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Grateful Dead
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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.9k397
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h713100
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.2k577
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k133
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2k261
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k379
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k520
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h975108
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k242
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k204
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k205
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k235
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k289
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k687
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.6k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.6k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.4k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92478
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k582
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k717
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54567
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h51739
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h432
7d1277
30d57234
2 shows
2 tapes
1985
4/27/85
Dancing In The Street >
6:39
Bertha
8:56
Little Red Rooster
9:36
Brown Eyed Women
6:29
My Brother Esau
4:50
Ramble On Rose
8:45
Just Like Tom Thumb's Blues >
5:02
Cold Rain & Snow >
5:50
The Music Never Stopped
7:06
Scarlet Begonias >
12:29
Eyes Of The World >
9:11
Goin' Down The Road Feeling Bad >
5:04
Man Smart (Woman Smarter) >
6:51
Drums >
12:27
Space >
5:24
The Wheel >
5:32
Truckin' >
5:54
The Other One >
6:00
Black Peter >
8:17
Around & Around >
3:39
One More Saturday Night
4:45
E: Keep Your Day Job
4:11
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:32:57
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496
Source:
Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Joani Walker and Paul Scotton
2:32:57
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648
Source:
Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2020
Transferrer: Charlie Miller
2:34:41
SBD
Rating:
8.89 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-04-27.sbd.miller.25467.sbeok.shnf
Source:
SBD -> Master Cassette -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN
Taper Notes:
View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static). -- Seamless transition between Discs 2 and 3. -- 2nd Set is more dynamic than 1st set, plus there is no tape flip. -- 2nd Set may be from PCM or VHS/Beta Hi-Fi. -- Sounds keeps improving as show goes progresses.
Taper: See info file
2:33:35
SBD
Rating:
8.67 / 3 ratings
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1985-04-27.mtx.haugh.78681.flac24
Source:
DVD-AUDIO 24/48 SBD+AUD Matrix Mix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN Transferred and Edited By Charlie Miller [email protected] AUD1 MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky. MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9. Transfer and mastering by C.Ladner. AUD2 MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR [aluminum core (Set II)] Mic Config: mics on T bar knee high pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend (encoded@level 6) >FLAC16 Location: on the lawn, 25 feet from the stage, DFC Taper: Adam, Justin & Monica - Mark McCue Masters All cuts, fades and edits made in CEP 2.0, normalized to 100%. Sector boundaries verified with TLH. Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. Thanks to all the hard work from the folks mentioned above in their loving care getting these sources out. Thanks also to the Lossless Legs Community (www.shnflac.net) for getting me these 3 spectacular sources. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have anyway to properly credit. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 was used for the EQ setting post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix. - Mixed by [email protected] - FLAC conversion done 28-SEPT-2006 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear double jewel case. --------------------------------------------------------- Notes After spending several months and likely more than 150 hrs on this project I rushed my way through this text file and the artwork. I just want to be done with it. Hopefully it will be acceptable and without too many typos or errors. The SBD has a strange sound characteristic that can be heard through the first few songs and then disappears. As Charlie Miller noted in his text file "sounds keeps improving as show progresses". Which is indeed true. The sound keeps cycling from normal to "overly bright". Could it be a bad Dolby encode or decode scenario? Only when you listening very critically. It does not subtract from these really great recordings and great show IMO. Both AUD recordings are very good. The Nak700 sounds like it was on a stand and doesn't have the close crowd feeling of a typical FOB. Some post-processing was obviously done to maximize the levels, which does cut down a bit on the dynamic range. The Senn 421 has a much rowdier feel with closer crowd, clapping and a good feel for a live show. All 3 sources had different stoppages between songs in the first set, most notably was during "Let Phil Sing". Here we had missing "crowd" material with no overlap. I employ several techniques, fades, crossfades, volume changes and "borrowing" crowd cheer from different parts of the same recording to fill in the sound and make the new recording flow uninterrupted. Take a listen to the first set, the missing material now flows smooth and is most likely undetectable. d1t01 "Bill Graham Intro" The first 20 seconds is entirely from the NAK700 source, then the Senn 421 source fades in and then finally the SBD also joins the mix. No music was missing. This is smooth and is most likely undetectable. D2 and D3 can be assembled seamlessly on longer media. d2t01 "Scarlet Begonias" The first 10 seconds is just the SBD and the NAK700 source, then the Senn 421 source fades in and also joins the mix. This is smooth and is most likely undetectable. d3t04 "The Other One" 36.334 seconds of "fake" patch was used to cover a missing part of the SBD source. Most likely a repeating musical portion from earlier in the song was used. In short, "The Other One" was patch with the very same "The Other One". This was a very tricky edit to find and remove. It is now patched with a matrix mix of AUD1 and AUD2 for 1:00.119 with 2 second crossfade on each. B/c this is a change in source it is detectable by the listener. d1t09 "Bill Graham Intro" is entirely from the NAK700 source. This represents the 24 bit files that are the result of all my editing and the multitrack mixdown preserved in 24 bit. It is unclear exactly what we have in the way of high resolution. However it seems what we have here would not be represented accurately in 16/44. What you are getting is the full result of the matrix mix process. How much different does this sound? is this better? A little and yes. This is more accurate and has more dynamic range. 24/48 resolution versus a 16/44 of the same material will usually result in very subtle but important differences. Most of it relying on the quality of the DVD-A player and the D to A conversion. With that in mind, this 24 bit copy is no different. Small but important gains over the same material in 16/44. This is just one man's take. Take it or leave it. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD1 -7 AUD2 -8.5 SET TWO Stereo Matrix SBD -3.5 AUD1 -7 AUD2 -8.5 --------------------------------------------------------- Editorial Comments This show is like a wearing my favorite slippers. Familiar and very comfortable. I first obtained this show in 1985 about 2 weeks after the show. I was a new 16 yr. old driver and was giving a "friend of a friend" a ride in my car. This guy was a pretty hard core hippie and he produced the cassette of the second set. I was floored. At the time, and considering my age, I had no idea anyone could get a copy of a show THAT fast. And what a show it is. Needless to say the next five years or so were spent wearing out that cassette. This show is most notable for the only "Scarlet > Eyes" but is loaded with great renditions, sick jamming and inspired playing. The first set songs are all played really well. The final Tom Thumb > Cold Rain > Music is fantastic. Phil is just out-of-hand throughout. 'Nuff said. This Scarlet is my favorite, period. A bold statement but one I can stand tall behind. Great long intro, nice middle of the song solo, they come around twice (I LOVE THAT!) before the Wind in The Willows but the ensuing jam towards Fire is inspired. Brent chasing Jerry, Brent chasing Bob. Jerry is traveling 100 miles an hour and the band is right behind. A real nice Fire tease and Jerry picks his moment to lead the gang into Eyes. WOW! Eyes is also full of spit and fire with too many acid laced licks to count. Even GDTRFB is fast paced and fun, with Woman still keeping your interest. Isn't that a change? Not the longest pre-drums, 40+ mins, but understandable as clearly Garcia needed to soak his hand in ice. Normally topping an all Garcia tri-fecta to opened set two, Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they do, beat it to death. The next 45+ mins is transcendental, perfect, seamless, inspired, rocking/soothing and any other accolade you can toss in for good measure. This time a new tri-fecta, Truckin' > Other One > Black Peter, takes center stage in the post drums part. Note by note, second by second the band just clicks. It reminds me of the type of playing they were capable of during 2/27-28, 3/1-2 when the band was just so in tune with each other and what they are doing. While clearly much different, take a listen. These guys are so tuned in to what each other is doing it is 6 as 1. ---------------------------------------------------------
Taper: See info file
2:33:35
SBD
Rating:
10.00 / 4 ratings
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1985-04-27.mtx.haugh.78504.flac16
Source:
SBD + AUD Matrix 3 Source Mix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN Transferred and Edited By Charlie Miller [email protected] AUD1 MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky. MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9. Transfer and mastering by C.Ladner. AUD2 MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR [aluminum core (Set II)] Mic Config: mics on T bar knee high pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend (encoded@level 6) >FLAC16 Location: on the lawn, 25 feet from the stage, DFC Taper: Adam, Justin & Monica - Mark McCue Masters All cuts, fades and edits made in CEP 2.0, normalized to 100%. Sector boundaries verified with TLH. Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. Thanks to all the hard work from the folks mentioned above in their loving care getting these sources out. Thanks also to the Lossless Legs Community (www.shnflac.net) for getting me these 3 spectacular sources. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have anyway to properly credit. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 was used for the EQ setting post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix. - Mixed by [email protected] - FLAC conversion done 28-SEPT-2006 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear double jewel case. --------------------------------------------------------- Notes After spending several months and likely more than 150 hrs on this project I rushed my way through this text file and the artwork. I just want to be done with it. Hopefully it will be acceptable and without too many typos or errors. The SBD has a strange sound characteristic that can be heard through the first few songs and then disappears. As Charlie Miller noted in his text file "sounds keeps improving as show progresses". Which is indeed true. The sound keeps cycling from normal to "overly bright". Could it be a bad Dolby encode or decode scenario? Only when you listening very critically. It does not subtract from these really great recordings and great show IMO. Both AUD recordings are very good. The Nak700 sounds like it was on a stand and doesn't have the close crowd feeling of a typical FOB. Some post-processing was obviously done to maximize the levels, which does cut down a bit on the dynamic range. The Senn 421 has a much rowdier feel with closer crowd, clapping and a good feel for a live show. All 3 sources had different stoppages between songs in the first set, most notably was during "Let Phil Sing". Here we had missing "crowd" material with no overlap. I employ several techniques, fades, crossfades, volume changes and "borrowing" crowd cheer from different parts of the same recording to fill in the sound and make the new recording flow uninterrupted. Take a listen to the first set, the missing material now flows smooth and is most likely undetectable. d1t01 "Bill Graham Intro" The first 20 seconds is entirely from the NAK700 source, then the Senn 421 source fades in and then finally the SBD also joins the mix. No music was missing. This is smooth and is most likely undetectable. D2 and D3 can be assembled seamlessly on longer media. d2t01 "Scarlet Begonias" The first 10 seconds is just the SBD and the NAK700 source, then the Senn 421 source fades in and also joins the mix. This is smooth and is most likely undetectable. d3t04 "The Other One" 36.334 seconds of "fake" patch was used to cover a missing part of the SBD source. Most likely a repeating musical portion from earlier in the song was used. In short, "The Other One" was patch with the very same "The Other One". This was a very tricky edit to find and remove. It is now patched with a matrix mix of AUD1 and AUD2 for 1:00.119 with 2 second crossfade on each. B/c this is a change in source it is detectable by the listener. d1t09 "Bill Graham Intro" is entirely from the NAK700 source. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD1 -7 AUD2 -8.5 SET TWO Stereo Matrix SBD -3.5 AUD1 -7 AUD2 -8.5 --------------------------------------------------------- Editorial Comments This show is like a wearing my favorite slippers. Familiar and very comfortable. I first obtained this show in 1985 about 2 weeks after the show. I was a new 16 yr. old driver and was giving a "friend of a friend" a ride in my car. This guy was a pretty hard core hippie and he produced the cassette of the second set. I was floored. At the time, and considering my age, I had no idea anyone could get a copy of a show THAT fast. And what a show it is. Needless to say the next five years or so were spent wearing out that cassette. This show is most notable for the only "Scarlet > Eyes" but is loaded with great renditions, sick jamming and inspired playing. The first set songs are all played really well. The final Tom Thumb > Cold Rain > Music is fantastic. Phil is just out-of-hand throughout. 'Nuff said. This Scarlet is my favorite, period. A bold statement but one I can stand tall behind. Great long intro, nice middle of the song solo, they come around twice (I LOVE THAT!) before the Wind in The Willows but the ensuing jam towards Fire is inspired. Brent chasing Jerry, Brent chasing Bob. Jerry is traveling 100 miles an hour and the band is right behind. A real nice Fire tease and Jerry picks his moment to lead the gang into Eyes. WOW! Eyes is also full of spit and fire with too many acid laced licks to count. Even GDTRFB is fast paced and fun, with Woman still keeping your interest. Isn't that a change? Not the longest pre-drums, 40+ mins, but understandable as clearly Garcia needed to soak his hand in ice. Normally topping an all Garcia tri-fecta to opened set two, Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they do, beat it to death. The next 45+ mins is transcendental, perfect, seamless, inspired, rocking/soothing and any other accolade you can toss in for good measure. This time a new tri-fecta, Truckin' > Other One > Black Peter, takes center stage in the post drums part. Note by note, second by second the band just clicks. It reminds me of the type of playing they were capable of during 2/27-28, 3/1-2 when the band was just so in tune with each other and what they are doing. While clearly much different, take a listen. These guys are so tuned in to what each other is doing it is 6 as 1. ---------------------------------------------------------
Source 6 of 28
1:29:53
SBD
Rating:
8.00 / 3 ratings
SHNID:
gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf
Source:
Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.
Taper Notes:
View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.
Source 7 of 28
2:26:45
SBD
Rating:
8.50 / 8 ratings
Source:
SBD > MC > DAT > CDR > EAC > mkwACT
Taper Notes:
View NotesSource: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.
Source 8 of 28
2:26:46
SBD
Rating:
9.52 / 31 ratings
SHNID:
gd85-04-27.sbd.jerugim.359.sbeok.shnf
Source:
SBDMC> DAT> CDR
Taper Notes:
View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws
Taper: Mark Terry
2:33:24
Rating:
10.00 / 1 rating
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Mark Terry
2:33:24
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition - Pitch corrected Mastered by Scott Clugston May 2025
Taper: Bob Wagner
2:33:48
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Bob Wagner
2:33:48
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Chris Hecht
2:24:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:24:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Walt Keeler
1:25:29
Taper:
Walt Keeler
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16
Source:
Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > Flac 24/96 October 28, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 10203 (Nakamichi CM-100) - s2t06; last four seconds - s2t07; first twenty-seven seconds Notes: - Thank you Walt, thank you for getting real close. - Thank you Charlie for transferring & coordinating. - Thanks to Greg Holtz for the patch source. - Pitch corrected
Taper: Walt Keeler
1:25:29
Taper:
Walt Keeler
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496
Source:
Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesPatch info: - shnid 10203 (Nakamichi CM-100) - s2t06; last four seconds - s2t07; first twenty-seven seconds Notes: - Thank you Walt, thank you for getting real close. - Thank you Charlie for transferring & coordinating. - Thanks to Greg Holtz for the patch source. - Pitch corrected
Taper: Hoey
2:29:45
Taper:
Hoey
Transferrer:
Hoey
SHNID:
gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24
Source:
AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)
Lineage:
Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)
Taper: Recording by Craig Rogers
2:50:08
Taper:
Recording by Craig Rogers
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021
SHNID:
gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16
Source:
Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - shnid 148416 (Neumann, Chris Hecht) supplies - s2t06; 03:51 - 06:56 - s2t07; 03:32 - 04:00 Notes; - Thanks to Craig Rogers for taping & sharing - Thanks to everyone involved with the patch source - Special thanks to Jerry Garcia for allowing these recordings. - Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue - This source has been pitch corrected - The tape pauses were cross faded. - There was a taper bust during GDTRFB, but the tapers keep rolling! - Notwithstanding the bust, this is a huge recording from the mouth. - If you're gonna get busted, this is how you want it to go down. They didn't loose their masters & they only missed 3 minutes of music (drums). - Give these boys the 13 Point Lightning Bolt! - This is an Uher Archive production. - [email protected] - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
Taper: Recording by Craig Rogers
2:50:07
Taper:
Recording by Craig Rogers
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021
SHNID:
gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496
Source:
Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - shnid 148416 (Neumann, Chris Hecht) supplies - s2t06; 03:51 - 06:56 - s2t07; 03:32 - 04:00 Notes; - Thanks to Craig Rogers for taping & sharing - Thanks to everyone involved with the patch source - Special thanks to Jerry Garcia for allowing these recordings. - Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue - This source has been pitch corrected - The tape pauses were cross faded. - There was a taper bust during GDTRFB, but the tapers keep rolling! - Notwithstanding the bust, this is a huge recording from the mouth. - If you're gonna get busted, this is how you want it to go down. They didn't loose their masters & they only missed 3 minutes of music (drums). - Give these boys the 13 Point Lightning Bolt! - This is an Uher Archive production. - [email protected] Notes (fix); - channels were reversed, this has been corrected.
Taper: Craig Rogers
2:50:07
Taper:
Craig Rogers
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021
SHNID:
gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496
Source:
Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes
Lineage:
Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesNotes; - Thanks to Craig Rogers for taping & sharing - Thanks to everyone involved with the patch source - Special thanks to Jerry Garcia for allowing these recordings. - Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue - This source has been pitch corrected - The tape pauses were cross faded. - There was a taper bust during GDTRFB, but the tapers keep rolling! - Notwithstanding the bust, this is a huge recording from the mouth. - If you're gonna get busted, this is how you want it to go down. They didn't loose their masters & they only missed 3 minutes of music (drums). - Give these boys the 13 Point Lightning Bolt! - This is an Uher Archive production. - [email protected]
Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin
2:33:35
Transferrer:
5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin
SHNID:
gd1985-04-27.148527.5-1.amdig.flac2448
Source:
5.1 LPCM Surround Sound Mix (48/24)
Taper Notes:
View Notes--------------------------------------------------------- - DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0 - FLAC conversion 11-DEC-2019 - Trader Little Helper - Tagged 11-DEC-2019 - Tag&Rename ---------------------------------------------------------
Source 22 of 28
2:36:46
SHNID:
gd1985-04-27.148348.aud.flac2496
Source:
Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)
Lineage:
Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files
Taper: chasingwilma
2:27:05
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-27.124981.chasingwilma.flac24
Source:
lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Greg Holtz
2:29:21
Rating:
8.00 / 1 rating
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-04-27.nak100.holtz.jaz.102035.flac16
Source:
Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5
Lineage:
Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8
Transferrer: Brion Green and ChrisJ
2:34:31
Rating:
9.33 / 3 ratings
Transferrer:
Brion Green and ChrisJ
SHNID:
gd1985-04-27.nak700.anon.lmpp.99835.flac16
Source:
Nakamichi 700's > d6 > MAC
Lineage:
MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac
Taper Notes:
View NotesNotes: - This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the pleasure to work on to date!!! Thank you sir!!!! - Encore patched from SHNID 76584
Transferrer: Dan Haugh
2:33:35
Transferrer:
Dan Haugh
SHNID:
gd1985-04-27.dts.haugh.78437.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN Transferred and Edited By Charlie Miller [email protected] AUD1 MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky. MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9. Transfer and mastering by C.Ladner. AUD2 MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR [aluminum core (Set II)] Mic Config: mics on T bar knee high pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend (encoded@level 6) >FLAC16 Location: on the lawn, 25 feet from the stage, DFC Taper: Adam, Justin & Monica - Mark McCue Masters All cuts, fades and edits made in CEP 2.0, normalized to 100%. Sector boundaries verified with TLH. Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. Thanks to all the hard work from the folks mentioned above in their loving care getting these sources out. Thanks also to the Lossless Legs Community (www.shnflac.net) for getting me these 3 spectacular sources. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have anyway to properly credit. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 used to adjust the volume for the front, center, surround and LFE channels. SF8.0 was used for the EQ setting on all the sources post mixdown. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 28-SEPT-2006 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2 Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2 Center Mono Mix -5db SBD DEQ'd Surround Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2 Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2 Sub/LFE Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2 --------------------------------------------------------- Notes After spending several months and likely more than 150 hrs on this project I rushed my way through this text file and the artwork. I just want to be done with it. Hopefully it will be acceptable and without too many typos or errors. The SBD has a strange sound characteristic that can be heard through the first few songs and then disappears. As Charlie Miller noted in his text file "sounds keeps improving as show progresses". Which is indeed true. The sound keeps cycling from normal to "overly bright". Could it be a bad Dolby encode or decode scenario? Only when you listening very critically. It does not subtract from these really great recordings and great show IMO. Both AUD recordings are very good. The Nak700 sounds like it was on a stand and doesn't have the close crowd feeling of a typical FOB. Some post-processing was obviously done to maximize the levels, which does cut down a bit on the dynamic range. The Senn 421 has a much rowdier feel with closer crowd, clapping and a good feel for a live show. All 3 sources had different stoppages between songs in the first set, most notably was during "Let Phil Sing". Here we had missing "crowd" material with no overlap. I employ several techniques, fades, crossfades, volume changes and "borrowing" crowd cheer from different parts of the same recording to fill in the sound and make the new recording flow uninterrupted. Take a listen to the first set, the missing material now flows smooth and is most likely undetectable. d1t01 "Bill Graham Intro" The first 20 seconds is entirely from the NAK700 source, then the Senn 421 source fades in and then finally the SBD also joins the mix. No music was missing. This is smooth and is most likely undetectable. d2t01 "Scarlet Begonias" The first 10 seconds is just the SBD and the NAK700 source, then the Senn 421 source fades in and also joins the mix. This is smooth and is most likely undetectable. d3t04 "The Other One" 36.334 seconds of "fake" patch was used to cover a missing part of the SBD source. Most likely a repeating musical portion from earlier in the song was used. In short, "The Other One" was patch with the very same "The Other One". This was a very tricky edit to find and remove. It is now patched with a matrix mix of AUD1 and AUD2 for 1:00.119 with 2 second crossfade on each. B/c this is a change in source it is detectable by the listener. d1t09 "Bill Graham Intro" is entirely from the NAK700 source. The mixdown of the AUD+AUD matrix mix was done a few db's lower than the from SBD+AUD matrix mix. In my experience louder rear channels is an undiserable effect. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE SET TWO Front Matrix Front Matrix SBD -.5 SBD -1 AUD2 -7 AUD2 -7.5 Stereo Matrix Stereo Matrix SBD -1 SBD -1 AUD2 -5.5 AUD2 -6 Rear Matrix Rear Matrix AUD1 -4 AUD1 -4 AUD2 -9 AUD2 -9 Sub/LFE Matrix Sub/LFE Matrix SBD -7db SBD -7.5db AUD2 -5.5db AUD2 -6db --------------------------------------------------------- Editorial Comments This show is like a wearing my favorite slippers. Familiar and very comfortable. I first obtained this show in 1985 about 2 weeks after the show. I was a new 16 yr. old driver and was giving a "friend of a friend" a ride in my car. This guy was a pretty hard core hippie and he produced the cassette of the second set. I was floored. At the time, and considering my age, I had no idea anyone could get a copy of a show THAT fast. And what a show it is. Needless to say the next five years or so were spent wearing out that cassette. This show is most notable for the only "Scarlet > Eyes" but is loaded with great renditions, sick jamming and inspired playing. The first set songs are all played really well. The final Tom Thumb > Cold Rain > Music is fantastic. Phil is just out-of-hand throughout. 'Nuff said. This Scarlet is my favorite, period. A bold statement but one I can stand tall behind. Great long intro, nice middle of the song solo, they come around twice (I LOVE THAT!) before the Wind in The Willows but the ensuing jam towards Fire is inspired. Brent chasing Jerry, Brent chasing Bob. Jerry is traveling 100 miles an hour and the band is right behind. A real nice Fire tease and Jerry picks his moment to lead the gang into Eyes. WOW! Eyes is also full of spit and fire with too many acid laced licks to count. Even GDTRFB is fast paced and fun, with Woman still keeping your interest. Isn't that a change? Not the longest pre-drums, 40+ mins, but understandable as clearly Garcia needed to soak his hand in ice. Normally topping an all Garcia tri-fecta to opened set two, Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they do, beat it to death. The next 45+ mins is transcendental, perfect, seamless, inspired, rocking/soothing and any other accolade you can toss in for good measure. This time a new tri-fecta, Truckin' > Other One > Black Peter, takes center stage in the post drums part. Note by note, second by second the band just clicks. It reminds me of the type of playing they were capable of during 2/27-28, 3/1-2 when the band was just so in tune with each other and what they are doing. While clearly much different, take a listen. These guys are so tuned in to what each other is doing it is 6 as 1. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound like DTS, Dolby Digital and DVD-Audio. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. ---------------------------------------------------------
Taper: B. Koucky
2:34:15
Rating:
9.00 / 4 ratings
Taper:
B. Koucky
Transferrer:
Chris Ladner
SHNID:
gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16
Source:
MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.
Lineage:
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.
Taper Notes:
View NotesComments: Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer. Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.
Taper: Adam, Justin & Monica
2:27:40
Rating:
9.60 / 5 ratings
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac
Source:
MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]
Lineage:
MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.
Taper Notes:
View NotesNotes: - Good news for Phil fans, this recording will shake your house, your car, your mind... - *strange noise during Little Red Rooster (on Master Cassette) - #Scarlet Begonias fades in due to stealth mic set up