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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1988
7/2/88
Tuning
1:41
Iko Iko >
6:08
Jack Straw
6:59
West L.A. Fadeaway
10:44
Stuck Inside Of Mobile With The Memphis Blues Again
10:10
Row Jimmy
12:38
Blow Away
7:28
Victim Or The Crime >
5:35
Foolish Heart
9:28
Tuning
0:53
Crazy Fingers >
9:34
Playing In The Band >
9:49
Uncle John's Band >
8:16
Terrapin Station >
12:02
Drums >
6:47
Space >
9:24
The Wheel >
4:11
Gimme Some Lovin'
5:07
All Along The Watchtower >
5:44
Morning Dew >
11:12
Sugar Magnolia
8:58
Encore Break
1:21
The Mighty Quinn (Quinn The Eskimo)
5:08
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:49:17
SBD
Rating:
10.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 10, 2020
SHNID:
gd1988-07-02.150701.UltraMatrix.sbd.cm.miller.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This file set is 16 bit @ 44.1
Taper: Don Pearson and Dan Healy
2:49:17
SBD
Rating:
8.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 10, 2020
SHNID:
gd1988-07-02.150683.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Kevin Tobin
1:38:06
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-02.138738.set2.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix; Set 2 Only</b> SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2017 - Trader Little Helper - Tagged 04-JUL-2017 - Tag&Rename --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
1:38:06
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-02.138737.set2.mtx.tobin.flac16
Source:
<i>Matrix 2 Source Mix</i> <b>Set 2 Only</b> - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 04-JUL-2017 - Trader Little Helper - Tagged 04-JUL-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
1:38:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-07-02.138736.set2.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k) </i> <b>Set 2 Only</b> - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k)
Transferrer: Charlie Miller
2:42:17
SBD
Rating:
9.60 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-07-02.sbd.miller.86817.sbeok.flac
Source:
SBD -> Dat (48k) D
Lineage:
Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
Taper Notes:
View NotesPatch Info: SBD -> Cassette Master -> Dat (44.1k) supplies: Start of show through Row Jimmy Notes: -- Set 2 is seamless -- "We Want Phil" chant after West L.A. Fadeaway -- Thanks to Steve Rolfe for the patch source
Transferrer: Dan Haugh
2:42:48
SBD
Rating:
10.00 / 1 rating
Transferrer:
Dan Haugh
SHNID:
gd1988-07-02.mtx-v2.haugh.92583.flac16
Source:
SBD (80840) + AUD (31211)
Taper Notes:
View NotesDC offset was corrected on the FOB. AUD source disc 2 to Disc 3 was not seamless. A reverse fade and then removal of overlapping material. The following songs patched from Cassette Master SBD: Tuning, Aiko, Jack Straw, West L.A. Fadeaway, Let Phil Sing, Memphis Blues, Let Mickey Sing and Row Jimmy. The cassette SBD used for the patch material is very good and the source change is hard to detect. d1t07 "Let Mickey Sing Chant" is just from the AUD source. This was crossfaded, EQ'ed with some volume adjustments to blend better. This patch turned out very well and is hard to detect.
Transferrer: Dan Haugh
2:42:48
SBD
Rating:
2.00 / 2 ratings
Transferrer:
Dan Haugh
SHNID:
gd1988-07-02.mtx-v2.dts.haugh.92582.flac16
Source:
SBD (80840) + AUD (31211)
Taper Notes:
View NotesDC offset was corrected on the FOB. AUD source disc 2 to Disc 3 was not seamless. A reverse fade and then removal of overlapping material. The following songs patched from Cassette Master SBD: Tuning, Aiko, Jack Straw, West L.A. Fadeaway, Let Phil Sing, Memphis Blues, Let Mickey Sing and Row Jimmy. The cassette SBD used for the patch material is very good and the source change is hard to detect. d1t07 "Let Mickey Sing Chant" is just from the AUD source. This was crossfaded, EQ'ed with some volume adjustments to blend better. This patch turned out very well and is hard to detect.
Transferrer: Jeff M and Bill Tetzeli
2:39:12
SBD
Rating:
8.00 / 1 rating
Transferrer:
Jeff M and Bill Tetzeli
SHNID:
gd1988-07-02.sbd.jeffm.tetzeli.fix-2328.74652.reflac.flac16
Source:
SBD>Master Cassette>DAT
Lineage:
DAT>CDR>EAC>SHN>WAV>?>WAV>FLAC
Taper: [email protected]
2:35:47
SBD
Rating:
9.00 / 10 ratings
Taper:
[email protected]
Transferrer:
[email protected]
SHNID:
gd88-07-02.DTS.matrix.dan.21434.sbeok.shnf
Source:
5.1 DTS Mix
Lineage:
SBD + AUD: FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
Taper Notes:
View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b> Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
Source 11 of 37
2:35:46
SBD
Rating:
8.63 / 72 ratings
SHNID:
gd88-07-02.sbd-matrix.dan.21211.sbeok.shnf
Source:
SBD + AUD Matrix Mix
Taper Notes:
View NotesSource: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by [email protected] using Cool Edit 2k (see additional notes in text file)
Source 12 of 37
2:39:25
SBD
Rating:
7.00 / 6 ratings
SHNID:
gd88-07-02.sbd.jeffm.2328.sbeok.shnf
Source:
SBD> Master Cassette> DAT> CDR> EAC> SHN
Taper Notes:
View NotesSBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
Taper: Doug Lamarre
2:46:12
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-02.177148.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Schoeps CMC42 source which supplies a 0:10 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2024
Taper: Michael Hessberg
2:45:10
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-02.163570.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joel Werner for the Nakamichi 700 source which supplies a 0:37 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Michael Hessberg
2:45:10
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-07-02.163569.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joel Werner for the Nakamichi 700 source which supplies a 0:37 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Ray Ackerman
2:39:54
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1988-07-02.145666.fob.akg460.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5
Lineage:
Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel WAV > Audacity > FLAC 24/96 April 21, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 140674 (Neumann U89) supplies - s1t06; start - 01:30 (banter) - s2t06; 00:03 - 00:17 - s2t11; 08:54 - 09:51 (crowd) Notes: - Thanks to Ray for sharing his archive - Thanks to Charlie for bringing it all home - Grateful for the Silberman FOB that supplies the patch - tape pauses & flip (s1) cross faded - there was not enough room for a proper crossfade before the encore, so a touch of crowd was added
Taper: Ray Ackerman
2:39:55
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-07-02.141757.FOB.AKG.Ackerman.Miller.Noel.t-flac2496
Source:
Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 140674 (Neumann U89) supplies - s1t06; start - 01:30 (banter) - s2t06; 00:03 - 00:17 - s2t11; 08:54 - 09:51 (crowd) Notes: - Thanks to Ray for sharing his archive - Thanks to Charlie for bringing it all home - Grateful for the Silberman FOB that supplies the patch - tape pauses & flip (s1) cross faded - there was not enough room for a proper crossfade before the encore, so a touch of crowd was added
Taper: Robert Bryant patched out of Oade Brothers; From Gastwirt Collection
1:10:31
Taper:
Robert Bryant patched out of Oade Brothers; From Gastwirt Collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-07-02.140673.s1.FOB.Schoeps.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source # 140674 (Neumann's) - s1t12; - 4:06 - end Notes: - dc offset removed - Hey Now! - the trifecta of GD stage banter
Source 19 of 37
2:46:12
SHNID:
gd1988-07-02.1777147.senn441.lamarre.miller.clugston.flac1648
Taper: Kyle Holbrook
2:44:07
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1988-07-02.167978.beyerm201.holbrook.flac2448
Source:
microphones: Beyer M201c XY on stand at LEft side repeater stack > recorder: Sony TC-D5M|Maxell MX90 NO NR
Lineage:
Transfer: Nakamichi 680ZX > Benchmark Sonic AD2k 24.48 > Marantz PMD 661
Taper Notes:
View Notestapers notes: I was late to the show as my friends did not want to drive down from the cabin we were staying at 30 minutes North of the Speedway. So I missed Little Feat and the first two songs of the GD taping wise. I walked in with about four Little Feat songs to go but could not get close enough to the soundboard area carrying my backpack and blanket, raincoat etc. OF course, my friends from the camp would wind up with Tom and Lynn our Escer vendr friends and hava great time while I was slogging alone being a taper! So I never located the tapers, it turned out they all went in front of the board slughtly left of center. I set up near a repeater stack on the stage right side about 250 feet from the stage. It was a patch of asphalt just off the grass infield, must have been a walkway for the drivers. I was very uncomfortable the whole show. All around me were people smiling and dancing on the grass!
Taper: Kyle Holbrook
2:44:07
Taper:
Kyle Holbrook
Transferrer:
Kyle Holbrook
SHNID:
gd1988-07-02.167977.beyerm201.holbrook.flac1644
Source:
microphones: Beyer M201c XY on stand at LEft side repeater stack > recorder: Sony TC-D5M|Maxell MX90 NO NR
Lineage:
Transfer: Nakamichi 680ZX > Benchmark Sonic AD2k 24.48 > Marantz PMD 661
Taper Notes:
View Notestapers notes: I was late to the show as my friends did not want to drive down from the cabin we were staying at 30 minutes North of the Speedway. So I missed Little Feat and the first two songs of the GD taping wise. I walked in with about four Little Feat songs to go but could not get close enough to the soundboard area carrying my backpack and blanket, raincoat etc. OF course, my friends from the camp would wind up with Tom and Lynn our Escer vendr friends and hava great time while I was slogging alone being a taper! So I never located the tapers, it turned out they all went in front of the board slughtly left of center. I set up near a repeater stack on the stage right side about 250 feet from the stage. It was a patch of asphalt just off the grass infield, must have been a walkway for the drivers. I was very uncomfortable the whole show. All around me were people smiling and dancing on the grass!
Taper: Jon Pasternak
2:40:59
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1988-07-02.159377.OTS-Nak300.pasterrnak.vernon.flac2448
Source:
OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90
Lineage:
Transfer: Nak DR3/SD 722/24/48
Taper Notes:
View NotesTracked by Matt Vernon using Audacity This is a 24bit 48khz file set
Taper: Jon Pasternak
2:40:59
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1988-07-02.159376.OTS-Nak300.pasterrnak.vernon.flac1648
Source:
OTS Nakamichi CM300/CP-4/Marantz PMD 420/Maxell XLII 90
Lineage:
Transfer: Nak DR3/SD 722/24/48
Taper Notes:
View NotesTracked by Matt Vernon using Audacity This is a 16bit 48khz file set
Taper: Ted Carpenter
2:41:27
Taper:
Ted Carpenter
Transferrer:
Ted Carpenter
SHNID:
gd1988-07-02.158161.Nak300.carpenter.flac2448
Source:
Nak 300s -> Sony TCD5M ( no dolby )-> Maxell MX 90s
Lineage:
Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> TLH -> analysis, SBE, flac, checksums
Taper Notes:
View NotesNote: any patches not conforming to 24bit has been re-sampled to 24bit using R8brain
Taper: Joel Werner
2:43:34
Taper:
Joel Werner
Transferrer:
Joel Werner
SHNID:
gd1988-07-02.156917.nak700.werner.flac1644
Source:
Nakamichi CM-700's w/-15db attenuation > Sony TC-D5M (Mark) > Sony TC-D5M (me, dolby B ?) FOB, about 25-30 feet from stage, just left of center, slightly in the Phil zone. Mics on stand, about 6 feet high.
Lineage:
Transfer: Nakamichi CR-7A > Edirol R-09HR or Sony PCM-M10. [email protected]
Taper Notes:
View NotesTapers Notes: This was nothing short of an outstanding show. The setlist was incredible, the playing was at the top of their game, and the sound was spectacular. The stars aligned that day! WARNING: The low end (bass), AKA The Phil Zone, in Terrapin Station and Morning Dew should be respected unless you want to blow your speakers.
Taper: PCM Archived and Transferred by Stucco
2:55:31
Taper:
PCM Archived and Transferred by Stucco
Transferrer:
Mastering by Jim Blackwood, gsarchivist at LL; with help from Jamie Waddell
SHNID:
gd1988-07-02.150323.aud.CMC42s.FOB.flac16
Source:
FOB Schoeps CMC42s (8ft. spaced omni) > PCM
Lineage:
Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
Taper: Steve Porter
2:47:04
Taper:
Steve Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-07-02.147158.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape flip in Set II was patched with 140674 - thanks to all involved. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta fot the transfers. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:46:15
Taper:
Stephen Porter
Transferrer:
Joe Noel and Kris Wescott
SHNID:
gd1988-07-02.142977.Senn.Porter.Wescott.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
Taper Notes:
View NotesPatch info: - shnid 140674 (Neumann U89) supplies - s1t07; start - 00:55 (banter) - s2t06; 05:35 - 06:28 & 6:44 - end - s2t07; start - 00:28 Notes: - Little Feat opened. - Thanks to Stephen for sharing his master cassettes. - Thanks to Kris for the transfer. - Grateful for the Silberman FOB that supplies the patch. - tape pauses (s1) cross faded.
Taper: Jeff Silberman
2:51:15
Rating:
10.00 / 1 rating
Taper:
Jeff Silberman
Transferrer:
John Ammons and Joe Noel
SHNID:
gd1988-07-02.140674.FOB.Neumann.Silberman.Ammons.Noel.t-flac1644
Source:
Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons
Lineage:
Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #140673 (Schoeps Bryant/Oade) - first three tracks - Source #92583 (matrix) supplies - s2t03; 1:09 - 1:18 & 6:22 - 6:31 Notes: - Hey Now! - If you were within the Oxford city limits, you were in the Phil Zone.
Taper: Seremetcc
2:42:58
Taper:
Seremetcc
Transferrer:
Keo
SHNID:
gd1988-07-02.132394.Nak100CP4.Seremetcc.Keo.Flac2496
Source:
Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Seremetcc for recording and sharing his source for this show!Some tape pauses between first set songs.All and all another excellent share from the Seremetcc collection of masters and the Grateful Dead's 1988 Summer Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Seremetcc
2:42:58
Taper:
Seremetcc
Transferrer:
Keo
SHNID:
gd1988-07-02.132393.Nak100CP4.Seremetcc.Keo.Flac1644
Source:
Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View Notes* Little Feat Opened! * Comments:Another Huge Thanks out to Seremetcc for recording and sharing his source for this show!Some tape pauses between first set songs.All and all another excellent share from the Seremetcc collection of masters and the Grateful Dead's 1988 Summer Tour!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: fitzy
2:45:35
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-07-02.Nak300CP4.Fitzy.Keo.124845.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! I remember this one like it was yesterday, from long wait in the car in the blistering heat to the show, the excellent sound and performance from this days music and the after show events and non stop party which went on all night long! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:45:35
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-07-02.Nak300CP4.Fitzy.Keo.124844.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! I remember this one like it was yesterday, from long wait in the car in the blistering heat to the show, the excellent sound and performance from this days music and the after show events and non stop party which went on all night long! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: M.Laurentus
2:47:34
Rating:
8.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-07-02.124766.AT835.laurentis.flac16
Source:
Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
Taper: Bob Morris
2:39:30
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1988-07-02.nak300.morris.crazyfingers.106588.flac16
Source:
(FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Tony Suraci
2:36:18
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1988-07-02.nakcm304.beyerm101.suraci.82762.sbeok.flac16
Source:
Nak CM304's+VBeyer M101>Sony Mixer>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes*Setup at right front corner of board Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Unknown
2:41:05
Source:
Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac
Taper Notes:
View Notes* 3-4 seconds missing @ 1:25:11.6 (end tape #2) / S.S.D.D. (Beg tape #3), spliced and cleaned up w/ Wavelab The boys were in a great mood at the end of this tour and the show reflects it; rarely do they joke around and talk onstage like they did this night.