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June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1988
10/15/88
The Music Never Stopped >
5:53
Sugaree
10:07
Blow Away
7:41
Walkin' Blues
7:13
When Push Comes To Shove
4:39
Queen Jane Approximately
6:17
Tennessee Jed
8:03
Let it Grow
12:49
One More Saturday Night
6:05
Crazy Fingers
8:10
Playing In The Band >
8:05
Uncle John's Band >
7:11
Drums >
8:33
Space/ >
6:17
Truckin' >
6:51
Smokestack Lightning >
3:28
Stella Blue >
9:23
Turn On Your Lovelight
7:02
e: U.S. Blues
5:34
FIN
View on archive.org
Sources
Taper: Don Pearson and Dan Healy
2:29:32
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 2, 2021
SHNID:
gd1988-10-15.152008.UltraMatrix.sbd.cm.miller.t.flac16
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Apparently nobody was around to flip the tape in Set 1 -- There was horrible flutter on the master which took dozens of hours to repair -- I included a sample of the flutter to give you an idea of what I had to deal with -- Thanks to Rob Eaton, Dick Latvala, Ted Mattes and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for supplying the pitch correction settings -- 152002 24 > 16 @ 44.1
Taper: Don Pearson and Dan Healy
2:29:32
SBD
Rating:
10.00 / 1 rating
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 2, 2021
SHNID:
gd1988-10-15.152002.ultramatrix.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-XG)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- Apparently nobody was around to flip the tape in Set 1 -- There was horrible flutter on the master which took dozens of hours to repair -- I included a sample of the flutter to give you an idea of what I had to deal with -- Thanks to Rob Eaton, Dick Latvala, Ted Mattes and Scott Clugston for the patch sources -- Thanks to Joe B. Jones for supplying the pitch correction settings
Taper: Rob Eaton
2:23:20
SBD
Taper:
Rob Eaton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.142462.sbd-aud.composite.eaton.miller.clugston.flac1648
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer and coordinating this effort - Rob's list shows this as a complete ultramatrix Dat master > Reel, however, the 2nd set is from a mono audience source - Other One tease in space before "Truckin'" - Pitch corrected Mastered by Scott Clugston June 27, 2018
Transferrer: Charlie Miller
36:29
SBD
Rating:
6.44 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd88-10-15.set2.partial.miller.28438.sbeok.flacf
Source:
<b>flac16</b>Set 2 partial: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master)
Lineage:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC
Taper Notes:
View Notes<b>flac16</b>; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial)
Taper: Michael Hessberg
2:22:02
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.148495.nak300.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies an 0:06 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:02
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.148494.nak300.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tim Mattes and the folks responsible for the Schoeps CMC3 MK41 source which supplies an 0:06 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:21:49
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1988-10-15.146318.OTS-NAK300.Hessberg.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesMaster Audience Recording by Micheal Hessberg DSD Transfer by Charlie Miller Edited & Mastered by Joe Noel May 04, 2019 Patch info: - shnid 141447 Schoeps (FOB) - s1t06; 04:37 - end - s1t07; start - 00:10 - s2t01; start - 00:34 - s2t07; 04:38 - 04:51 Notes: - Thanks to Micheal Hessberg for recording the show. - Thanks to Charlie for coordinating this & the DSD transfer. - Thanks to Ted Mattes for the patch source - speed corrected - An Other One tease before Truckin' - Touché Gris
Taper: Ted Mattes
2:26:55
Rating:
4.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-10-15.141447.fob.schoeps.cmc3.mk41.pcm.mattes.miller.clugston.flac1644
Source:
Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the source PCM - Thanks to Charlie Miller for the transfer - Other One tease in space before "Truckin'" Mastered by Scott Clugston March 23, 2018
Taper: Doug Lamarre
2:19:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-15.138837.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Taper: Doug Lamarre
2:19:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1988-10-15.138836.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
Transferrer: mtownshend
2:17:59
Rating:
8.00 / 4 ratings
Transferrer:
mtownshend
SHNID:
gd1988-10-15.nak100.holtz.gems.83504.sbeok.flac16
Source:
Nak100's -> Sony D-6 (Marantz PMD43x was lead deck)
Lineage:
Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96
Taper Notes:
View NotesComments: * Connection to left channel lost in a few spots; fixed as noted and undetectable except one spot: 2:43, 3:54, 4:54 and at 4:04; 4 sec of Left channel replace w/ right(mono for 4sec) #The bass levels were way too hot in parts of the show particularly during Blow Away. ^^Little was done if any to reduce the noise levels, particularly in Wavelab. The Treble and Bass settings transferred were faithfil to the recording and preserved. If you feel too much bass or treble, adjust your system accordingly. Dolby was not used in tape playback and no noise reduction was used in Wavelab. These Mics were extremely sensitive to the arena crowd and high spl's from say Phil and the drumz...An artifact that is part of the recordings personality, left alone. As a licensed structural engineer in PA I would have to say that afer hearing the Drumz, this arena is going to be stable from any interior attack that may arise in the near future ;) Enjoy! mtownshend
Source 12 of 12
2:22:24
Rating:
4.50 / 8 ratings
SHNID:
gd88-10-15.aud.leeds.17181.sbeok.shnf