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Bands
Grateful Dead
Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140394.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- Thhis file set is 16 bit
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140343.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:28:50
SBD
Rating:
7.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.sbd.miller.91160.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Move Tuning -> China Cat -> Rider to end of 1st Set to fit onto 2 discs -- Two different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 15
1:00:54
SBD
Rating:
9.00 / 2 ratings
SHNID:
gd88-04-01.set1-sbd.miller-samaritano.22309.sbeok.shnf
Source:
*Set 1 Only*<br>Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper Notes:
View Notes*Set 1 Only*<br /> Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper: Steven Porter
2:28:13
SBD
Taper:
Steven Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147043.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:28:13
SBD
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147042.sennme80.porter.carbonetta.sirmick.flac16
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Andrew F
2:27:09
SBD
Rating:
8.57 / 8 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-04-01.ihfm.andrewf.89939.sbeok.flac16
Source:
SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area.
Lineage:
MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Some static bursts during tuning before Half Step. - Vocals too hot at start of Half Step, evens out as things progress. - Disc break is seamless. - Tape-flip in Space at 4:11.393 mended together. - Soundforge used for fades, adjust levels, smooth static bursts. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 8 of 15
2:23:14
SBD
Rating:
9.25 / 33 ratings
SHNID:
gd88-04-01.sbd-matrix.braverman.11264.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Taper Notes:
View NotesSource: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Transferrer: Painoman
2:23:22
SBD
Transferrer:
Painoman
SHNID:
gd1988-04-01.ifm.painoman.9795.sbeok.shnf
Source:
SBD>DAT>?>CD (Possible Healy-FM)
Taper Notes:
View NotesNotes: D1T01 - 1 sec static bursts at 0:00, 0:19 and 0:25 (Mississippi Half-Step) D1T04 - 1 sec static burst at 6:18 (Ballad of a Thin Man) D1T05 - 1 sec static burst at 2:30 (When Push Comes To Shove) D1T06 - 2 sec static burst at 4:50 and 1 sec static burst at 5:26 (Minglewood Blues) D2T02 - Muffled static pops at 3:35 and 3:40 (Estimated Prophet) D2T04 - Begins very abruptly, probably a splice (Space) D2T09 - Cuts in with a smooth splice (Audience NFA Refrain) The Second Set is seemless across discs for future use. Tools: CD audio extracted with EAC 0.93b3 in Secure Mode Source cleaned up with Sound Forge 4.5 WAV files split with with CDWave 1.7 Sector boundaries verified with SHNTOOL 1.01 Seeking SHN encoded with MKWact 0.97b1 ------------ Major domo arigato to Master Therion for the source discs! Another installment of The Music Never Stopped Project! PainoMan - May 2002
Transferrer: Scott Clugston and Charlie Miller
2:34:19
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-04-01.140934.bk411.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
Source:
1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1)2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the the 1st set source, as well as the 2nd set PCM master - Thanks to Charlie Miller for the transfer - April Fool's intro - "Little Bunny Foo Foo/Itsy Bitsy Spider" tuning, followed by "Thank you very much, we'll be right back" before the start of the 1st set Mastered by Scott Clugston & Charlie Miller January 16, 2018
Taper: M.Laurentus
2:28:26
Rating:
10.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-04-01.124839.AT835.laurentis.flac16
Source:
AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
Taper: fitzy
2:26:16
Rating:
6.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124798.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:26:14
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124797.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: WKLITZ
2:30:11
Rating:
8.00 / 3 ratings
Taper:
WKLITZ
Transferrer:
M. Watson
SHNID:
gd1988-04-01.senn-me80.litzenberger.watson.91296.sbefail.flac16
Source:
(OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2
Lineage:
MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac
Taper: Jon Pasternak
2:26:40
Taper:
Jon Pasternak
Transferrer:
Andrew F
SHNID:
gd1988-04-01.nak300.pasternak.andrewf.90921.sbeok.flac16
Source:
AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B.
Lineage:
MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- During intermission Jon moved his deck to the better taping location. - Disc break is seamless. - Patch from ShnID-89939 covers tape-flip, Space 1:34 > 2:19. - Soundforge used to make fades, add patch, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.