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Today In History
June 13th
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1989
4/8/89
Let The Good Times Roll ->
3:55
Wang Dang Doodle ->
6:53
West L.A. Fadeaway
8:46
Blow Away ->
9:35
Queen Jane Approximately
7:33
Loser
8:18
Cassidy ->
6:55
Don't Ease Me In
3:28
China Cat Sunflower ->
6:32
I Know You Rider ->
5:41
Looks Like Rain ->
9:06
Eyes Of The World ->
11:12
Drums ->
9:31
Space ->
7:05
The Wheel ->
4:45
Dear Mr. Fantasy ->
5:50
Hey Jude ->
1:47
I Need A Miracle ->
4:08
Black Peter ->
8:15
One More Saturday Night
6:53
Box of Rain
5:08
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:22:32
SBD
Rating:
6.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-08.147895.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 27, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:22:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
Charlie Miller
SHNID:
gd1989-04-08.147838.sbd.ultramatrix.miller.flac24
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
Taper Notes:
View NotesAll Transfers and Mastering By Charlie Miller [email protected] October 27, 2019 Notes: -- Recorded by Don Pearson and Dan Healy -- Two sets of masters were used to make this show complete
Transferrer: Kevin Tobin
2:21:16
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135472.5-1.bhp.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound 5.1 LPCM Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:21:14
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135471.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel 0db SBD Right Channel 0db SBD Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Charlie Miller
2:23:38
SBD
Rating:
8.86 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1989-04-08.sbd.walker-scotton.miller.83510.sbeok.flac16
Source:
SBD -> Cassette Master (TDK MA-XG90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: (FOB/14th Row) Beyer M88 -> Cassette Master -> CD (By Charlie Connor) Space (3:52 - 3:59) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Matrixing by Kevin Tobin
2:21:14
SBD
Transferrer:
Matrixing by Kevin Tobin
SHNID:
gd1989-04-08.135470.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix(47%-SBD/53%-AUD)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Hunter Seamons
2:22:38
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1989-04-08.mtx.seamons.94166.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 24, 2007 Patch Info: (FOB/14th Row) Beyer M88 -> Cassette Master -> CD (By Charlie Connor) Space (3:52 - 3:59) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes ---------------------------------------------------- AUD: Source: Charlie Connor's Cassette Master Audience FOB (14th Row) Mics Beyer Dynamic M88's Tapedeck Sony TCD5M Media Maxell MX90 Taper Glen Charlton Digital Mastering by Charlie Connor Shn'd 11/16/01 by Charlie Connor AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Charlie Connor for recording and transferring the AUD, to Mr. B. for verifying the pitch, and to Ron (a.k.a. gratefulydeadicated) for suggesting such great sources to matrix! Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 24, 2008 Notes: 1) Vocals a little hot in Good Times (or they are just singing really loud, which is cool). Hot show. Underrated? Probably. 2) There are cuts in the AUD between songs, and for the latter half Space. There are also some small AUD cuts during the very beginning or end of some songs. 3) Bob sings "Come on, Georgia!," I think, at 2:04 in Saturday Night - not sure why. It's OHIO, Bobby!
Source 8 of 17
2:21:41
SBD
Rating:
8.07 / 28 ratings
SHNID:
gd89-04-08.sbd.26348.sbeok.shnf
Source:
SBD> Cassette Master> Dat> CD> EAC> SHN
Taper Notes:
View NotesSBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller
Taper: Ted Mattes
2:28:54
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1989-04-08.141804.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644
Source:
Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the PCM master - Thanks to Charlie Miller for the transfer and coordinating this effort - Wheel space included in "The Wheel" Mastered by Scott Clugston April 14, 2018
Taper: Unknown - provided by Rich Gastwirt
59:39
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1989-04-08.140807.s1.FOB.Schoeps.Gastwirt.Miller.Noel.t-flac1644
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - this is a transfer upgrade to source #84175 - DC offset removed - minor eq'ing was done - normalized -2.0dB
Taper: Pete Ebel
2:16:16
Taper:
Pete Ebel
Transferrer:
Pete Ebel
SHNID:
gd1989-04-08.149284.nak300.ebel.flac16
Source:
TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's)
Lineage:
Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1
Taper Notes:
View NotesNotes: Set #2 Is Seamless
Transferrer: Kevin Tobin
2:21:14
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135469.upg-aud.tobin.flac16
Source:
(original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Some major patching (including first notes) before Blow Away and Loser and Space. Speedwise the audience was quite fast when compared to other recordings - .900 seconds per minute fast. Brokedown House Production
Taper: Lance Deal
2:22:37
Taper:
Lance Deal
Transferrer:
jwpetty
SHNID:
gd1989-04-08.131015.kmr81.deal.jwpetty.flac16
Source:
Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal;
Lineage:
Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty
Taper: Robert Mullen
2:15:34
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-04-08.111975.aud.dak5245-pzm.cincinnati-oh.flac16
Source:
Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Taper Notes:
View NotesI was chasing the "Dew", didn't get one in Ann Arbor, so we went down to Cincy to record the Boys. No Dew, but a quite interesting show. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy.
Source 15 of 17
2:19:00
Rating:
8.00 / 1 rating
SHNID:
gd1989-04-08.fob.nawrocki.84175.sbeok.flac16
Source:
FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC
Taper Notes:
View NotesCrowd between Saturday Night and Box Of Rain edited on source. There's still some there just not much. *Used Multitrack View to: - Reassemble the Rider and LLR and remove some repeat music as a disc break was illogically placed between these two tunes - Patch/Crossfade a two second d/o at the start of Don't Ease with Charlie Connor's FOB Beyer m88's > D5 source - Bump to mic in left channel at 2:01 in Black Peter patched with right channel
Taper: John Bleich
2:19:12
Taper:
John Bleich
Transferrer:
SirMick
SHNID:
gd1989-04-08.aud.bleich.sirmick.83802.sbeok.flac16
Source:
aud > Nak 300 shotguns > WMD-6 > mac
Lineage:
mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac. transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
Taper Notes:
View NotesMany thanks to John for lending me his tapes. notes: - tape flip in Space crossfaded - seamless join between discs 2 & 3 Digitally mastered using a jerry-built pc called Cheese ;-) transferred, edited and mastered SIRMick March 2007
Source 17 of 17
2:13:02
Rating:
7.71 / 16 ratings
SHNID:
gd89-04-08.beyer-fob.conner.7857.sbeok.shnf
Source:
Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M
Taper Notes:
View NotesAudience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor