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Bands
Grateful Dead
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h59179
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.5k398
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.3k292
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k299
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h3k391
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k423
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k150
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.4k935
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h894101
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.4k407
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.6k546
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k157
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.6k194
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k232
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.7k889
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k194
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k231
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.4k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h42342
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.5k437
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.8k629
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.9k368
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k154
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.7k209
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k280
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h825101
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24718
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140394.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- Thhis file set is 16 bit
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140343.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:28:50
SBD
Rating:
7.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.sbd.miller.91160.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Move Tuning -> China Cat -> Rider to end of 1st Set to fit onto 2 discs -- Two different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 15
1:00:54
SBD
Rating:
9.00 / 2 ratings
SHNID:
gd88-04-01.set1-sbd.miller-samaritano.22309.sbeok.shnf
Source:
*Set 1 Only*<br>Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper Notes:
View Notes*Set 1 Only*<br /> Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper: Steven Porter
2:28:13
SBD
Taper:
Steven Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147043.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:28:13
SBD
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147042.sennme80.porter.carbonetta.sirmick.flac16
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Andrew F
2:27:09
SBD
Rating:
8.57 / 8 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-04-01.ihfm.andrewf.89939.sbeok.flac16
Source:
SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area.
Lineage:
MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Some static bursts during tuning before Half Step. - Vocals too hot at start of Half Step, evens out as things progress. - Disc break is seamless. - Tape-flip in Space at 4:11.393 mended together. - Soundforge used for fades, adjust levels, smooth static bursts. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 8 of 15
2:23:14
SBD
Rating:
9.25 / 33 ratings
SHNID:
gd88-04-01.sbd-matrix.braverman.11264.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Taper Notes:
View NotesSource: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Transferrer: Painoman
2:23:22
SBD
Transferrer:
Painoman
SHNID:
gd1988-04-01.ifm.painoman.9795.sbeok.shnf
Source:
SBD>DAT>?>CD (Possible Healy-FM)
Taper Notes:
View NotesNotes: D1T01 - 1 sec static bursts at 0:00, 0:19 and 0:25 (Mississippi Half-Step) D1T04 - 1 sec static burst at 6:18 (Ballad of a Thin Man) D1T05 - 1 sec static burst at 2:30 (When Push Comes To Shove) D1T06 - 2 sec static burst at 4:50 and 1 sec static burst at 5:26 (Minglewood Blues) D2T02 - Muffled static pops at 3:35 and 3:40 (Estimated Prophet) D2T04 - Begins very abruptly, probably a splice (Space) D2T09 - Cuts in with a smooth splice (Audience NFA Refrain) The Second Set is seemless across discs for future use. Tools: CD audio extracted with EAC 0.93b3 in Secure Mode Source cleaned up with Sound Forge 4.5 WAV files split with with CDWave 1.7 Sector boundaries verified with SHNTOOL 1.01 Seeking SHN encoded with MKWact 0.97b1 ------------ Major domo arigato to Master Therion for the source discs! Another installment of The Music Never Stopped Project! PainoMan - May 2002
Transferrer: Scott Clugston and Charlie Miller
2:34:19
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-04-01.140934.bk411.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
Source:
1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1)2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the the 1st set source, as well as the 2nd set PCM master - Thanks to Charlie Miller for the transfer - April Fool's intro - "Little Bunny Foo Foo/Itsy Bitsy Spider" tuning, followed by "Thank you very much, we'll be right back" before the start of the 1st set Mastered by Scott Clugston & Charlie Miller January 16, 2018
Taper: M.Laurentus
2:28:26
Rating:
10.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-04-01.124839.AT835.laurentis.flac16
Source:
AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
Taper: fitzy
2:26:16
Rating:
6.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124798.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:26:14
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124797.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: WKLITZ
2:30:11
Rating:
8.00 / 3 ratings
Taper:
WKLITZ
Transferrer:
M. Watson
SHNID:
gd1988-04-01.senn-me80.litzenberger.watson.91296.sbefail.flac16
Source:
(OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2
Lineage:
MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac
Taper: Jon Pasternak
2:26:40
Taper:
Jon Pasternak
Transferrer:
Andrew F
SHNID:
gd1988-04-01.nak300.pasternak.andrewf.90921.sbeok.flac16
Source:
AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B.
Lineage:
MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- During intermission Jon moved his deck to the better taping location. - Disc break is seamless. - Patch from ShnID-89939 covers tape-flip, Space 1:34 > 2:19. - Soundforge used to make fades, add patch, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.