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Grateful Dead
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h55374
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k260
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.3k296
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.4k183
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k430
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.6k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k331
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k241
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h909102
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k199
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.7k661
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k149
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.5k279
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k257
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h16.1k2.1k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.5k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h36539
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.8k509
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.4k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k265
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.7k186
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k195
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k165
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h67185
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9115
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h41026
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h544
7d1076
30d59534
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140394.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- Thhis file set is 16 bit
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140343.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:28:50
SBD
Rating:
7.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.sbd.miller.91160.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Move Tuning -> China Cat -> Rider to end of 1st Set to fit onto 2 discs -- Two different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 15
1:00:54
SBD
Rating:
9.00 / 2 ratings
SHNID:
gd88-04-01.set1-sbd.miller-samaritano.22309.sbeok.shnf
Source:
*Set 1 Only*<br>Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper Notes:
View Notes*Set 1 Only*<br /> Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper: Steven Porter
2:28:13
SBD
Taper:
Steven Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147043.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:28:13
SBD
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147042.sennme80.porter.carbonetta.sirmick.flac16
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Andrew F
2:27:09
SBD
Rating:
8.57 / 8 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-04-01.ihfm.andrewf.89939.sbeok.flac16
Source:
SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area.
Lineage:
MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Some static bursts during tuning before Half Step. - Vocals too hot at start of Half Step, evens out as things progress. - Disc break is seamless. - Tape-flip in Space at 4:11.393 mended together. - Soundforge used for fades, adjust levels, smooth static bursts. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 8 of 15
2:23:14
SBD
Rating:
9.25 / 33 ratings
SHNID:
gd88-04-01.sbd-matrix.braverman.11264.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Taper Notes:
View NotesSource: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Transferrer: Painoman
2:23:22
SBD
Transferrer:
Painoman
SHNID:
gd1988-04-01.ifm.painoman.9795.sbeok.shnf
Source:
SBD>DAT>?>CD (Possible Healy-FM)
Taper Notes:
View NotesNotes: D1T01 - 1 sec static bursts at 0:00, 0:19 and 0:25 (Mississippi Half-Step) D1T04 - 1 sec static burst at 6:18 (Ballad of a Thin Man) D1T05 - 1 sec static burst at 2:30 (When Push Comes To Shove) D1T06 - 2 sec static burst at 4:50 and 1 sec static burst at 5:26 (Minglewood Blues) D2T02 - Muffled static pops at 3:35 and 3:40 (Estimated Prophet) D2T04 - Begins very abruptly, probably a splice (Space) D2T09 - Cuts in with a smooth splice (Audience NFA Refrain) The Second Set is seemless across discs for future use. Tools: CD audio extracted with EAC 0.93b3 in Secure Mode Source cleaned up with Sound Forge 4.5 WAV files split with with CDWave 1.7 Sector boundaries verified with SHNTOOL 1.01 Seeking SHN encoded with MKWact 0.97b1 ------------ Major domo arigato to Master Therion for the source discs! Another installment of The Music Never Stopped Project! PainoMan - May 2002
Transferrer: Scott Clugston and Charlie Miller
2:34:19
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-04-01.140934.bk411.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
Source:
1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1)2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the the 1st set source, as well as the 2nd set PCM master - Thanks to Charlie Miller for the transfer - April Fool's intro - "Little Bunny Foo Foo/Itsy Bitsy Spider" tuning, followed by "Thank you very much, we'll be right back" before the start of the 1st set Mastered by Scott Clugston & Charlie Miller January 16, 2018
Taper: M.Laurentus
2:28:26
Rating:
10.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-04-01.124839.AT835.laurentis.flac16
Source:
AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
Taper: fitzy
2:26:16
Rating:
6.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124798.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:26:14
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124797.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: WKLITZ
2:30:11
Rating:
8.00 / 3 ratings
Taper:
WKLITZ
Transferrer:
M. Watson
SHNID:
gd1988-04-01.senn-me80.litzenberger.watson.91296.sbefail.flac16
Source:
(OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2
Lineage:
MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac
Taper: Jon Pasternak
2:26:40
Taper:
Jon Pasternak
Transferrer:
Andrew F
SHNID:
gd1988-04-01.nak300.pasternak.andrewf.90921.sbeok.flac16
Source:
AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B.
Lineage:
MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- During intermission Jon moved his deck to the better taping location. - Disc break is seamless. - Patch from ShnID-89939 covers tape-flip, Space 1:34 > 2:19. - Soundforge used to make fades, add patch, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.