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June 7th
Years
1995
29.8k
PlaybackListensHours
48h812114
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h53977
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.8k641
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k343
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7.3k976
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k353
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.8k352
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k144
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84093
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k211
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k149
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k177
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.7k214
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k288
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.1k568
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k166
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.4k317
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13.6k1.9k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.9k530
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h71164
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k537
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k603
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.4k425
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k225
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k958
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k397
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39447
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10115
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31123
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1989
5/7/89
Aiko Aiko
8:36
Aiko Aiko
8:36
Little Red Rooster
7:58
Little Red Rooster
7:58
Bertha
6:49
Bertha
6:49
Me And My Uncle
4:37
Me And My Uncle
4:37
Mexicali Blues
4:06
Mexicali Blues
4:07
Built To Last
5:08
Built To Last
5:08
Picasso Moon
6:34
Picasso Moon
6:34
Bird Song
12:05
Bird Song
12:05
Foolish Heart
9:24
Foolish Heart
9:24
Victim Or The Crime
6:09
Victim Or The Crime
6:09
Crazy Fingers
9:03
Crazy Fingers
9:03
Man Smart, Woman Smarter
6:59
Man Smart, Woman Smarter
6:59
He\'s Gone
13:23
He's Gone
13:23
Drums
7:47
Drums
7:47
Space
8:09
Space
8:09
Black Peter
3:49
Black Peter
3:49
Black Peter Continued
5:11
Black Peter Continued
5:11
Black Peter Continued
5:11
Turn On Your Lovelight
6:43
Turn On Your Lovelight
6:44
Knockin' On Heaven's Door
7:01
Knockin' On Heaven's Door
7:01
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:33:15
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-05-07.141689.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:33:13
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-05-07.141609.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Transferrer: Bill Tetzeli
2:31:05
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-05-07.sbd.owenbros-tetzeli.fix-3329.34771.reflac.flac16
Source:
Fix of shnid 3329
Taper Notes:
View NotesThe following changes have been made to this fileset: The transition between CDs 1 and 2 is now seamless, the first two songs of set II were put onto CD 1 to allow the show to fit on 2 CDs. The tuning track at the beginning of CD 2 has now been merged with d1t10, and shntool was used to fix the sector boundaries on all of CD2 and the last track of CD 1. Nonseekable shns were converted to FLAC. No need for fade tracks on this one. Bill Tetzeli ([email protected]) 3/19/2006
Source 4 of 10
2:31:16
SBD
Rating:
8.40 / 10 ratings
SHNID:
gd89-05-07.dsbd.stephens.10978.sbeok.shnf
Source:
DSBD > DAT
Taper Notes:
View NotesDSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80
Transferrer: A.F.
4:44:15
SBD
Rating:
8.00 / 1 rating
Transferrer:
A.F.
SHNID:
gd1989-05-07.sbd.af.3864.shnf
Source:
Soundboard
Lineage:
bootleg CD> WAV> SHN
Source 6 of 10
2:31:35
SBD
Rating:
7.14 / 9 ratings
SHNID:
gd89-05-07.sbd.gardner.3329.sbefail.shnf
Source:
SBD > DAT> DALCard Deluxe> WAV> CD> SHN
Taper Notes:
View NotesSBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner
Taper: Ted Mattes
2:39:52
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-05-07.142356.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141689 ultramatrix source which supplies two patches in "Iko Iko" - Other One space included in "The Other One" Mastered by Scott Clugston June 19, 2018
Taper: Archival Audio
2:34:10
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-05-07.140949.AA-toaK1-416-flac2448
Source:
Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ Really nice Birdsong set 1 closer. Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before in 1988 were much better and only the Toa K1’s. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly. The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well. I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. No other processing or eq’ing enjoy - ArchivalAudio
Taper: D5scott
2:17:57
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1989-05-07.118277.SonicStudioDSM-1Sx.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: ** I was patched out from Sal's microphones. Thank You Sal!!! --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger
2:15:26
Rating:
8.33 / 6 ratings
Taper:
Keith Litzenberger
Transferrer:
M. Watson
SHNID:
gd1989-05-07.sennme80.wklitz.watson.99567.flac16
Source:
(ots) Sennheiser ME-80-> Marantz PMD-430 (Dolby B)-> Sony UX-S 90 x2
Lineage:
Cassette Master -> Nakamichi MR-1->Korg MR-1000 (1bit/5.6Mhz)->AudioGate->16/44.1 wav.->flac