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June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1985
6/15/85
gd85-06-15 s2 t01 Tuning.mp3
1:39
gd85-06-15 s2 t02 China Cat Sunflower.mp3
5:52
gd85-06-15 s2 t03 I Know You Rider.mp3
5:33
gd85-06-15 s2 t04 Lost Sailor.mp3
6:38
gd85-06-15 s2 t05 Saint Of Circumstance.mp3
6:07
gd85-06-15 s2 t06 Terrapin Station.mp3
12:48
gd85-06-15 s2 t07 Drums.mp3
10:56
gd85-06-15 s2 t08 Space.mp3
6:56
gd85-06-15 s2 t09 The Wheel.mp3
4:24
gd85-06-15 s2 t10 Gimme Some Lovin'.mp3
4:20
gd85-06-15 s2 t11 Throwing Stones.mp3
7:44
gd85-06-15 s2 t12 Not Fade Away.mp3
6:46
gd85-06-15 s2 t13 She Belongs To Me.mp3
7:57
gd85-06-15 s2 t14 US Blues.mp3
4:44
FIN
View on archive.org
Sources
Taper: David Gans for the PCM clone
1:32:24
SBD
Taper:
David Gans for the PCM clone
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-15.171296.set2.sbd.gans.miller.clugston.fixed.flac1644
Source:
Master Soundboard PCM > PCM
Lineage:
PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16
Taper Notes:
View NotesNotes: - Thanks to David Gans for the PCM clone - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid24586 Oade Schoeps CMC441 source which supplies some of the crowd/tunings and first few notes of "She Belongs To Me" (0:13 in total) - Wheel space included in "The Wheel" - Phil's bass "farts" left un-touched Transfer by Charlie Miller Mastered by Scott Clugston 12/1/17 Fixed version 5/5/2025 Dropout fixed in Saint of Circumstance Charlie Miller
Taper: Joani Walker and Paul Scotton
2:21:52
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 15, 2021
SHNID:
gd1985-06-15.152520.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Doug Oade, Darrin Sacks and Scott Clugston for the patch material -- Thanks to Joe B. Jones for the pitch correction settings -- This is 152254 24 -> 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:21:50
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 15, 2021
SHNID:
gd1985-06-15.152254.sbd.miller.flac2496
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Doug Oade, Darrin Sacks and Scott Clugston for the patch material -- Thanks to Joe B. Jones for the pitch correction settings
Taper: David Gans
1:32:19
SBD
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1985-06-15.140073.set2.sbd.pcm.gans.miller.clugston.flac1644
Source:
Master Soundboard PCM > PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the PCM clone - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid24586 Oade Schoeps CMC441 source which supplies some of the crowd/tunings and first few notes of "She Belongs To Me" (0:13 in total) - Wheel space included in "The Wheel" - Phil's bass "farts" left un-touched Transfer by Charlie Miller Mastered by Scott Clugston Date 12/1/17
Taper: Joani Walker and Paul Scotton
2:20:16
SBD
Rating:
9.00 / 9 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1985-06-15.sbd.walker-scotton.miller.96317.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16
Taper Notes:
View NotesPatch Info: SBD -> PCM -> Sonic Solutions -> CD (shnid=28449) supplies: Drums (8:29 - 8:50) She Belongs To Me (0:00 - 0:14) Notes: -- Encore moved to end of Set 1 to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) Matrix by Kevin Tobin
2:26:45
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) Matrix by Kevin Tobin
SHNID:
gd1985-06-15.154458.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-NOV-2021 - Trader Little Helper - Tagged 25-NOV-2021 - Tag&Rename --------------------------------------------------------- rBrain Pro was used for 96/24 & 48/16 > 44/16 encoding. Brokedown House Production
Taper: See info files for details
2:28:00
SBD
Rating:
10.00 / 2 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-15.matrix.chappell.85832.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: This is my favorite show from this run, as evident in the double encore which included one of only 9 She Belongs To Me in 1985 (only other version was in 1966). Minglewood through Dupree's is sick, an epic China->Rider for the era, and the transition into Gimme Some Lovin' is quintessential. Both SBD sources were synched to the AUD. Set 1 SBD was pitched up on average of 50 cents, and set 2 SBD was pitched up around 2 cents, except the 2nd encore where I synched the AUD to the SBD because of a 700 millesecond dropout in the AUD @ 0:42. No EQ was applied, and very spare Waves L2 limiting was employed to the matrix mix. Thanks to Randy Griesman for the set 1 SBD source, and to David Gans for the set 2 SBD editing (it really helped!) and to Joe Samaritano for transferring David's work. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Enjoy! -Chappy
Transferrer: Bill Tetzeli
2:27:56
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1985-06-15.sbd.griesman.tetzeli.fix-5682.34302.sbeok.shnf
Source:
SBD > ?
Lineage:
? > CD-R > EAC > CD Wave > MKW > SHN
Taper Notes:
View NotesFix of GDLive download source (shnid 5682). Overlap between CDs 2 and 3 was eliminated in Cool Edit 2000, allowing for a seamless transition between the two - perfect for playing on hard drive or recording to DAT or DVD audio. The dropout between TStones and NFA was patched using Doug Oade's excellent AUD source. The AUD was pitch adjusted in CE2K, then the splice was done with fades to ease the transition using DDClip. Wavmerge was used to merge fixed d2t06/d3t01 combo file with all succeeding files on CD 3 (including the patched TS>NFA), then retracked in CDWave to compensate for "ripple effect" on sector boundaries from deleting overlap between discs 2 and 3. Note: There are 3 loud pops at the beginning of Throwing Stones, most likely from Phil's amp. Although I originally softened them in Cool Edit, I ended up pasting that section back in from the original GDLive download (being extremely careful to match the beginning and end points in both sources at the sample level - that section is now restored exactly as it was before I touched it). The pops also appear on the Oade recording, so even though they're annoying they are part of what was heard at the concert and not physically hurtful to ears or equipment, so it should be left as is. - 4/26/06 Known errors: Minor dropout before d2t05. [Dropout between d3t04 & d3t05.]-patched
Source 9 of 29
1:29:48
SBD
Rating:
8.86 / 7 ratings
SHNID:
gd85-06-15.set2.sbd.gans-samaritano.28449.sbeok.flacf
Source:
<b>flac16</b> *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano
Taper Notes:
View Notes<b>flac16</b>; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano
Transferrer: Peter Etter
2:24:19
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Peter Etter
SHNID:
gd1985-06-15.sbd.etter.20878.sbeok.shnf
Source:
compiled from two different bootleg CDs; patched from Oade AUD
Taper Notes:
View NotesTwo different bootlegs were used to compile this new seed: - "Greek Theater 15/6/85" supplies all of Set 1, China>Rider and U.S.Blues; - "Dead Man's Tape" suppiles the remainder of Set 2 and She Belongs To Me. Both bootlegs are apparently from the same source tape. "Dead Man's Tape" was only a part of Set 2 but was cleaner than "Greek Theatre". "Greek Theatre" was complete but a bit hissy. Both bootleg versions had a bad edit in Throwing->NFA, which is now repaired with Doug Oade's AUD. Some of the between-song silence during Set1 has been edited - this is already on the bootleg source.
Source 11 of 29
2:27:26
SBD
Rating:
8.88 / 32 ratings
SHNID:
gd85-06-15.sbd.griesman.5682.sbeok.shnf
Source:
SBD> ?> CD-R> EAC> CDWAV retrack> SHN
Taper Notes:
View NotesSBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman
Taper: Chris Hecht
2:23:02
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-15.166993.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies the final 2:21 of "Big Railroad Blues", an 0:18 patch in "Drums", as well as the final 3:23 of "US Blues" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Chris Hecht
2:23:02
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-15.166992.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies the final 2:21 of "Big Railroad Blues", an 0:18 patch in "Drums", as well as the final 3:23 of "US Blues" - Pitch corrected Mastered by Scott Clugston September 2022
Taper: Mark Severson
2:26:13
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-15.148771.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:26:13
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-15.148770.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Robert Bryant
48:09
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
48:09
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-15.140889.s1.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded
Taper: Jon Pasternak
2:17:02
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1985-06-15.158881.Nak100.pasternak.vernon.flac2448
Source:
OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon File type - 24 bit 48 khz - tape paused between some songs - tape flip start of Might As Well with subsequent volume adjustments, drums - tape flip ends of drums
Taper: Jon Pasternak
2:17:02
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1985-06-15.158880.Nak100.pasternak.vernon.flac1648
Source:
OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon File type - 16 bit 48 khz - tape paused between some songs - tape flip start of Might As Well with subsequent volume adjustments, drums - tape flip ends of drums
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:26:45
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1985-06-15.154489.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound (48k) mixed in Adobe Audition CC 2014
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 25-NOV-2021 - Trader Little Helper - Tagged 25-NOV-2021 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Recorded, Transferred & Mastered by Anon
2:27:23
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-15.152789.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out away from the Bay Area. - Thanks to Marc Severson & the Oade Bros for the patch sources. - The tape pauses/flips were cross faded were applicable - This source has been pitch corrected - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:27:23
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-15.152642.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out away from the Bay Area. - Thanks to Marc Severson & the Oade Bros for the patch sources. - The tape pauses/flips were cross faded were applicable - This source has been pitch corrected
Taper: Da Weez
2:17:17
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-15.112725.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: anonymous taper, Jamie Poris, Mark Severson
2:27:49
Rating:
10.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-15.nak700.anon-severson-poris.lmpp.97497.flac16
Source:
FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Many thanks again to mr X, Mark and Jamie for taping these shows, and to Mr. X for supplying his masters. - This show has a few intermittent pops in it. They are pretty minor and fairly sparse. These are not digital anomalies as they are present on the masters. - Encores patched from shnID# 24586 - Encore moved to end of Set 1 to fit show onto 2 discs - Encore can be re-joined with Set 2 seamlessly
Taper: Andrew F.
2:19:09
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F
SHNID:
gd1985-06-15.nak300.andrewf.97125.flac16
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby.
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644.
Taper Notes:
View Notes- Patches from ShnID-24586 cover tape-flips as follows: - Might as Well 0:00 > 0:23, and Drums 9:02 > 9:28. - Disc break is seamless. - Alternate CDR-burn option: S1 + Encores = D1, S2 = D2.
Taper: Andrew F
2:19:08
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1985-06-15.nak300.andrewf.97124.flac24
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby.
Lineage:
MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496.
Taper Notes:
View Notes- Patches from ShnID-24586 cover tape-flips as follows: - Might as Well 0:00 > 0:23, and Drums 9:02 > 9:28. - R8Brain used to convert patch sections to 2496.
Taper: Adam, Justin & Monica
2:17:17
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-06-15.senn441.mccue.ford.33338.sbeok.flac16
Source:
Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes
Lineage:
MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>tracks joined> CEP 2.0(normalized %100, edits & fades applied)>CD Wave Editor>Flac Frontend>FLAC16
Taper Notes:
View NotesNotes: - d1t08 Might As Well missing first 5 seconds. - there is distortion on Disc 02 (from original recording)
Taper: Oade Brothers
2:28:39
Rating:
9.40 / 10 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-15.oade-schoeps.sacks.24586.sbeok.flacf
Source:
Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 29 of 29
2:28:05
SHNID:
gd85-06-15.oade.sacks.7086.sbeok.shnf
Source:
Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT
Lineage:
(Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks
Taper Notes:
View NotesOade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks