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1,868
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311
939
249
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284
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194
67
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104
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26
49
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49
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Adam Deitch
413
81
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114
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Akron/Family
22
40
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43
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28
87
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106
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Andrew Bird
257
125
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133
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Andy Frasco & The UN
338
82
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114
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Animal Collective
321
123
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134
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1.7k
429
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533
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132
81
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92
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Aquarium Rescue Unit
1.3k
159
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236
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Aqueous
176
161
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248
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Assembly of Dust
673
286
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421
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Barefoot Manner
34
102
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107
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Bela Fleck and the Flecktones
1.5k
488
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610
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Ben Kweller
32
32
shows
35
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Benevento Russo Duo
253
277
shows
380
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Bernie Worrell
44
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
77
27
shows
29
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Bernie Worrell Orchestra
13
19
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27
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Big Something
344
351
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522
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Billy & the Kids
2.4k
17
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61
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Billy Strings
90.1k
539
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1,056
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Blind Melon
1.7k
62
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76
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Blueground Undergrass
56
182
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205
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Grateful Dead
Years
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Top
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Today In History
June 18th
9 shows
70 tapes
Years
1995
30.6k
49
shows
343
tapes
1994
13k
85
shows
460
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1993
40k
83
shows
656
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1992
44.9k
57
shows
539
tapes
1991
44.7k
78
shows
973
tapes
1990
54.4k
78
shows
1,139
tapes
1989
48.4k
78
shows
1,017
tapes
1988
20.1k
82
shows
882
tapes
1987
43.2k
88
shows
1,025
tapes
1986
12.7k
47
shows
684
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1985
33.3k
73
shows
1,357
tapes
1984
27.1k
67
shows
1,075
tapes
1983
20.7k
71
shows
1,069
tapes
1982
42.3k
63
shows
753
tapes
1981
30k
92
shows
868
tapes
1980
70.8k
91
shows
794
tapes
1979
21.2k
79
shows
608
tapes
1978
37.7k
87
shows
592
tapes
1977
241.3k
64
shows
418
tapes
1976
103.1k
45
shows
298
tapes
1975
6.4k
25
shows
63
tapes
1974
87.5k
42
shows
324
tapes
1973
90.6k
75
shows
445
tapes
1972
57.5k
88
shows
361
tapes
1971
33.6k
82
shows
357
tapes
1970
38.8k
101
shows
376
tapes
1969
28.6k
112
shows
326
tapes
1968
7.5k
41
shows
125
tapes
1967
1.7k
23
shows
55
tapes
1966
7k
32
shows
78
tapes
1965
637
2
shows
2
tapes
1985
SBD
12/31
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
265
4:59:06
19
tapes
12/30
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
245
4:28:26
17
tapes
11/22
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
130
2:15:35
11
tapes
11/21
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
216
2:15:55
14
tapes
11/20
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
452
2:17:56
11
tapes
11/17
SBD
Long Beach Arena
Long Beach, CA, USA
161
2:29:03
8
tapes
11/16
SBD
Long Beach Arena
Long Beach, CA, USA
145
2:22:30
8
tapes
11/11
SBD
Meadowlands Arena
East Rutherford, NJ, USA
256
2:28:13
21
tapes
11/10
SBD
Meadowlands Arena
East Rutherford, NJ, USA
187
4:40:11
27
tapes
11/08
SBD
Community War Memorial Auditorium
Rochester, NY, USA
238
2:12:53
27
tapes
11/07
SBD
Community War Memorial Auditorium
Rochester, NY, USA
135
2:21:32
24
tapes
11/05
SBD
The Centrum
Worcester, MA, USA
261
2:41:50
14
tapes
11/04
SBD
The Centrum
Worcester, MA, USA
460
2:23:18
18
tapes
11/02
SBD
Richmond Coliseum
Richmond, VA, USA
223
2:32:39
23
tapes
11/01
SBD
Richmond Coliseum
Richmond, VA, USA
259
2:40:08
17
tapes
10/31
SBD
Carolina Coliseum, U. of South Carolina
Columbia, SC, USA
313
4:10:31
18
tapes
10/29
SBD
Fox Theater
Atlanta, GA, USA
358
4:16:40
28
tapes
10/28
SBD
Fox Theater
Atlanta, GA, USA
165
2:27:19
25
tapes
10/26
SBD
Sun Dome
Tampa, FL, USA
358
2:22:15
18
tapes
10/25
SBD
The Sportatorium
Pembroke Pines, FL, USA
89
2:21:11
12
tapes
9/15
SBD
Devore Field, Southwestern College
Chula Vista, CA, USA
293
2:21:39
12
tapes
9/12
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
133
2:30:28
15
tapes
9/11
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
126
2:22:15
12
tapes
9/10
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
68
2:15:03
10
tapes
9/07
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
482
5:00:50
22
tapes
9/06
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
94
2:10:32
14
tapes
9/05
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
230
2:38:20
23
tapes
9/03
SBD
Starlight Theater
Kansas City, MO, USA
394
2:15:34
19
tapes
9/02
SBD
Zoo Amphitheater
Oklahoma City, OK, USA
502
2:33:12
22
tapes
8/31
Manor Downs
Austin, TX, USA
129
2:36:45
13
tapes
8/30
SBD
Southern Star Amphitheater
Houston, TX, USA
161
2:15:38
15
tapes
8/24
SBD
Boreal Ridge Ski Resort
Donner's Summit, CA, USA
154
2:12:43
5
tapes
7/14
SBD
Ventura County Fairgrounds
Ventura, CA, USA
415
2:41:38
11
tapes
7/13
SBD
Ventura County Fairgrounds
Ventura, CA, USA
419
2:30:43
14
tapes
7/02
SBD
Civic Arena
Pittsburgh, PA, USA
195
2:25:58
18
tapes
7/01
SBD
Merriweather Post Pavilion
Columbia, MD, USA
450
2:46:28
28
tapes
6/30
SBD
Merriweather Post Pavilion
Columbia, MD, USA
1.6k
2:39:13
29
tapes
6/28
SBD
Hershey Park Stadium
Hershey, PA, USA
921
2:27:36
28
tapes
6/27
SBD
Saratoga Performing Arts Center
Saratoga Springs, NY, USA
833
2:43:37
27
tapes
6/25
SBD
Blossom Music Center
Cuyahoga Falls, OH, USA
467
2:29:46
13
tapes
6/24
SBD
River Bend Music Center
Cincinnati, OH, USA
526
2:35:44
15
tapes
6/22
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
315
2:30:32
14
tapes
6/21
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
317
2:26:06
15
tapes
6/16
SBD
Greek Theatre
Berkeley, CA, USA
4.8k
2:34:51
28
tapes
6/15
SBD
Greek Theatre
Berkeley, CA, USA
4.4k
2:28:39
29
tapes
6/14
SBD
Greek Theatre
Berkeley, CA, USA
2.7k
2:55:22
28
tapes
4/28
SBD
Frost Amphitheatre
Palo Alto, CA, USA
594
2:29:42
22
tapes
4/27
SBD
Frost Amphitheatre
Palo Alto, CA, USA
704
2:50:08
28
tapes
4/21
SBD
Marin Veterans Memorial Auditorium
San Rafael, CA
20
1:32:04
2
tapes
4/14
SBD
Irvine Meadows
Irvine, CA, USA
223
2:43:42
16
tapes
4/13
SBD
Irvine Meadows
Irvine, CA, USA
726
2:17:27
8
tapes
4/08
SBD
The Spectrum
Philadelphia, PA, USA
292
2:32:59
30
tapes
4/07
SBD
The Spectrum
Philadelphia, PA, USA
235
2:23:56
32
tapes
4/06
SBD
The Spectrum
Philadelphia, PA, USA
233
2:28:31
28
tapes
4/04
SBD
Providence Civic Center
Providence, RI, USA
301
2:33:15
22
tapes
4/03
SBD
Providence Civic Center
Providence, RI, USA
190
2:51:34
26
tapes
4/01
Cumberland County Civic Center
Portland, ME, USA
151
2:22:23
37
tapes
3/31
SBD
Cumberland County Civic Center
Portland, ME, USA
265
2:16:59
31
tapes
3/29
Nassau Coliseum
Uniondale, NY, USA
160
2:18:20
25
tapes
3/28
SBD
Nassau Coliseum
Uniondale, NY, USA
313
2:35:05
33
tapes
3/27
SBD
Nassau Coliseum
Uniondale, NY, USA
159
2:13:05
27
tapes
3/25
SBD
Springfield Civic Center
Springfield, MA, USA
343
2:46:52
30
tapes
3/24
SBD
Springfield Civic Center
Springfield, MA, USA
138
2:21:11
27
tapes
3/22
Hampton Coliseum
Hampton, VA, USA
186
2:49:47
20
tapes
3/21
SBD
Hampton Coliseum
Hampton, VA, USA
276
2:21:56
17
tapes
3/13
SBD
Berkeley Community Theater
Berkeley, CA, USA
305
2:23:36
9
tapes
3/12
Berkeley Community Theater
Berkeley, CA, USA
86
2:13:21
8
tapes
3/10
Berkeley Community Theater
Berkeley, CA, USA
56
2:18:50
7
tapes
3/09
SBD
Berkeley Community Theater
Berkeley, CA, USA
507
2:14:44
13
tapes
2/XX
SBD
Twilight Zone Sessions
CA
67
13:28
1
tape
2/20
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
220
2:16:03
7
tapes
2/19
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
245
1:58:18
5
tapes
2/18
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
264
2:26:39
7
tapes
11/1/85
Crowd/tuning
1:44
Daincin' In The Streets
6:50
Cold, Rain And Snow
9:19
Little Red Rooster
8:29
Stagger Lee
7:27
Me & My Uncle ->
3:08
Big River
6:20
Brown Eyed Women
5:00
Jack Straw ->
5:30
Don't Ease Me In.
3:40
Crowd/tuning
1:46
Samson & Delilah
7:35
High Time
9:08
He's Gone ->
11:14
Spoonful ->
4:51
Comes A Time
8:47
Lost Sailor ->
7:28
Drums ->
7:57
Space ->
12:43
Saint Of Circumstance ->
7:00
Gimme Some Lovin' ->
4:31
She Belongs To Me ->
8:03
Gloria
6:53
Keep Your Day Job
4:45
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:30:40
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-01.134979.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform
Taper Notes:
View Notes
Surround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by
[email protected]
- FLAC conversion 09-JAN-2016 - Trader Little Helper - Tagged 09-JAN-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:30:40
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-01.134978.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin
Taper Notes:
View Notes
DTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by
[email protected]
- FLAC conversion 09-JAN-2016 - Trader Little Helper - Tagged 09-JAN-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:30:40
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-01.134977.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin
Taper Notes:
View Notes
SBD + AUD Matrix 2 Source Mix(55%-SBD/45%-AUD) --------------------------------------------------------- - Mixed by
[email protected]
- FLAC conversion 09-JAN-2016 - Trader Little Helper - Tagged 09-JAN-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Taper: Charles Bandrofcheck
2:40:08
SBD
Rating:
8.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-11-01.cpb.retransfer.32709.sbeok.flac16
Source:
Can't remember shotgun mics -> Sony D6 -> Maxel MX 90s. As close as they'd let you get to the left of SBD
Lineage:
Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN
Taper Notes:
View Notes
notes - Gloria (minor glitch at beginning, tape change) - (If you listen close you can here someone yell "No") I agree, it is pretty much a cop out encore after such a great show. This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Side A of the second tape was then advanced past where the first set ended in order to record any second set run over and/or the encore. There were never any pauses between tunes. The Dick's Picks of this show is great, but a decent AUD recording captures the real aura of the show.
Source 5 of 17
2:33:41
SBD
Rating:
6.86 / 9 ratings
SHNID:
gd85-11-01.sbd.mccloskey.379.sbeok.shnf
Source:
Soundboard> ?> DAT> CDr
Taper Notes:
View Notes
Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- <a href="http://mars.dead.net" rel="ugc nofollow">go buy it</a>
Taper: Michael Hessberg
2:34:01
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-01.168187.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and first few notes of "Brown Eyed Women" (0:20 total), a 0:31 patch in the "Comes A Time > Lost Sailor" transition, as well as an 0:11 patch in the "Gimme Some Lovin' > She Belongs To Me" transition - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Michael Hessberg
2:34:01
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-01.168186.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and first few notes of "Brown Eyed Women" (0:20 total), a 0:31 patch in the "Comes A Time > Lost Sailor" transition, as well as an 0:11 patch in the "Gimme Some Lovin' > She Belongs To Me" transition - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Doug Lamarre
2:32:16
Rating:
10.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-01.151916.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Brown eyed Women" (0:30 total), some crowd and beginning of "Jack Straw" (0:15 total), the "High Time > He's Gone" transition (0:21 total), as well as a 0:16 patch in the jam out of "Lost Sailor" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Doug Lamarre
2:32:16
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-01.151915.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Brown eyed Women" (0:30 total), some crowd and beginning of "Jack Straw" (0:15 total), the "High Time > He's Gone" transition (0:21 total), as well as a 0:16 patch in the jam out of "Lost Sailor" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: chasingwilma
2:28:08
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-01.126321.chasingwilma.flac24
Source:
source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Rob Berger
2:25:30
Rating:
9.00 / 4 ratings
Taper:
Rob Berger
Transferrer:
Rob Berger
SHNID:
gd1985-11-01.beyerM88.berger.97646.flac24
Source:
beyer m88's>sony d5, tdk ma-r90's
Lineage:
nak dragon>hd-p2 24/48>adobe>cd wave>flac
Taper Notes:
View Notes
unfortunate tape flips at start of Lost Sailor and during Gloria. drums are faded out.
Transferrer: Bill Koucky
2:32:32
Rating:
9.33 / 3 ratings
Transferrer:
Bill Koucky
SHNID:
gd1985-11-01.fob.senn421.koucky.gmb.96195.flac24
Source:
2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX-90's Location: FOB, 20' from stage. Center patched out of Steve Adleman.
Lineage:
Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac
Taper Notes:
View Notes
Mastering Notes: No patch sources were used for tape flips or pauses. All cuts were crossfaded. Tape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me. Pauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job.
Taper: Bill Koucky
2:32:32
Rating:
8.00 / 1 rating
Taper:
Bill Koucky
Transferrer:
Bill Koucky
SHNID:
gd1985-11-01.fob.senn421.koucky.gmb.96194.flac16
Source:
2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX-90's Location: FOB, 20' from stage.
Lineage:
Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac
Taper Notes:
View Notes
Mastering Notes: No patch sources were used for tape flips or pauses. All cuts were crossfaded. Tape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me. Pauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job. To Burn to 3 discs: Disc 1 s1t01 - s1t10 54:11 Disc 2 s2t01 - s2t08 57:47 Disc 3 s2t09 - s2t14 40:48
Taper: Lucien Zaleski
2:35:26
Rating:
8.86 / 7 ratings
Taper:
Lucien Zaleski
Transferrer:
Alex Ford
SHNID:
gd1985-11-01.senn441.zaleski.ford.91179.sbeok.flac16
Source:
MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II)
Lineage:
MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > flac16.
Taper Notes:
View Notes
- Master audience cassettes provided by Mark McCue. - SBE Free, files encoded @ level 8. - shnid 9217 supplies: "Me My Uncle" > "Big River", 01:48 - 03:53 of "Lost Sailor", 01:26 - 02:19 of "She Belongs To Me" and 02:09 - 02:21 of "Gloria".
Taper: See info file
2:31:38
Rating:
10.00 / 1 rating
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1985-11-01.dts.haugh.34558.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View Notes
--------------------------------------------------------- Source Info SBD Set I SBD > ? > DAT > CDR (likely a cassette master) Set 2 SBD > PCM > DAT > CDR AUD FOB: Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 --------------------------------------------------------- Tech Notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch the 3 sources. SF6.0 used to adjust the volume for the center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels. Both of the sources for the front and rear channels were left at their original levels. - Mixed by
[email protected]
- Shn conversion 19-MAY-2004 - Coverted to FLAC 13-APL-06 - Artwork by
[email protected]
300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Set 1 Front Left Channel SBD > ? > DAT Right Channel SBD > ? > DAT Center Mixed to Mono -2.75db SBD > ? > DAT Surround Left Channel Schoeps CMC441s + Omni CMC42 Right Channel Schoeps CMC441s + Omni CMC42 Sub/LFE Mixed to Mono -3db SBD > ? > DAT Set 2 Front Left Channel SBD > PCM > DAT Right Channel SBD > PCM > DAT Center Mixed to Mono -2.75db SBD > PCM > DAT Surround Left Channel Schoeps CMC441s + Omni CMC42 Right Channel Schoeps CMC441s + Omni CMC42 Sub/LFE Mixed to Mono -3db SBD > PCM > DAT --------------------------------------------------------- Notes *Important* One of my earlier surround mixes. I would no longer run the center or sub channel this high in the mix. This is an easy end-user adjustment and I suggest you do so. In other words, decrease the volume on the center channel and on your sub. Disc 2 and 3 can be assembled seamlessly on longer media. Quite a bit of meaningless between song "dead" air was missing on the SBD source. The FOB was seamlessly edited to match. No music, no stage talk or tuning was missing, just crowd noise. The result is smooth and most likely completely undetectable. 1:36.386 of crowd was missing on the SBD source between Cold, Rain & Snow and Little Red Rooster. 1:22.669 of crowd was missing on the SBD source between Stagger Lee and Me & My Uncle. 0:01.879 of crowd was missing on the SBD source between Samson & Delilah and High Time. 0:11.655 of crowd was missing on the SBD source between Gloria and Day Job. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- More Info On The AUD Recording Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441, 1 x CMC42) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR DSP Notes: Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16 bit conversions of DAW files. Tracked: CD-R > HD > verified mkw signature file - converted mkw to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 > compressed with mkwACT0.97b (SHN trackable - sector boundaries verified with shntool v1.02) ---------------------------------------------------------
Source 16 of 17
2:38:53
REMASTER
Rating:
9.18 / 22 ratings
SHNID:
gd85-11-01.aud-oade.remaster.20416.sbeok.shnf
Source:
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1
Taper Notes:
View Notes
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
Source 17 of 17
2:37:58
Rating:
9.37 / 40 ratings
SHNID:
gd85-11-01.oade.connor.9217.sbeok.shnf
Source:
Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)
Taper Notes:
View Notes
Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">Dick's Picks 21</a>- go buy that