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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h56675
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h801110
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.3k454
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.6k608
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.7k844
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.3k429
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h2.9k360
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k133
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.3k481
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h997112
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k205
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.4k402
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k177
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.2k152
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h4.9k577
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k230
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.8k255
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.6k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.6k2.8k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h24627
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.3k444
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6.1k851
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.3k295
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k173
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k167
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k177
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42856
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13217
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40128
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1989
7/2/89
tuning
3:06
Playin' In The Band >
5:18
Crazy Fingers >
7:32
Wang Dang Doodle
6:25
crowd/tuning
1:39
We Can Run But We Can't Hide
5:19
Tennessee Jed
7:33
crowd/tuning
1:32
Queen Jane Approximately
6:23
To Lay Me Down
8:24
crowd/tuning
2:31
Cassidy
5:56
Don't Ease Me In
3:08
Friend Of The Devil
10:08
crowd/tuning
1:26
Truckin' >
6:58
He's Gone >
13:44
Eyes Of The World >
10:34
Drums >
8:32
Space >
9:53
The Wheel >
4:55
Dear Mr. Fantasy >
6:55
Hey Jude Reprise >
3:45
Sugar Magnolia
9:33
The Mighty Quinn (Quinn the Eskimo)
5:10
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:38:35
SBD
Rating:
8.80 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-02.138306.mtx.miller.flac16
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This is 138287 24 bit -> 16 bit
Transferrer: Charlie Miller
2:38:37
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-07-02.138287.sbd.miller.flac24
Source:
Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:39:53
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1989-07-02.150431.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-AUG-2020 - Trader Little Helper - Tagged 08-AUG-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Andrew F.
2:37:47
SBD
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1989-07-02.fob.nak300.andrewf.99912.flac16
Source:
FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644
Taper Notes:
View NotesNotes: - Patch from ID-8243 in Drums 03:12 > 03.17. - 2nd Set disc break is seamless.
Taper: Andrew F.
2:37:48
SBD
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1989-07-02.fob.nak300.andrewf.99911.flac24
Source:
FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496
Taper Notes:
View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.
Source 6 of 21
2:42:24
SHNID:
gd1989-07-02.153412.MTX.photoLeon.t-flac16
Source:
A photoLeon Matrix
Taper Notes:
View NotesMatrix Created in Adobe Audition by Joe Noel July 2, 2021 Notes: - Los Lobos opened - last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200] - last 1st-set "Crazy Fingers": 04-04-86 [225] - first 24 seconds of s2t01 is source #1 only - Source #2 was pitch corrected - EotW (00:13 - 00:49) is missing vocals Thanks to: - Ted Mattes for the stellar FOB recording - John Ammons for the top shelf transfer - Charlie Miller for the board source & transfer - Thanks to Jack Schlottman for the critique - Sabrina & her Mom
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:39:51
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1989-07-02.150433.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-AUG-2020 - Trader Little Helper - Tagged 08-AUG-2020 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Dave Boedicker
2:37:29
Taper:
Dave Boedicker
Transferrer:
Dave Boedicker
SHNID:
gd1989-07-02.149202.Dak.boedicker.flac1644
Source:
Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette
Lineage:
Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.
Taper Notes:
View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down") 2)Tape Flip During Drums
Taper: Ted Mattes
2:41:01
Taper:
Ted Mattes
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16
Source:
Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons
Lineage:
from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notespatch info: * s1t01: all ** s1t02: 0:20 - 0:23 & 1:05 - 1:09 * (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend) ** (133781) AKG 414-BTL FOB, DAT notes: - Los Lobos opened - Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel. - This was a quintessential New England summer day. I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm. It was a nice vantage point to hear Los Lobos. Mind you, I was sore I was missing them. Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket. Her mom said "She insisted you have it." I will never forget it. Not because I got miracle'd but because of the smile on this young girls face. It's forever etched into my memory. While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped. She thought it was beautiful & like that, Mom was off in Sabrina's tow. I saw them later on during The Wheel & Sabrina came & danced with us. When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along. When Hey Jude broke, she erupted again. But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it. She picked up on the theme immediately & danced like a soldier would march. She was our pied piper there & it was a simple & pure moment. - Joe. Grateful to: - Ted Mattes for this stellar recording - John Ammons for sharing his Archives with us - Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts - Droncit for his efforts on the Thompson pull - Sabrina & her Mom
Transferrer: Remaster by droncit
2:35:40
Rating:
10.00 / 2 ratings
Transferrer:
Remaster by droncit
SHNID:
gd1989-07-02.134395.MOTB.droncit.flac16
Source:
Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;
Lineage:
FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe
Taper Notes:
View NotesDroncit Notes: This was a request for an interesting show in need of an upgrade/restoration. This is my attempt. The original has vocals dominating and the music sounds like it's more in the background. I've tried to bring it up front. I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser. I also concatenated the tracks and re-cut them. All work with DC8.5 Forensics and Traders Little Helper. 9/28/15
Taper: Dan Tepper
2:32:50
Rating:
9.60 / 5 ratings
Taper:
Dan Tepper
Transferrer:
Dan Tepper
SHNID:
gd1989-07-02.133781.akg414btl-fob-dantepper.flac16
Source:
Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;
Lineage:
Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
Taper: John Bleich
2:36:19
Rating:
10.00 / 2 ratings
Taper:
John Bleich
Transferrer:
SIRMick
SHNID:
gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16
Source:
Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)
Lineage:
mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
Taper Notes:
View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243) Thanks to John for transferring his masters for me to work on edited and mastered SIRMick
Taper: Bob Morris
2:25:32
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1989-07-02.nak300.morris.crazyfingers.106586.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Danny Thomson
2:35:17
Rating:
10.00 / 1 rating
Taper:
Danny Thomson
Transferrer:
Derek McCabe , mastered by Chris Ladner
SHNID:
gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24
Source:
FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.
Lineage:
Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.
Taper Notes:
View NotesMastering Notes: - Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab. - First notes of FOTD/start of second set missing. On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again. - Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.
Taper: Danny Thomson
2:35:40
Rating:
8.89 / 9 ratings
Taper:
Danny Thomson
Transferrer:
Derek McCabe , mastered by Chris Ladner
SHNID:
gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16
Source:
Audience FOB Recording
Lineage:
FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8)
Taper Notes:
View NotesNotes: - Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab. - first notes of FOTD/start of second set missing. on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again. - Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.
Taper: Tim Alexander
2:36:08
Rating:
9.00 / 2 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24
Source:
FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)
Lineage:
Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
Taper Notes:
View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV) Transferred and seeded by Bill Tetzeli ([email protected]) Known flaws: - Friend of the Devil cuts in at the beginning. This was patched with the Schoeps source from :00 to :14 - Tape flip in Drums. This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14. All patches made in CE Pro with levels matched and crossfades. Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now. IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set). First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume. Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation. It sounds a ghost of a hair's ghost away from being a Healy matrix. Many thanks to Tim Alexander for lending me these phenomenal masters!
Taper: Tim Alexander
2:36:19
Rating:
10.00 / 1 rating
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1989-07-02.fob.senn421s.alexander.77444.flac16
Source:
FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)
Lineage:
Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC
Taper Notes:
View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) Known flaws: - Friend of the Devil cuts in at the beginning. This was patched with the Schoeps source from :00 to :13 - Tape flip in Drums. This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10. All patches made in CE Pro with levels matched and crossfades. Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set). First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there. Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation. It sounds a ghost of a hair's ghost away from being a Healy matrix. Many thanks to Tim Alexander for lending me these phenomenal masters!
Source 18 of 21
2:39:47
Rating:
9.27 / 11 ratings
SHNID:
gd1989-07-02.schoepsmk2.30364.flac16
Source:
<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
Taper Notes:
View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
Taper: Unknown
2:42:13
Rating:
10.00 / 1 rating
SHNID:
gd1989-07-02.akg414.30363.flac16
Source:
AKG c414>?>DAT>CD(1gen)>EAC>FLAC
Taper Notes:
View Notesnotes: this source is just as good as the other aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB. Well, I think the schoeps source is marginaly better, but that is on a refference system w/a critical ear and a matter of taste. I tried to extract my schoeps dics, but was having too much trouble with one of them so i moved on to this one. ~enjoy (~):}
Taper: Jill and Rob R
2:44:28
Rating:
8.20 / 30 ratings
Taper:
Jill and Rob R
SHNID:
gd89-07-02.nak.8243.sbefail.shnf
Source:
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper Notes:
View NotesDigital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
Taper: Rich Gastwirt
2:39:47
Rating:
8.67 / 3 ratings
Taper:
Rich Gastwirt
SHNID:
gd1989-07-02.aud.gastwirt.1110.sbefail.shnf
Source:
Schoeps CMC42s spaced omnis > Sony SL-2000PCM
Taper Notes:
View NotesNo major glitches to speak of.