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June 13th
Years
1995
30.2k
PlaybackListensHours
48h57877
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h739107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k457
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.1k678
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k878
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k385
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k545
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k114
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k218
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.5k411
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k189
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k248
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.6k673
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k243
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26729
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k477
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k787
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.8k195
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k174
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43155
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14819
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41930
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h212
7d1268
30d63237
2 shows
2 tapes
1988
10/15/88
Tuning
1:26
The Music Never Stopped >
5:56
Sugaree
10:44
Blow Away
7:43
Walkin' Blues
8:02
When Push Comes To Shove
4:43
Queen Jane Approximately
6:56
Tennessee Jed >
8:03
Let It Grow
12:47
Tuning
1:50
One More Saturday Night >
4:50
Crazy Fingers >
8:11
Playing In The Band >
8:01
Uncle John's Band >
7:08
Drums >
8:42
Space >
6:39
Truckin' >
6:37
Smokestack Lightning >
3:16
Stella Blue >
9:18
Turn On Your Lovelight
6:01
Encore Break
3:06
U.S. Blues
6:09
Flutter Sample
3:24
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:29:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 2, 2021
SHNID:
gd1988-10-15.152008.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Apparently nobody was around to flip the tape in Set 1 -- There was horrible flutter on the master which took dozens of hours to repair -- I included a sample of the flutter to give you an idea of what I had to deal with -- Thanks to Rob Eaton, Dick Latvala, Ted Mattes and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for supplying the pitch correction settings -- 152002 24 > 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:29:32
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 2, 2021
SHNID:
gd1988-10-15.152002.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Apparently nobody was around to flip the tape in Set 1 -- There was horrible flutter on the master which took dozens of hours to repair -- I included a sample of the flutter to give you an idea of what I had to deal with -- Thanks to Rob Eaton, Dick Latvala, Ted Mattes and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for supplying the pitch correction settings
Taper: Rob Eaton
2:23:20
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.142462.sbd-aud.composite.eaton.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Rob's list shows this as a complete ultramatrix Dat master > Reel, however, the 2nd set is from a mono audience source - Other One tease in space before "Truckin'" - Pitch corrected Mastered by Scott Clugston June 27, 2018
Transferrer: Charlie Miller
36:29
SBD
Rating:
6.44 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd88-10-15.set2.partial.miller.28438.sbeok.flacf
Source:
<b>flac16</b>Set 2 partial: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master)
Lineage:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC
Taper Notes:
View Notes<b>flac16</b>; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial)
Taper: Michael Hessberg
2:22:02
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.148495.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies an 0:06 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:02
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.148494.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies an 0:06 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:21:49
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-15.146318.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 04, 2019 Patch info: - shnid 141447 Schoeps (FOB) - s1t06; 04:37 - end - s1t07; start - 00:10 - s2t01; start - 00:34 - s2t07; 04:38 - 04:51 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - speed corrected - An Other One tease before Truckin' - Touché Gris
Taper: Ted Mattes
2:26:55
Rating:
4.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.141447.fob.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Other One tease in space before "Truckin'" Mastered by Scott Clugston March 23, 2018
Taper: Doug Lamarre
2:19:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-15.138837.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:19:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-15.138836.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Transferrer: mtownshend
2:17:59
Rating:
8.00 / 4 ratings
Transferrer:
mtownshend
SHNID:
gd1988-10-15.nak100.holtz.gems.83504.sbeok.flac16
Source:
Nak100's -> Sony D-6 (Marantz PMD43x was lead deck)
Lineage:
Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96
Taper Notes:
View NotesComments: * Connection to left channel lost in a few spots; fixed as noted and undetectable except one spot: 2:43, 3:54, 4:54 and at 4:04; 4 sec of Left channel replace w/ right(mono for 4sec) #The bass levels were way too hot in parts of the show particularly during Blow Away. ^^Little was done if any to reduce the noise levels, particularly in Wavelab. The Treble and Bass settings transferred were faithfil to the recording and preserved. If you feel too much bass or treble, adjust your system accordingly. Dolby was not used in tape playback and no noise reduction was used in Wavelab. These Mics were extremely sensitive to the arena crowd and high spl's from say Phil and the drumz...An artifact that is part of the recordings personality, left alone. As a licensed structural engineer in PA I would have to say that afer hearing the Drumz, this arena is going to be stable from any interior attack that may arise in the near future ;) Enjoy! mtownshend
Source 12 of 12
2:22:24
Rating:
4.50 / 8 ratings
SHNID:
gd88-10-15.aud.leeds.17181.sbeok.shnf