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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h59179
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h762112
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.4k709
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h7k881
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k390
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k364
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k151
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k563
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k116
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k212
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k426
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k192
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k162
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6k720
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k242
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k276
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h22.6k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k490
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.7k784
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k318
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k214
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k177
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k178
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43154
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15120
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1989
5/6/89
Jack Straw
6:03
Peggy-O
7:09
Walkin' Blues
8:23
They Love Each Other
8:19
The Race Is On
3:35
West L.A. Fadeaway
8:25
Just A Little Light
5:45
Queen Jane Approximately
7:01
China Cat Sunflower ->
6:16
I Know You Rider
6:11
Let The Good Times Roll
5:34
Hey Pocky Way
6:23
Samson & Delilah
6:45
Ship Of Fools
7:36
Playin in the Band ->
4:06
Playin In The Band Jam >
3:49
Eyes Of The World
7:54
Drums ->
7:47
Space ->
6:06
I Will Take You Home ->
5:27
The Wheel ->
4:08
I Need A Miracle ->
4:20
Wharf Rat ->
10:08
Around And Around ->
3:49
Not Fade Away
7:50
Black Muddy River
7:05
fade out
0:21
fade in
0:19
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:50:22
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-05-06.141687.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:50:23
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-05-06.141608.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Taper: Bill Shaw
2:44:37
SBD
Rating:
10.00 / 2 ratings
Taper:
Bill Shaw
SHNID:
gd1989-05-06.137275.dsbd.flac1648
Source:
<b>flac16/48kHz</b>; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db
Transferrer: Bill Tetzeli
2:46:34
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1989-05-06.sbd.nawrocki.tetzeli.fix-14262.34769.sbeok.shnf
Source:
Fix of shnid 14262
Taper Notes:
View NotesI made the transition between CDs 2 and 3 seamless. Resulting SBEs fixed using shntool. Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3. For seamless playback simply remove the fade tracks. Bill Tetzeli ([email protected]) 3/30/2006
Source 5 of 10
2:46:14
SBD
Rating:
9.17 / 12 ratings
SHNID:
gd89-05-06.sbd.nawrocki.14262.sbefixed.shnf
Source:
shntool fixed shns of <a href= "http://db.etree.org/shninfo_detail.php?shnid=5423">Jay Serafin</a> dsbd seed
Taper Notes:
View Notesshntool fixed shns of <a href="http://db.etree.org/shninfo_detail.php?shnid=5423" rel="ugc nofollow">Jay Serafin</a> dsbd seed
Source 6 of 10
2:46:13
SBD
Rating:
8.45 / 23 ratings
SHNID:
gd89-05-06.dsbd.serifin.5423.sbefail.shnf
Source:
DSBD
Taper Notes:
View NotesDSBD, with some editing (see notes in info file); via Jay Serafin to gdlive
Taper: Ted Mattes
2:56:28
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-05-06.142355.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 19, 2018
Taper: Archival Audio
2:51:31
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-05-06.140948.AA-toak1-416-flac2448
Source:
Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before in 1988 were much better and only the Toa K1’s. Overall a well played show and interesting selection of songs and a China > Rider first set closer was very exciting. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly. The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well. I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. Set 2 sounds a bit more full, more to a k1’s in the mix, perhaps. The microphone mix at the start of Jack straw seems to be 416 heavy but it get’s dialed in… Kentucky Derby Day hence the Race Is On! Interesting China > Rider first set closer, you can tell folks are happy on this sunny afternoon! Very funk-groovy Not Fade Away. I will also be sharing the next day Sunday 1989-05-07 Billy’s Birthday, because the two sources are in a similar configuration. No other processing or eq’ing enjoy - ArchivalAudio
Transferrer: jchastain
2:40:34
Transferrer:
jchastain
SHNID:
gd1989-05-06.135821.aud.jc.flac1644
Source:
AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH
Taper Notes:
View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped. Tape flip between Drums and Space. No audience patch available, so it just fades. Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. This was in a collection of tapes being given away on craigslist. Thanks to John for the tapes and arfarf for the guidance, ears and support. jchastain, 5/21/16
Transferrer: jchastain
2:40:34
Transferrer:
jchastain
SHNID:
gd1989-05-06.135820.aud.jc.flac2448
Source:
AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH
Taper Notes:
View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped. Tape flip between Drums and Space. No audience patch available, so it just fades. Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. This was in a collection of tapes being given away on craigslist. Thanks to John for the tapes and arfarf for the guidance, ears and support.