RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1989
5/6/89
01 Tuning
2:12
02 Jack Straw
6:08
03 Peggy-O
7:10
04 Walkin' Blues
8:22
05 They Love Each Other
8:18
06 The Race Is On
3:35
07 West LA Fadeaway
8:26
08 Just A Little Light
5:45
09 Queen Jane Approximately
7:01
10 China Cat Sunflower
6:27
11 I Know You Rider
6:21
12 Tuning
0:48
13 Let The Good Times Roll
4:16
14 Hey Pocky Way
6:18
15 Samson And Delilah
7:00
16 Ship Of Fools
7:35
17 Playing In The Band
7:57
18 Eyes Of The World
7:57
19 Drums
8:33
20 Space
6:30
21 I Will Take You Home
4:22
22 The Wheel
4:08
23 I Need A Miracle
4:21
24 Wharf Rat
10:12
25 Around And Around
3:50
26 Not Fade Away
8:15
27 Encore Break
2:26
28 Black Muddy River
6:10
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:50:22
SBD
Transferrer:
Charlie Miller
SHNID:
gd1989-05-06.141687.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete -- This file set is 16 bit
Transferrer: Charlie Miller
2:50:23
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-05-06.141608.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of master were used to make this show complete
Taper: Bill Shaw
2:44:37
SBD
Rating:
10.00 / 2 ratings
Taper:
Bill Shaw
SHNID:
gd1989-05-06.137275.dsbd.flac1648
Source:
<b>flac16/48kHz</b>; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db
Transferrer: Bill Tetzeli
2:46:34
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1989-05-06.sbd.nawrocki.tetzeli.fix-14262.34769.sbeok.shnf
Source:
Fix of shnid 14262
Taper Notes:
View NotesI made the transition between CDs 2 and 3 seamless. Resulting SBEs fixed using shntool. Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3. For seamless playback simply remove the fade tracks. Bill Tetzeli ([email protected]) 3/30/2006
Source 5 of 10
2:46:14
SBD
Rating:
9.17 / 12 ratings
SHNID:
gd89-05-06.sbd.nawrocki.14262.sbefixed.shnf
Source:
shntool fixed shns of <a href= "http://db.etree.org/shninfo_detail.php?shnid=5423">Jay Serafin</a> dsbd seed
Taper Notes:
View Notesshntool fixed shns of <a href="http://db.etree.org/shninfo_detail.php?shnid=5423" rel="ugc nofollow">Jay Serafin</a> dsbd seed
Source 6 of 10
2:46:13
SBD
Rating:
8.45 / 23 ratings
SHNID:
gd89-05-06.dsbd.serifin.5423.sbefail.shnf
Source:
DSBD
Taper Notes:
View NotesDSBD, with some editing (see notes in info file); via Jay Serafin to gdlive
Taper: Ted Mattes
2:56:28
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-05-06.142355.fob.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master Dat recording - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston June 19, 2018
Taper: Archival Audio
2:51:31
Taper:
Archival Audio
Transferrer:
Archival Audio
SHNID:
gd1989-05-06.140948.AA-toak1-416-flac2448
Source:
Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesNotes: ______________ Not one of my favorite or best recordings that I have done, however since not many other Audience recordings circulate, here this is. My recordings of the year before in 1988 were much better and only the Toa K1’s. Overall a well played show and interesting selection of songs and a China > Rider first set closer was very exciting. I used a Sony MX-12 mixer, apparently grey market in the USA, That I found at the Rose Bowl flea market. The MX-12 is powered by 6 D cells and has only either 1/4” TS or RCA inputs for 6 channel mixer with 2 vu meters. This was a 4 mic mix Toa k1’s on wide bar spaced at 30” and the Sennheiser 416 t (I think) short shotguns into the mixer, mixed on the fly. The 416’s were borrowed from an unnamed art college that I used to attend by an old friend, it’s possible it was a pair of 415’s at some earlier shows I tried the 816 but liked the shorter 416/415’s better. Mic’s on same stand in the OTS just behind the board at one of my favorite outdoor venues. The Frost is so amazing and the sound was very full of fun. It was a windy day but you could see the wind sailing in the eucalyptus trees that surrounding the Amphitheater, at times this cause phasing and the music to swirl as well. I think the mix was more of the 416’s then the Toa K1’s which I think lost out on the low end and some of the openness but it doesn’t sound that bad. I think we were a level up and slightly on Phil’s side at the back corner of the house mix position, though its hard to remember exactly where we were. I didn’t always take notes, sometimes I did other times I didn’t and always thought I’d remember but now all these years later, it can be challenging. Set 2 sounds a bit more full, more to a k1’s in the mix, perhaps. The microphone mix at the start of Jack straw seems to be 416 heavy but it get’s dialed in… Kentucky Derby Day hence the Race Is On! Interesting China > Rider first set closer, you can tell folks are happy on this sunny afternoon! Very funk-groovy Not Fade Away. I will also be sharing the next day Sunday 1989-05-07 Billy’s Birthday, because the two sources are in a similar configuration. No other processing or eq’ing enjoy - ArchivalAudio
Transferrer: jchastain
2:40:34
Transferrer:
jchastain
SHNID:
gd1989-05-06.135821.aud.jc.flac1644
Source:
AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH
Taper Notes:
View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped. Tape flip between Drums and Space. No audience patch available, so it just fades. Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. This was in a collection of tapes being given away on craigslist. Thanks to John for the tapes and arfarf for the guidance, ears and support. jchastain, 5/21/16
Transferrer: jchastain
2:40:34
Transferrer:
jchastain
SHNID:
gd1989-05-06.135820.aud.jc.flac2448
Source:
AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH
Taper Notes:
View NotesTape flip after West L.A. Fadeaway. Ending notes are clipped. Tape flip between Drums and Space. No audience patch available, so it just fades. Taper moved (or otherwise adjusted levels) during Ship of Fools, causing distortion throughout rest of show. This was in a collection of tapes being given away on craigslist. Thanks to John for the tapes and arfarf for the guidance, ears and support.