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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1988
4/9/88
01 - Tuning
0:34
02 - Big Boss Man
4:41
03 - Walkin' Blues
8:03
04 - Far From Me
5:37
05 - Candyman
6:52
06 - Me And My Uncle >
2:43
07 - Mexicali Blues
5:56
08 - Tennessee Jed
7:53
09 - When I Paint My Masterpiece
5:01
10 - Deal
6:57
11 - Tuning
2:09
12 - Hell In A Bucket >
6:00
13 - Iko Iko
5:43
14 - Looks Like Rain >
9:05
15 - Terrapin Station >
11:12
16 - Drums >
6:41
17 - Space >
7:01
18 - Goin' Down The Road Feeling Bad >
5:38
19 - I Need A Miracle >
3:20
20 - Dear Mr. Fantasy >
5:37
21 - Hey Jude >
2:09
22 - Throwing Stones >
9:09
23 - Not Fade Away
8:57
24 - One More Saturday Night
6:03
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 11, 2022
SHNID:
gd1988-04-09.156453.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete -- This is 156056 2496 > 1644.1
Taper: Recorded by Don Pearson and Dan Healy
2:23:01
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 11, 2022
SHNID:
gd1988-04-09.156056.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple Ultramatrix masters were used to make this show complete
Transferrer: Charlie Miller
2:21:31
SBD
Rating:
8.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-09.sbd.miller.91241.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesPatch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: See info file
2:20:09
SBD
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1988-04-09.mtx.tobin.91019.sbeok.flac16
Source:
SBD + AUD Matrix 3 Source Mix (50%-SBD/50%-AUD)
Lineage:
See info file
Taper Notes:
View NotesAudio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 7, 2008 Patch Info: FM -> Cassette Master -> ? -> PCM -> Dat -> CD (shnid=15098) supplies: Space (6:16 - 6:24) Notes: -- Disc change is seamless -- Thanks to Joe B. Jones for his help with the pitch correction SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN Note: While a "master reel" seems unlikely for 1988 (the VHS is more likely the master tape), the frequency spectrum suggests that this is indeed a pre-broadcast reel, with content above 15K Hz. AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. Notes: - Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums. --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-APR-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As this matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. Brokedown House Production
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Rating:
10.00 / 1 rating
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 13, 2022
SHNID:
gd1988-04-09.156454.prefm.lamarre.miller.t.flac1644
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy -- This is 156419 2496 > 1644.1
Taper: Recorded by Doug Lamarre a few days after the show
2:20:12
Taper:
Recorded by Doug Lamarre a few days after the show
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 13, 2022
SHNID:
gd1988-04-09.156419.prefm.lamarre.miller.flac2496
Source:
Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S)
Lineage:
VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Doug Lamarre a few days after the show -- The station used an Ultramatrix SBD for the broadcast -- Patch source recorded by Don Pearson and Dan Healy
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140490.prefm.lamarre.berger.flac1644
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Taper Notes:
View NotesDoug and Ted Dralle went to the WCUW 91.3 studio in Worcester and both dubbed the station’s original pre fm reels onto their hifi vhs decks (not pcm).
Taper: Doug Lamarre
2:20:05
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-04-09.140395.prefm.lamarre.berger.flac2496
Source:
source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy;
Lineage:
pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
Source 9 of 15
1:30:31
SHNID:
gd1988-04-09.127694.FM.set2.flac16
Source:
Set 2
Lineage:
WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
Taper: Da Weez
2:16:20
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-04-09.111691.daweez.d5scott.NeumannKMF4.flac16
Source:
Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View NotesThe first 2:20 of Big Boss Man was missing so I patched it from a different source. There is also short gap in Deal from a tape flip which is also filled in from the same source.. --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:13:22
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1988-04-09.nak300.morris.crazyfingers.106589.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) ; Recorded from Taper Section 101, Row CC, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Transferrer: Matrix by Kevin Tobin
2:20:09
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1988-04-09.dts.tobin.91632.flac
Source:
DTS-Audio-CD 5.1 Mix
Taper Notes:
View Notes- Mixed by [email protected] - FLAC conversion 26-APR-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 30.988 seconds were missing from the SBD1 source and was filled in with audio from the AUD source. 2) At the beginning of Space, 39.533 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 3) During the crowd chant before the encore, 1 minute and 16.530 seconds were missing from the AUD source and was filled in with audio from the SBD2 source. 4) As the matrix was made to use with video of set 1, both AUD\SBD sources were synced to video source for set 1. The AUD speed was almost identical to video so it was used as reference for set 2. The SBD1 source ran slightly slow at about .5% or .100 seconds per minute minute. ------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -0db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -0db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: Ted Carpenter
2:19:23
Taper:
Ted Carpenter
Transferrer:
Andrew F
SHNID:
gd1988-04-09.nak300.carpenter.andrewf.90487.sbeok.flac16
Source:
Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Patches from Shn-ID 82671 cover tape flips as follows: - Masterpiece, 0:01 > 0:18. - Space, from 0:09 until mended at 0:33.964 (patch not complete). - NFA (crowd chant) 6:32 > NFA Reprise 0:01. - Disc break is seamless. - Alternate burn option: make Disc One as first set plus NFA Reprise and OMSN (59:40), make Disc Two as second set (79:56). - Soundforge used to make fades, add patches, and adjust levels. - TLH used for SBE-OK, FLAC compression, and making checksums.
Taper: Tony Suraci, Mike E.
2:10:48
Taper:
Tony Suraci, Mike E.
Transferrer:
Tony Suraci
SHNID:
gd1988-04-09.nakcm304.suraci.mike.82671.sbeok.flac16
Source:
Nak CM304's>Sony D5M
Lineage:
NakCR5A.Luntaec V3>SD722
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 15 of 15
2:20:01
Rating:
8.00 / 8 ratings
SHNID:
gd88-04-09.pre-fm.braverman.15098.sbeok.shnf
Source:
pre-FM Master Reel> VHS (PCM)> DAT> CD> SHNvia Skip Jenkins, encoded by Peter Braverman
Taper Notes:
View Notespre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman