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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1988
4/22/88
01 - Tuning
1:04
02 - Mississippi Half-Step Uptown Toodeloo
6:51
03 - Feel Like A Stranger >
7:36
04 - Franklin's Tower
9:17
05 - New Minglewood Blues
8:48
06 - Candyman
7:07
07 - Queen Jane Approximately
6:33
08 - When Push Comes To Shove
5:01
09 - Let It Grow
13:05
10 - China Cat Sunflower >
6:05
11 - I Know You Rider
5:14
12 - Louie Louie
5:02
13 - Estimated Prophet >
9:36
14 - He's Gone >
9:59
15 - Drums >
9:14
16 - Space >
7:34
17 - The Wheel >
4:13
18 - Gimme Some Lovin' >
4:35
19 - All Along The Watchtower >
4:42
20 - Sugar Magnolia
9:22
21 - Encore Break
4:16
22 - Black Muddy River
8:53
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152577.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete -- This is 152289 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:34:07
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1988-04-22.152289.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Multiple masters were used to make this show complete
Transferrer: Darryl Hinko
2:32:05
SBD
Rating:
7.60 / 7 ratings
Transferrer:
Darryl Hinko
SHNID:
gd88-04-22.sbd-matrix.hinko.26818.sbeok.flacf
Source:
<b>flac16</b> SBD (Matrix) > MC > DAT > CD > EAC > FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
Taper: Don Crandall, Sean Weber-Small & Chris Huron
2:31:22
Taper:
Don Crandall, Sean Weber-Small & Chris Huron
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1988-04-22.164110.fob.schoeps.cmc4.mk41.mattes.miller.clugston.flac16
Source:
Don Crandall, Sean Weber-Small & Chris Huron's (FOB) Audience PCM (Nakamichi DMP-100); Schoeps CMC4/MK41 mics (ORTF) (Ted Mattes' equipment)
Lineage:
Master PCM (Sony ESX-HiFi/L-150)(Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 2023 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Don Crandall, Sean Weber-Small and Chris Huron for recording the show - Thanks to Ted Mattes for the master PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort Mastered by Scott Clugston March 2023
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151102.aud.lohr.vernon.flac2496
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Gesine Lohr
2:21:32
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1988-04-22.151101.aud.lohr.vernon.flac1648
Source:
Nak mics > D6 > MAC
Lineage:
Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording notes: 1. tape flips 05, 11, 16
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140443.senn-816.alabama-bob.flac1644
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Alabama Bob
2:28:26
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1988-04-22.140442.senn-816.alabama-bob.flac2448
Source:
AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
Taper Notes:
View NotesNote: ID-16070 patches cover tape-flips; crowd end of Candyman 6:24 > 7:13, and Drums 9:07 > Space 1:40. With thanks to Brad125!
Taper: Hale
2:30:57
Taper:
Hale
Transferrer:
Hale
SHNID:
gd1988-04-22.137944.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
Taper Notes:
View Notes-Not sure of our seat numbers and my ticket stubs are in one of a mountain of boxes in a storage unit. The mics were set up on a giant mic stand that was actually made to hold one side of a PA system. It went up about 12-14'. The scene at the Irvine Meadows lot was way different than bay area shows. We flew in to LAX and rented this white station wagon. We wanted a van, but that's all they had. Anyway there wasn't much room to sleep. But who needs sleep. I have this "Fear and Loathing" sort of memory of too many cheap drugs available 24/7 in the lot and plenty of good acid for the ride to Mexico after the shows. We flew on these cheap comp plane tickets I bought off this Italian in Kansas City. No problem flying out of KCI, but the return trip out of LAX was a huge problem. Even in 1988 they were checking ID's when boarding at LAX. We clearly were not the guys attached to the Italian names on these tickets. We finally made it home after a few calls and with the help of a good friend who lined up booked and paid for the tickets which were not cheap same day. It took me a couple of months to pay him back. Anyway that's the short tame version of a very long story. What a long strange trip!!!!!!!!
Source 10 of 10
2:30:52
Rating:
8.18 / 11 ratings
SHNID:
gd88-04-22.aud.wiley.16070.sbeok.shnf