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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1988
10/14/88
01 Tuning
1:09
02 Touch Of Grey
6:27
03 New Minglewood Blues
9:43
04 Row Jimmy
10:16
05 It's All Over Now
9:50
06 Brown Eyed Women
6:08
07 When I Paint My Masterpiece
5:34
08 Bird Song
9:30
09 Promised Land
5:06
10 China Cat Sunflower
6:28
11 I Know You Rider
5:59
12 Saint Of Circumstance
7:30
13 He's Gone
10:23
14 Drums
8:21
15 Space
6:04
16 Goin' Down The Road Feeling Bad
5:54
17 I Need A Miracle
3:36
18 Dear Mr Fantasy
5:53
19 Hey Jude
3:52
20 Encore Break
2:44
21 Black Muddy River
8:00
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:18:27
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-14.141685.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings -- This file set is 16 bit
Transferrer: Charlie Miller
2:18:27
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-14.141626.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to David Gans for making this possible -- Thanks to Ted Mattes for the patch source -- Thanks to Scott Clugston for the pitch correction settings
Transferrer: Kevin Tobin
2:14:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-10-14.134023.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-AUG-2015 - Trader Little Helper - Tagged 17-AUG-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -1db AUD Right Channel -1db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:14:05
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1988-10-14.134022.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) Both SBD and AUD were patched with: AUD (shnid = no shnid) from video project --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-AUG-2015 - Trader Little Helper - Tagged 17-AUG-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Charlie Miller
2:19:02
SBD
Rating:
8.67 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-10-14.sbd.miller.22289.sbeok.shnf
Source:
SBD -> Cassette Master (TDK SA-X90)
Lineage:
Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN)
Taper Notes:
View NotesOnly a few seconds were lost on the tape flip during Space.
Source 6 of 14
2:17:37
SBD
Rating:
8.25 / 8 ratings
SHNID:
gd88-10-14.sbd.fishman.22791.sbeok.shnf
Source:
Soundboard
Taper Notes:
View NotesREPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits
Taper: Michael Hessberg
2:15:31
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-14.148493.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Kevin Tobin for the shnid134024 Nakamichi 100 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:15:31
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-14.148492.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and Kevin Tobin for the shnid134024 Nakamichi 100 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:14:54
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-14.146317.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Source:
Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 141625 OTS Schoeps - s2t06; 04:51 - 05:04 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - set I tape pause & flip were cross faded - speed corrected - Touché Gris
Taper: Ted Mattes
2:25:06
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-14.141625.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Thanks to Charlie Miller for the UltraMatrix soundboard source which supplies a 0:02 patch in "Saint Of Circumstance", as well as a 0:04 patch in "He's Gone" Mastered by Scott Clugston April 4, 2018
Taper: Doug Lamarre
2:12:36
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-14.138830.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:12:36
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-14.138829.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Transferrer: Kevin Tobin
2:14:05
Transferrer:
Kevin Tobin
SHNID:
gd1988-10-14.134024.upd-aud.tobin.flac16
Source:
(original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Audience AUD was patched with: AUD (shnid = no shnid) from video project --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 17-AUG-2015 - Trader Little Helper - Tagged 17-AUG-2015 - Tag&Rename --------------------------------------------------------- Only minor patching - speedwise the audience was very fast compared to other recordings - about 2 seconds per minute. Brokedown House Production
Taper: G. Holtz
2:12:22
Rating:
4.00 / 2 ratings
Taper:
G. Holtz
Transferrer:
mtownshend
SHNID:
gd1988-10-14.nak100.holtz.gems.83676.sbeok.flac16
Source:
Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6
Lineage:
Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96
Taper Notes:
View NotesNotes: due to the location there is a bit of audience in the mix during the tuning and start of tunes. I was able to isolate them the best I could without causing any glaring compression issues. I located jerry's guitar and focused on keeping that as clear as possible. Enjoy! mtownshend