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June 7th
Years
1995
29.8k
PlaybackListensHours
48h835119
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h52574
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h5k668
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.7k339
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h7k927
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.7k358
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k354
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k145
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k257
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h84994
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k215
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.1k153
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.3k176
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k220
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.2k286
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5k565
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k170
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.5k325
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h13k1.8k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h4k547
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h70964
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.2k539
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.7k614
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k229
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.3k966
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.5k421
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h39847
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9415
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h432
7d1066
30d56034
2 shows
2 tapes
1988
10/15/88
Crowd
1:28
The Music Never Stopped >
5:54
Sugaree
10:18
Blow Away >
7:29
Walkin' Blues
7:40
When Push Comes To Shove
4:42
Queen Jane Approximately
6:47
Tennessee Jed
7:59
Let It Grow
12:47
Noodle >
1:49
One More Saturday Night >
4:51
Crazy Fingers >
8:08
Playin' In The Band >
7:53
Uncle John's Band >
7:33
Drums >
8:25
Space >
5:33
Truckin' >
7:46
Smokestack Lightning >
3:37
Stella Blue >
9:03
Turn On Your Lovelight
6:02
Encore Break
0:53
US Blues
5:25
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:29:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 2, 2021
SHNID:
gd1988-10-15.152008.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Apparently nobody was around to flip the tape in Set 1 -- There was horrible flutter on the master which took dozens of hours to repair -- I included a sample of the flutter to give you an idea of what I had to deal with -- Thanks to Rob Eaton, Dick Latvala, Ted Mattes and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for supplying the pitch correction settings -- 152002 24 > 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:29:32
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 2, 2021
SHNID:
gd1988-10-15.152002.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Apparently nobody was around to flip the tape in Set 1 -- There was horrible flutter on the master which took dozens of hours to repair -- I included a sample of the flutter to give you an idea of what I had to deal with -- Thanks to Rob Eaton, Dick Latvala, Ted Mattes and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for supplying the pitch correction settings
Taper: Rob Eaton
2:23:20
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.142462.sbd-aud.composite.eaton.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Rob's list shows this as a complete ultramatrix Dat master > Reel, however, the 2nd set is from a mono audience source - Other One tease in space before "Truckin'" - Pitch corrected Mastered by Scott Clugston June 27, 2018
Transferrer: Charlie Miller
36:29
SBD
Rating:
6.44 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd88-10-15.set2.partial.miller.28438.sbeok.flacf
Source:
<b>flac16</b>Set 2 partial: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master)
Lineage:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC
Taper Notes:
View Notes<b>flac16</b>; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial)
Taper: Michael Hessberg
2:22:02
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.148495.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies an 0:06 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:02
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.148494.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies an 0:06 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:21:49
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-15.146318.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 04, 2019 Patch info: - shnid 141447 Schoeps (FOB) - s1t06; 04:37 - end - s1t07; start - 00:10 - s2t01; start - 00:34 - s2t07; 04:38 - 04:51 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - speed corrected - An Other One tease before Truckin' - Touché Gris
Taper: Ted Mattes
2:26:55
Rating:
4.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.141447.fob.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Other One tease in space before "Truckin'" Mastered by Scott Clugston March 23, 2018
Taper: Doug Lamarre
2:19:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-15.138837.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:19:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-15.138836.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Transferrer: mtownshend
2:17:59
Rating:
8.00 / 4 ratings
Transferrer:
mtownshend
SHNID:
gd1988-10-15.nak100.holtz.gems.83504.sbeok.flac16
Source:
Nak100's -> Sony D-6 (Marantz PMD43x was lead deck)
Lineage:
Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96
Taper Notes:
View NotesComments: * Connection to left channel lost in a few spots; fixed as noted and undetectable except one spot: 2:43, 3:54, 4:54 and at 4:04; 4 sec of Left channel replace w/ right(mono for 4sec) #The bass levels were way too hot in parts of the show particularly during Blow Away. ^^Little was done if any to reduce the noise levels, particularly in Wavelab. The Treble and Bass settings transferred were faithfil to the recording and preserved. If you feel too much bass or treble, adjust your system accordingly. Dolby was not used in tape playback and no noise reduction was used in Wavelab. These Mics were extremely sensitive to the arena crowd and high spl's from say Phil and the drumz...An artifact that is part of the recordings personality, left alone. As a licensed structural engineer in PA I would have to say that afer hearing the Drumz, this arena is going to be stable from any interior attack that may arise in the near future ;) Enjoy! mtownshend
Source 12 of 12
2:22:24
Rating:
4.50 / 8 ratings
SHNID:
gd88-10-15.aud.leeds.17181.sbeok.shnf