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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1988
9/20/88
01 - Tuning
5:52
02 - Jack Straw >
6:18
03 - Althea
8:16
04 - Mama Tried >
2:43
05 - Mexicali Blues
7:18
06 - Peggy-O
6:50
07 - When I Paint My Masterpiece
5:30
08 - Louie Louie >
8:15
09 - The Music Never Stopped
9:20
10 - Bertha >
7:25
11 - Cumberland Blues
5:09
12 - Looks Like Rain >
9:35
13 - Terrapin Station >
12:14
14 - Drums >
11:32
15 - Space >
9:08
16 - Truckin' >
6:15
17 - Goin' Down The Road Feeling Bad >
6:28
18 - Morning Dew
10:27
19 - Encore Break
2:23
20 - Johnny B. Goode
4:24
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:25:22
SBD
Rating:
9.00 / 2 ratings
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 14, 2021
SHNID:
gd1988-09-20.152581.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Rich Gastwirt and Sirmick for the patch source -- This is 152253 24 -> 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:25:22
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 14, 2021
SHNID:
gd1988-09-20.152253.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Thanks to Rich Gastwirt and Sirmick for the patch source
Transferrer: Kevin Tobin
2:15:31
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-20.133540.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-JUN-2015 - Trader Little Helper - Tagged 17-JUN-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:15:31
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-20.133539.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(52%-SBD/48%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-JUN-2015 - Trader Little Helper - Tagged 17-JUN-2015 - Tag&Rename --------------------------------------------------------- --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:15:31
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-09-20.133538.upg-sbd.tobin.flac16
Source:
Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC (original shnid 130698) - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Soundboard --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-JUN-2015 - Trader Little Helper - Tagged 17-JUN-2015 - Tag&Rename --------------------------------------------------------- Only minor patching - 1st set had some additional dead air between songs to match audience tracks. 2nd set had about a minute at the start of Space, another 30 seconds close to the end of Space and then 1 min and 30 seconds close to the end of Truckin'. Speedwise the soundboard was slightly fast compared to both audience. Updated for matrix/dts project Brokedown House Production
Transferrer: Bill Guarneri
2:08:45
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Guarneri
SHNID:
gd1988-09-20.sbd.130698.MrBill.flac16
Source:
Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC
Taper Notes:
View NotesFIXES AND NOTES: Patch on Disc 1, track 6 from 0:00 - 0:36, pulled from aud shnid 31991 Tiny digital blip on Disc1, track 4 at about 01:45..on my DAT. On only other complete sbd, shnid 2422, audio files are compressed and have little or no dynamic range. This upgrade has natural dynamic range, with better clarity and stage presence. Transferred, tracked and mastered by Bill Guarneri, July 20, 2014
Transferrer: Joe Samaritano
53:57
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Joe Samaritano
SHNID:
gd88-09-20.set1.sbd.gans-samaritano.28450.sbeok.flacf
Source:
Soundboard (Set 1 Only)
Lineage:
SBD->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD->EAC->FLAC16
Taper Notes:
View Notes<b>flac16</b>; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano
Source 8 of 19
2:18:50
SBD
Rating:
8.00 / 11 ratings
SHNID:
gd88-09-20.sbd.jeff.2422.sbeok.shnf
Source:
SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN
Taper Notes:
View NotesSBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to <a href="http://db.etree.org/shninfo_detail.php?shnid=1189" rel="ugc nofollow">previous</a> shn set
Taper: Ted Mattes and Don Crandall & Chris Huron
2:29:03
Taper:
Ted Mattes and Don Crandall & Chris Huron
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-20.142131.OTS.Schoeps.PCM.Mattes.Miller.Noel.t-flac1644
Source:
Don Crandall & Chris Huron Recording (OTS): Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller
Lineage:
Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
Taper Notes:
View NotesNotes: - Master PCM (Sony ESX-HiFi/L-750 Beta tape) courtesy of Ted Mattes - Thanks to Don Crandall & Chris Huron for manning Ted's rig. - Grateful to Charlie for the transfer - Night six of a nine night run at the world's most famous arena. - This night was the one for me. - Caught the entire run from BTS, it was a swell dance party. - Lindy's (More Nitrous!! More Nitrous!!) Grateful for: - Magic Elixirs
Taper: Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
2:23:42
Rating:
10.00 / 1 rating
Taper:
Robert Bryant patched out of Oade Brothers - from the Gastwirt collection
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-09-20.139647.OTS.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac16
Source:
Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View NotesreMaster notes: - lineage has been confirmed. - the first 30 seconds or so of s1t01 on source DAT was water damaged, that portion was dropped & replaced with a patch from 90977. - s1t01 levels were on the high side, causing saturation as the band went into Jack Straw. This was normalized -4.0db - All digi static has been patched. - I used a different patch source for greater transparency. - no pitch correction was performed Notes: - Night six of a nine night run at the world's most famous arena. - This night was the one for me. - Caught the entire run from BTS, it was a great dance party. - Who remembers the Lindy's afterparty?? (More Nitrous!! More Nitrous!!) Patch info: - Source #90977 (nak 300 mics w/cp4 shotguns > sony d-5) supplies; - s1t01; 0:00 - 0:42 - s1t08; 3:46 - 3:55 - s2t02; 0:51 - 1:04 - s2t09; 2:52 - 3:02
Taper: Rich Gastwirt
2:23:41
Taper:
Rich Gastwirt
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1988-09-20.138359.aud.gastwirt.miller.sirmick.sbeok.flac16
Taper Notes:
View NotesComments: - Drums appears to be incomplete in all other sources in circulation, both sbd and aud. Notes: - All tracks have been pitch corrected. - There is a patch of approximately 1 second in "Bertha", source used 2 Neumann KMF4 microphones > Sony TC-D5M > analog master cassettes, taped by Da Weez and seeded by D5scott
Taper: Stephen Porter
2:28:53
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-20.150342.sennme-80.porter.carbonetta.sirmick.flac24
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips and pauses patched with shnid 142131 - Thanks to all involved. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for doing the transfers. edited and mastered SIRMick July 2020
Taper: Stephen Porter
2:28:53
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-09-20.150341.sennme-80.porter.carbonetta.sirmick.flac16
Source:
Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesNotes: - Pitch corrected - Tape flips and pauses patched with shnid 142131 - Thanks to all involved. Thanks to Stephen Porter for providing his masters. Thanks to Nick Carbonetta for doing the transfers. edited and mastered SIRMick July 2020
Taper: fitzy
2:21:30
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-20.Nak300CP4.Fitzy.Keo.124883.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent sounding recording from the Fitzy collection of Grateful Dead masters!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:21:30
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-09-20.Nak300CP4.Fitzy.Keo.124882.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Fitzy for recording and sharing his source for this show! Another excellent sounding recording from the Fitzy collection of Grateful Dead masters!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Da Weez
2:07:53
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1988-09-20.116442.NeumannKMF4.daweez.d5scott.flac16
Source:
Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Joe D'Amico
2:16:59
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1988-09-20.nak300.damico.90977.sbeok.flac16
Source:
nak 300 mics w/ cp4 shotguns > sony d-5 D
Lineage:
nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D
Taper: Andrew F.
2:17:38
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1988-09-20.nak304.andrewf.89256.sbeok.flac16
Source:
Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand, set up next to the lighting board, just in front of the OTS area.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC
Taper: Doug Mow
2:11:04
Taper:
Doug Mow
Transferrer:
Doug Mow and Alex Ford
SHNID:
gd1988-09-20.akg.mow.31991.sbeok.flac16
Source:
AKG 224E > Sony D5 > Maxell MX Master
Lineage:
Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16
Taper Notes:
View Notesd1t01 Jack Straw beginning is cut