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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1985
8/31/85
Mississippi Half-Step Uptown Toodeloo >
8:40
El Paso
5:23
Dupree's Diamond Blues
7:43
Mexicali Blues >
4:42
Big River
5:27
Althea
7:33
My Brother Esau
5:02
Jack-A-Roe
4:28
Let It Grow
13:02
Terrapin Station >
11:43
Estimated Prophet >
15:15
Drums >
9:07
Space >
7:37
Goin' Down The Road Feeling Bad >
6:36
Stella Blue >
7:14
Throwing Stones >
9:11
Not Fade Away
6:43
E1: She Belongs To Me
8:14
E2: One More Saturday Night
5:26
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:29:06
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-08-31.154552.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:15 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Michael Hessberg
2:29:06
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-08-31.154551.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:15 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Eddie Mook
2:31:07
Taper:
Eddie Mook
Transferrer:
Jason Scheuner, Charlie Miller, Scott Clugston
SHNID:
gd1985-08-31.151429.nak104.mook.scheuner.miller.clugston.flac2496
Source:
Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Eddie Mook for the master recording - Thanks to Jason Scheuner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Eddie Mook
2:31:07
Taper:
Eddie Mook
Transferrer:
Jason Scheuner, Charlie Miller, Scott Clugston
SHNID:
gd1985-08-31.151428.nak104.mook.scheuner.miller.clugston.flac1648
Source:
Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Eddie Mook for the master recording - Thanks to Jason Scheuner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
2:36:24
Rating:
8.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1985-08-31.153037.akgc422-davis-holbrook.flac2448
Source:
This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand)
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesNinth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
2:36:24
Taper:
Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1985-08-31.153036.akgc422.davis-holbrook.flac1644
Source:
This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand)
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesNinth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Source 7 of 13
2:29:14
SHNID:
gd1985-08-31.123824.nak300.flac16
Source:
Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
Taper Notes:
View Notes* 1st 3 seconds missing
Transferrer: D5scott
2:30:29
Transferrer:
D5scott
SHNID:
gd1985-08-31.BeyerM160s-SonyD5.D5scott.108163.flac16
Source:
Master audience cassette recorded with 2 Beyer M160 microphones > Sony TC-D5M - Maxell MX90.
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes* I patched a 2 second gap in Mexicali Blues, along with all of Drums and Space from a different source: FOB > (Jim Vita's) Beyer Dynamic M160's > Sony TCD5M My buddy Cas took my D5 on the road for a couple of shows and this is one of them. He patched out of "The Veteran's" mics which happen to be the same kind as mine. I asked where they recorded from and Cas said they were "way up front". I should put out a big thanks to "The Veteran" who was responsible for me getting my own pair of Beyer M-160's! --------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" - He was a friend of mine who had nothing to do with this recording but we sure do miss him!
Taper: Mark McCue
2:26:29
Rating:
9.00 / 3 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford and SirMick
SHNID:
gd1985-08-31.fob.mccue.motb.82689.flac24
Source:
Audience FOB Recording, 10-15 rows back, DFC 2 Sennheiser 441s > Sony TC-D5M > MAC
Lineage:
MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Grace Design Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim
Taper Notes:
View NotesNotes: patch sources: 1- FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 2 - Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - - there was a tape problem at 0:58 in Dupree's. I put in a sub-second patch - Space has a patch 2:49 - 2:59, which has been mix-pasted by aproximatey 2.5 seconds at either end - last 1:09 of NFA and crowd patched - source 1 patches for Dupree's and Space. Source 2 patches for NFA and crowd. They have been eq'd so that they have a closer match to the sound of this source - crossfades added where tape had been paused between some tracks and on tape flips, except during Space (see above) - mastered using Wavelab v5 as host for iZotope Ozone v3.08, TC Works Native Dex v3.1 and BBE Sonic Maximiser v2 Comments: - the vocals are lower in the mix during much of the first 2 tracks - what I'd really like to know is "Who was Harry?"
Taper: Mark McCue
2:26:29
Rating:
9.00 / 5 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford and SirMick
SHNID:
gd1985-08-31.fob.mccue-motb.82367.sbeok.flac16
Source:
(FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s FOB, 10-15 rows back, DFC
Lineage:
Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim
Taper Notes:
View Notespatch sources: 1- FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 2 - Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Notes: - - there was a tape problem at 0:58 in Dupree's. I put in a sub-second patch - Space has a patch 2:49 - 2:59, which has been mix-pasted by aproximatey 2.5 seconds at either end - last 1:09 of NFA and crowd patched - source 1 patches for Dupree's and Space. Source 2 patches for NFA and crowd. They have been eq'd so that they have a closer match to the sound of this source - crossfades added where tape had been paused between some tracks and on tape flips, except during Space (see above) - mastered using Wavelab v5 as host for iZotope Ozone v3.08, TC Works Native Dex v3.1 and BBE Sonic Maximiser v2 - downsampled to 16/44.1 with Wavelab 5 and dithered with iZotope Ozone (type:Mbit+, noise shaping:high, dither amount:normal) Comments: - the vocals are lower in the mix during much of the first 2 tracks - what I'd really like to know is "Who was Harry?"
Taper: Charlie Connor
2:22:55
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-08-31.beyerM160.connor.77193.sbeok.flac16
Source:
FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Source 12 of 13
2:36:43
Rating:
8.67 / 6 ratings
SHNID:
gd85-08-31.schoeps-oade.sacks.25943.sbeok.flacf
Source:
Oade Brothers Recording Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View Notes<b>flac16</b>; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks
Source 13 of 13
2:36:45
Rating:
7.40 / 10 ratings
SHNID:
gd85-08-31.oade.connor.8237.sbeok.shnf
Source:
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT)
Taper Notes:
View NotesOade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT);EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade.