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June 16th
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1995
30.1k
49 shows
343 tapes
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12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
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1980
71.1k
91 shows
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1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
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1976
91.9k
45 shows
298 tapes
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6.3k
25 shows
63 tapes
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89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1988
10/1/88
Hell In A Bucket
6:30
Sugaree
8:52
Little Red Rooster
8:49
Friend Of The Devil
8:52
Queen Jane Approximately
6:51
Tennessee Jed
7:59
Cassidy
7:01
Don't Ease Me In
3:26
Victim Or The Crime->
5:33
Scarlet Begonias->
8:46
Fire On The Mountain->
9:42
Drums->
10:19
Space->
10:37
The Other One->
6:47
I Need A Miracle->
3:50
Uncle John's Band->
7:05
Morning Dew
11:14
One More Saturday Night
5:11
FIN
View on archive.org
Sources
Taper: OldNeumanntapr
2:10:56
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-01.168674.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #23, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. (Maybe the venue was upset with microphone stands tearing up the lawn?) We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I was having trouble with my Sony TC-153SD which turned out to be a dirty record switch, most likely from the wind-driven dust at the Ventura Fairgrounds shows the previous summer. I eventually had it serviced but for these shows I used a borrowed Marantz PMD-430, from my friend Dick who was another taper I knew. For some reason lost to time, my recording of the October 1st show starts with Sugaree already in progress. Perhaps I was late to the show and wasn't able to get set up in time, or maybe I had some sort of an equipment failure. I don't remember. I would eventually get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows.