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Today In History
June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1989
4/8/89
Let The Good Times Roll ->
3:55
Wang Dang Doodle ->
6:53
West L.A. Fadeaway
8:46
Blow Away ->
9:35
Queen Jane Approximately
7:33
Loser
8:18
Cassidy ->
6:55
Don't Ease Me In
3:28
China Cat Sunflower ->
6:32
I Know You Rider ->
5:41
Looks Like Rain ->
9:06
Eyes Of The World ->
11:12
Drums ->
9:31
Space ->
7:05
The Wheel ->
4:45
Dear Mr. Fantasy ->
5:50
Hey Jude ->
1:47
I Need A Miracle ->
4:08
Black Peter ->
8:15
One More Saturday Night
6:53
Box of Rain
5:08
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:21:16
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135472.5-1.bhp.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound 5.1 LPCM Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:21:14
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1989-04-08.135471.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-APR-2016 - Trader Little Helper - Tagged 05-APR-2016 - Tag&Rename --------------------------------------------------------- Front Left Channel 0db SBD Right Channel 0db SBD Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Hunter Seamons
2:22:38
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1989-04-08.mtx.seamons.94166.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesMatrix ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] January 24, 2007 Patch Info: (FOB/14th Row) Beyer M88 -> Cassette Master -> CD (By Charlie Connor) Space (3:52 - 3:59) Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes ---------------------------------------------------- AUD: Source: Charlie Connor's Cassette Master Audience FOB (14th Row) Mics Beyer Dynamic M88's Tapedeck Sony TCD5M Media Maxell MX90 Taper Glen Charlton Digital Mastering by Charlie Connor Shn'd 11/16/01 by Charlie Connor AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, to Charlie Connor for recording and transferring the AUD, to Mr. B. for verifying the pitch, and to Ron (a.k.a. gratefulydeadicated) for suggesting such great sources to matrix! Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 24, 2008 Notes: 1) Vocals a little hot in Good Times (or they are just singing really loud, which is cool). Hot show. Underrated? Probably. 2) There are cuts in the AUD between songs, and for the latter half Space. There are also some small AUD cuts during the very beginning or end of some songs. 3) Bob sings "Come on, Georgia!," I think, at 2:04 in Saturday Night - not sure why. It's OHIO, Bobby!
Taper: Robert Mullen
2:15:34
Taper:
Robert Mullen
Transferrer:
Robert Mullen
SHNID:
gd1989-04-08.111975.aud.dak5245-pzm.cincinnati-oh.flac16
Source:
Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
Taper Notes:
View NotesI was chasing the "Dew", didn't get one in Ann Arbor, so we went down to Cincy to record the Boys. No Dew, but a quite interesting show. I know there are multiple versions from different recorded sources for this show. However, I thought I'd offer this up as I used a 4 Mic configuration that would be a bit unique. The recording came out very well. Enjoy.