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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55273
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.3k172
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k430
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.6k339
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.1k638
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h6.6k830
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k135
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.8k319
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h996112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k209
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.9k463
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k174
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k145
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.2k277
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.6k300
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k208
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k261
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9.6k1.3k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.5k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h20322
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.7k490
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h9.4k1.3k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k259
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k177
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k188
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k166
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h54968
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9314
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h46530
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1988
10/1/88
Hell In A Bucket
6:30
Sugaree
8:52
Little Red Rooster
8:49
Friend Of The Devil
8:52
Queen Jane Approximately
6:51
Tennessee Jed
7:59
Cassidy
7:01
Don't Ease Me In
3:26
Victim Or The Crime->
5:33
Scarlet Begonias->
8:46
Fire On The Mountain->
9:42
Drums->
10:19
Space->
10:37
The Other One->
6:47
I Need A Miracle->
3:50
Uncle John's Band->
7:05
Morning Dew
11:14
One More Saturday Night
5:11
FIN
View on archive.org
Sources
Taper: Steve Marcus
2:22:05
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 9, 2024
SHNID:
gd1988-10-01.169163.MountainView.CA.UltramatrixSBD.dolby.c.cm.marcus.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S/MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- This is 168963 2496 > 1648
Taper: Steve Marcus
2:22:05
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 9, 2024
SHNID:
gd1988-10-01.168963.UltramatrixSBD.dolby.c.cm.marcus.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S/MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Transferrer: Charlie Miller
2:24:35
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-10-01.142489.sbd.bm.miller.flac1644
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- Thanks to Darren Sacks for the patch source (which I remastered) -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
2:24:35
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-01.142331.sbd.miller.flac2496
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- Thanks to Darren Sacks for the patch source (which I remastered)
Source 5 of 8
2:17:24
SBD
Rating:
6.55 / 12 ratings
SHNID:
gd88-10-01.sbd.sacks.7728.sbeok.shnf
Source:
SBD> Cass> DAT> CDR> EAC> SHN (seekable)
Taper Notes:
View NotesSBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree
Taper: OldNeumanntapr
2:10:56
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-01.168674.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #23, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. (Maybe the venue was upset with microphone stands tearing up the lawn?) We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I was having trouble with my Sony TC-153SD which turned out to be a dirty record switch, most likely from the wind-driven dust at the Ventura Fairgrounds shows the previous summer. I eventually had it serviced but for these shows I used a borrowed Marantz PMD-430, from my friend Dick who was another taper I knew. For some reason lost to time, my recording of the October 1st show starts with Sugaree already in progress. Perhaps I was late to the show and wasn't able to get set up in time, or maybe I had some sort of an equipment failure. I don't remember. I would eventually get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows.
Taper: Jeff Bowen
1:17:00
Rating:
8.00 / 1 rating
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1988-10-01.ec7.s2.bowen.116400.flac
Source:
Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430;
Lineage:
Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
Taper Notes:
View Notes-- Thanks to Jeff for sharing his master/transfer! Log file included. Enjoy!
Taper: Russ Cansler
2:19:57
Rating:
10.00 / 1 rating
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-10-01.beyerM88.russjcan.94478.flac16
Source:
Beyerdynamic M-88's XY60 with Sony WMD6-C Maxell MX 90 No nr Offical taping section front of lawn 140 feet away,dead center Mic stand at 7 feet
Lineage:
Master>D6>HD>Audacity>CDWave>TLH
Taper Notes:
View Notes- significant boost in house sound on d1t02 right before vocals - d1t07 first few seconds cut