Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h53071
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.6k268
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k359
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.2k561
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h4k523
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k395
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k379
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k173
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8k968
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k126
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.8k210
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.7k655
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k190
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k199
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k235
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.1k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k255
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k277
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.7k2k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h40542
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k519
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k714
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k379
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k208
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k221
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k208
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h54368
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h14220
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33224
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h302
7d1037
30d62737
2 shows
2 tapes
1989
Sources
Taper: Don Pearson and Dan Healy
2:47:59
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-11.148145.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] November 5, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:47:59
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-11.147985.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] November 5, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Source 3 of 9
2:47:58
SBD
Rating:
7.87 / 17 ratings
SHNID:
gd89-04-11.sbd.miller.15109.sbeok.shnf
Source:
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
Taper Notes:
View NotesSBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
Taper: Ted Mattes
2:51:05
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-11.141850.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mr. Darby and Keo for the shnid120303 AKG C451E/CK1 source which supplies a 0:04 patch in "Samson & Delilah", as well as 0:02.6, 0:01.5 and 0:01.9 patches in "Crazy Fingers" Mastered by Scott Clugston April 24, 2018
Taper: Master Audience PCM recording by Ted Mattes
2:51:25
Taper:
Master Audience PCM recording by Ted Mattes
Transferrer:
Transfer by Anon Edited & Mastered (Adobe Audition) by Joe Noel December 01, 2021
SHNID:
gd1989-04-11.156413.OTS-Schoeps-PCM-Master-Mattes-Anon-Noel.t-flac16
Source:
(OTS) Schoeps CMC4/MK4 mics (ORTF) > Oade capacitor supply > Monster Cable ProLink > Sony pcm-f1 > Sony sl-2000 > PCM (Master)
Lineage:
PCM (Master) > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > WAV 16/44
Taper Notes:
View NotesNotes; - Same source as shnid 141850 just a fresh transfer w/ different mastering. - None of the d/o's that occurred in the previous transfer are present in this source. - emphasis undecoded - DC Bias Adjust: 0% Thanks; - to Ted Mattes for sharing his recording - to Anon for the transfer while hiding out away from the Bay Area
Taper: Mike Darby
2:42:28
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-11.AKG451.Darby.120303.Flac1644
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:42:28
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1989-04-11.AKG451.Darby.120302.Flac2448
Source:
Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his sources from this run of shows from the Rosemont Horizon!Another excellent recording and share from the Darby collection of recorded master Grateful Dead audience sources! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Justin Lee
2:41:23
Taper:
Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1989-04-11.nak300.lee.cohen.106238.flac16
Source:
2 Nakamichi CM300s CP4 + 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. .
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Greg Holtz
2:41:24
Rating:
9.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
Brian Green and Evan K.
SHNID:
gd1989-04-11.nak100.holtz.LMPP.94240.flac16
Source:
OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5
Lineage:
Master Audience Cassette > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
Taper Notes:
View NotesNotes: - There were multiple instances of dropouts throughout this source due to a faulty cable in the rig . Patches were required in Shakedown Street , Victim Or The Crime, Built to last, We Can Run But We Can't Hide, Memphis Blues, Deal, Samson & Delilah, and US Blues. All patch material was derived from the only other circulating source Shn ID 15109 - There are a few blemishes throughout that were less intrusive than a patch. - This is another fine specimen unearthed thanks to Greg. To date, this is the first and only aud of this show. The overall quality is nice, and the show is a good one. lots of energy. Enjoy!!!!