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Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1989
5/7/89
Aiko Aiko
8:36
Aiko Aiko
8:36
Little Red Rooster
7:58
Little Red Rooster
7:58
Bertha
6:49
Bertha
6:49
Me And My Uncle
4:37
Me And My Uncle
4:37
Mexicali Blues
4:06
Mexicali Blues
4:07
Built To Last
5:08
Built To Last
5:08
Picasso Moon
6:34
Picasso Moon
6:34
Bird Song
12:05
Bird Song
12:05
Foolish Heart
9:24
Foolish Heart
9:24
Victim Or The Crime
6:09
Victim Or The Crime
6:09
Crazy Fingers
9:03
Crazy Fingers
9:03
Man Smart, Woman Smarter
6:59
Man Smart, Woman Smarter
6:59
He\'s Gone
13:23
He's Gone
13:23
Drums
7:47
Drums
7:47
Space
8:09
Space
8:09
Black Peter
3:49
Black Peter
3:49
Black Peter Continued
5:11
Black Peter Continued
5:11
Black Peter Continued
5:11
Turn On Your Lovelight
6:43
Turn On Your Lovelight
6:44
Knockin' On Heaven's Door
7:01
Knockin' On Heaven's Door
7:01
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:33:15
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-05-07.141689.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:33:13
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1989-05-07.141609.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Transferrer: Bill Tetzeli
2:31:05
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1989-05-07.sbd.owenbros-tetzeli.fix-3329.34771.reflac.flac16
Source:
Fix of shnid 3329
Taper Notes:
View NotesThe following changes have been made to this fileset: The transition between CDs 1 and 2 is now seamless, the first two songs of set II were put onto CD 1 to allow the show to fit on 2 CDs. The tuning track at the beginning of CD 2 has now been merged with d1t10, and shntool was used to fix the sector boundaries on all of CD2 and the last track of CD 1. Nonseekable shns were converted to FLAC. No need for fade tracks on this one. Bill Tetzeli ([email protected]) 3/19/2006
Source 4 of 10
2:31:16
SBD
Rating:
8.40 / 10 ratings
SHNID:
gd89-05-07.dsbd.stephens.10978.sbeok.shnf
Source:
DSBD > DAT
Taper Notes:
View NotesDSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80
Transferrer: A.F.
4:44:15
SBD
Rating:
8.00 / 1 rating
Transferrer:
A.F.
SHNID:
gd1989-05-07.sbd.af.3864.shnf
Source:
Soundboard
Lineage:
bootleg CD> WAV> SHN
Source 6 of 10
2:31:35
SBD
Rating:
7.14 / 9 ratings
SHNID:
gd89-05-07.sbd.gardner.3329.sbefail.shnf
Source:
SBD > DAT> DALCard Deluxe> WAV> CD> SHN
Taper Notes:
View NotesSBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner
Taper: Ted Mattes
2:39:52
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-05-07.142356.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid141689 ultramatrix source which supplies two patches in "Iko Iko" - Other One space included in "The Other One" Mastered by Scott Clugston June 19, 2018
Taper: Archival Audio
2:34:10
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-05-07.140949.AA-toaK1-416-flac2448
Source:
Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ Really nice Birdsong set 1 closer. Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before in 1988 were much better and only the Toa K1’s. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly. The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well. I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. No other processing or eq’ing enjoy - ArchivalAudio
Taper: D5scott
2:17:57
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1989-05-07.118277.SonicStudioDSM-1Sx.d5scott.flac16
Source:
Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: ** I was patched out from Sal's microphones. Thank You Sal!!! --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Keith Litzenberger
2:15:26
Rating:
8.33 / 6 ratings
Taper:
Keith Litzenberger
Transferrer:
M. Watson
SHNID:
gd1989-05-07.sennme80.wklitz.watson.99567.flac16
Source:
(ots) Sennheiser ME-80-> Marantz PMD-430 (Dolby B)-> Sony UX-S 90 x2
Lineage:
Cassette Master -> Nakamichi MR-1->Korg MR-1000 (1bit/5.6Mhz)->AudioGate->16/44.1 wav.->flac