Bands
Featured
Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1988
Sources
Transferrer: All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
2:27:18
SBD
Rating:
8.00 / 1 rating
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] March 12, 2024
SHNID:
gd1988-07-29.167172.ultramatrix.patched.miller.flac1644
Source:
Ultramatrix SBD > DAT (44.1k) > AIFF
Lineage:
AIFF > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- DDi Codec was used to dolby decode the patch source
Transferrer: Charlie Miller
2:27:49
SBD
Rating:
8.29 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-07-29.sbd.miller.106034.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Encore moved to end of Set 1 to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- There is some distortion on the low end of the recording -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Russ Cansler
1:22:03
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.set2.sbd.russjcan.105341.flac16
Source:
SBD > ? > ? > Cassette (Third Gen sbd cassette maxell XL II no nr)
Lineage:
3rd gen sbd > NakCR-3A > AudigySE > Audacity > CDwave > TLH
Source 4 of 8
2:23:28
SBD
Rating:
9.03 / 64 ratings
SHNID:
gd88-07-29.sbd.hayum.5395.sbeok.shnf
Source:
Soundboard( was labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW))
Taper Notes:
View NotesAud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
Source 5 of 8
2:37:17
SHNID:
gd1988-07-29.158384.mtx.photoleon.flac16
Source:
Matrix created in Adobe Audition by Joe Noel
Taper Notes:
View NotesNotes: - fades were applied to the breaks in source 2 (s1) - s2t12 & s2t13 are Source 1 only Thanks to; - M.Watson & wklitz for the Schoeps source. - Dan Healy for recording the SBD source. - Charlie Miller for processing the SBD. - John Ammons & Jack Schlottman for the critique.
Taper: Greg Holtz
2:26:51
Rating:
8.00 / 8 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1988-07-29.fob.nak100.holtz.jaz.102903.flac16
Source:
Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6
Lineage:
Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
Taper: Russ Cansler
2:29:55
Rating:
8.67 / 6 ratings
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-07-29.pzm.russjcan.93970.sbeok.flac16
Source:
Hat Mounted pzm's with Sony WMD6-C 45 feet away,Dead center Maxell MX-90 No nr
Lineage:
Master>D6>HD>Audacity>CDWave>TLH>FLAC
Taper Notes:
View Notes- No taping section for these shows - David Lindley and El-Rayo X opened
Transferrer: M Watson
2:37:12
Rating:
8.57 / 7 ratings
Transferrer:
M Watson
SHNID:
gd1988-07-29.schoeps.litzenberger.watson.86255.sbefail.flac16
Source:
Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat
Lineage:
Dat->Sony pcm R-500(playback)->vx pocket v2->SF6
Taper Notes:
View NotesThe volume of the right channel was a little lower than the left. I adjusted it 0.51db (106.06%). This was the only processing done to this recording. Disc II and Disc III can be reassembled seamlessly. There was no mic location info on the source dat but I would guess that this recording was done fob because there is not a lot of crowd noise and omni capsules were used. I would like to thank wklitz for loaning me his dats.