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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1988
10/1/88
01 - Tuning
1:01
02 - Hell In A Bucket >
6:22
03 - Sugaree
8:48
04 - Little Red Rooster
8:46
05 - Friend Of The Devil
8:46
06 - Queen Jane Approximately
6:57
07 - Tennessee Jed
8:12
08 - Cassidy
6:58
09 - Don't Ease Me In
3:59
10 - Tuning
1:57
11 - Victim Or The Crime >
5:21
12 - Scarlet Begonias >
8:08
13 - Fire On The Mountain >
9:57
14 - Drums >
12:36
15 - Space >
7:27
16 - The Other One >
7:06
17 - I Need A Miracle >
3:49
18 - Uncle John's Band >
6:54
19 - Morning Dew
10:43
20 - Encore Break
2:00
21 - One More Saturday Night
6:18
FIN
View on archive.org
Sources
Taper: Steve Marcus
2:22:05
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 9, 2024
SHNID:
gd1988-10-01.169163.MountainView.CA.UltramatrixSBD.dolby.c.cm.marcus.miller.t-flac1648
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S/MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- This is 168963 2496 > 1648
Taper: Steve Marcus
2:22:05
SBD
Taper:
Steve Marcus
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 9, 2024
SHNID:
gd1988-10-01.168963.UltramatrixSBD.dolby.c.cm.marcus.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S/MA/Dolby C)
Lineage:
Cassette Master (Nakamichi CR7A/Dolby C) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
Transferrer: Charlie Miller
2:24:35
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-10-01.142489.sbd.bm.miller.flac1644
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- Thanks to Darren Sacks for the patch source (which I remastered) -- This file set is 16 bit at 44.1
Transferrer: Charlie Miller
2:24:35
SBD
Transferrer:
Charlie Miller
SHNID:
gd1988-10-01.142331.sbd.miller.flac2496
Source:
SBD > Beta HiFi Master (Sony Betamax/TDK HS)
Lineage:
Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >dBpoweramp > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a Healy Mix SBD with no ambient mics -- Thanks to Darren Sacks for the patch source (which I remastered)
Source 5 of 8
2:17:24
SBD
Rating:
6.55 / 12 ratings
SHNID:
gd88-10-01.sbd.sacks.7728.sbeok.shnf
Source:
SBD> Cass> DAT> CDR> EAC> SHN (seekable)
Taper Notes:
View NotesSBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree
Taper: OldNeumanntapr
2:10:56
Taper:
OldNeumanntapr
Transferrer:
OldNeumanntapr
SHNID:
gd1988-10-01.168674.superscopeEC7.ont.flac1644
Source:
OTS; SEC 202, Row E, Seat #23, Front Row Of Tapers Section; Superscope EC 7 Cardioid Condensers >Marantz PMD-430 [XLIIS]
Lineage:
Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits [Tape Flips] & Fades) >FLAC (Level 8) + Tags Via xACT 2.53
Taper Notes:
View NotesOldNeumanntapr Notes; This was my second time recording the Dead at Shoreline. The previous year, in 1987, I came home with really good sounding tapes that had a lot of punch and impact, being that they were recorded with the addition of the repeater towers on the lawn. In 1988 they moved the tapers section to Section 202, in the reserved section, directly behind the soundboard. (Maybe the venue was upset with microphone stands tearing up the lawn?) We were a little closer to the stage PA, but we lost the addition of the repeater towers. When I ordered tickets through the Dead office I put a note in my mailer and requested to be next to 'Taper Ron' Owensby, my friend in Oakland who I stayed with when I went to Bay Area shows. I was blown away to see Ron walk up and have a reserved seat RIGHT next to me, in Section 202 Row E, the first row behind the board and front row of the tapers section! THANK'S GDTS!!!! :) I was having trouble with my Sony TC-153SD which turned out to be a dirty record switch, most likely from the wind-driven dust at the Ventura Fairgrounds shows the previous summer. I eventually had it serviced but for these shows I used a borrowed Marantz PMD-430, from my friend Dick who was another taper I knew. For some reason lost to time, my recording of the October 1st show starts with Sugaree already in progress. Perhaps I was late to the show and wasn't able to get set up in time, or maybe I had some sort of an equipment failure. I don't remember. I would eventually get the Sony TC-153SD deck working again, but in the meantime I got a new Sony WM-D6C PRO for Christmas '88, because I wanted a new deck and I wanted something that I could record other bands with and the 153 was just too large to take in for stealth shows.
Taper: Jeff Bowen
1:17:00
Rating:
8.00 / 1 rating
Taper:
Jeff Bowen
Transferrer:
Jeff Bowen
SHNID:
gd1988-10-01.ec7.s2.bowen.116400.flac
Source:
Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430;
Lineage:
Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
Taper Notes:
View Notes-- Thanks to Jeff for sharing his master/transfer! Log file included. Enjoy!
Taper: Russ Cansler
2:19:57
Rating:
10.00 / 1 rating
Taper:
Russ Cansler
Transferrer:
Russ Cansler
SHNID:
gd1988-10-01.beyerM88.russjcan.94478.flac16
Source:
Beyerdynamic M-88's XY60 with Sony WMD6-C Maxell MX 90 No nr Offical taping section front of lawn 140 feet away,dead center Mic stand at 7 feet
Lineage:
Master>D6>HD>Audacity>CDWave>TLH
Taper Notes:
View Notes- significant boost in house sound on d1t02 right before vocals - d1t07 first few seconds cut