16
Source:
AKG c414>?>DAT>CD(1gen)>EAC>FLAC
Taper Notes:
View Notesnotes: this source is just as good as the other aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB. Well, I think the schoeps source is marginaly better, but that is on a refference system w/a critical ear and a matter of taste. I tried to extract my schoeps dics, but was having too much trouble with one of them so i moved on to this one. ~enjoy (~):}
Taper: Jill and Rob R
2:44:28
Rating:
8.20 / 30 ratings
Taper:
Jill and Rob R
SHNID:
gd89-07-02.nak.8243.sbefail.shnf
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper Notes:
View NotesDigital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper: Rich Gastwirt
2:39:47
Rating:
8.67 / 3 ratings
Taper:
Rich Gastwirt
SHNID:
gd1989-07-02.aud.gastwirt.1110.sbefail.shnf
Source:
Schoeps CMC42s spaced omnis > Sony SL-2000PCM
Taper Notes:
View NotesNo major glitches to speak of.