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June 5th
Years
1995
27k
PlaybackListensHours
48h3k411
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69697
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.7k503
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k135
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.8k238
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.8k357
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k496
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k141
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k289
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h933104
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h2k234
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k202
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k196
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.8k222
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k272
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.4k623
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k192
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h16k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h84074
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.3k540
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.3k563
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k371
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.3k253
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.8k665
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k532
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h51765
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h15522
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h52740
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1985
11/1/85
tuning
2:29
Dancin' In The Streets
6:44
Cold Rain & Snow
8:37
Little Red Rooster
8:17
Stagger Lee
5:51
Me & My Uncle
3:05
Big River
5:52
Brown Eyed Women
5:14
Jack Straw
5:23
Don't Ease Me In
3:09
Samson & Delilah
8:21
High Time
8:55
He's Gone>
10:46
Spoonful>
5:08
Comes A Time>
8:25
Lost Sailor>drums.../
7:51
Space>
10:31
Saint Of Circumstance>
7:53
Gimme Some Lovin'>
4:29
She Belongs To Me>
7:49
Gloria
6:12
Day Job
4:29
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:30:40
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-01.134979.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform
Taper Notes:
View NotesSurround Sound Mix 5.1 LPCM (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-JAN-2016 - Trader Little Helper - Tagged 09-JAN-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:30:40
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-01.134978.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-JAN-2016 - Trader Little Helper - Tagged 09-JAN-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:30:40
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-01.134977.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(55%-SBD/45%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-JAN-2016 - Trader Little Helper - Tagged 09-JAN-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Taper: Charles Bandrofcheck
2:40:08
SBD
Rating:
8.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-11-01.cpb.retransfer.32709.sbeok.flac16
Source:
Can't remember shotgun mics -> Sony D6 -> Maxel MX 90s. As close as they'd let you get to the left of SBD
Lineage:
Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN
Taper Notes:
View Notesnotes - Gloria (minor glitch at beginning, tape change) - (If you listen close you can here someone yell "No") I agree, it is pretty much a cop out encore after such a great show. This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Side A of the second tape was then advanced past where the first set ended in order to record any second set run over and/or the encore. There were never any pauses between tunes. The Dick's Picks of this show is great, but a decent AUD recording captures the real aura of the show.
Source 5 of 17
2:33:41
SBD
Rating:
6.86 / 9 ratings
SHNID:
gd85-11-01.sbd.mccloskey.379.sbeok.shnf
Source:
Soundboard> ?> DAT> CDr
Taper Notes:
View NotesSoundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- <a href="http://mars.dead.net" rel="ugc nofollow">go buy it</a>
Taper: Michael Hessberg
2:34:01
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-01.168187.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and first few notes of "Brown Eyed Women" (0:20 total), a 0:31 patch in the "Comes A Time > Lost Sailor" transition, as well as an 0:11 patch in the "Gimme Some Lovin' > She Belongs To Me" transition - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Michael Hessberg
2:34:01
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-01.168186.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and first few notes of "Brown Eyed Women" (0:20 total), a 0:31 patch in the "Comes A Time > Lost Sailor" transition, as well as an 0:11 patch in the "Gimme Some Lovin' > She Belongs To Me" transition - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Doug Lamarre
2:32:16
Rating:
10.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-01.151916.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Brown eyed Women" (0:30 total), some crowd and beginning of "Jack Straw" (0:15 total), the "High Time > He's Gone" transition (0:21 total), as well as a 0:16 patch in the jam out of "Lost Sailor" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Doug Lamarre
2:32:16
Taper:
Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-01.151915.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Brown eyed Women" (0:30 total), some crowd and beginning of "Jack Straw" (0:15 total), the "High Time > He's Gone" transition (0:21 total), as well as a 0:16 patch in the jam out of "Lost Sailor" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: chasingwilma
2:28:08
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-01.126321.chasingwilma.flac24
Source:
source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Rob Berger
2:25:30
Rating:
9.00 / 4 ratings
Taper:
Rob Berger
Transferrer:
Rob Berger
SHNID:
gd1985-11-01.beyerM88.berger.97646.flac24
Source:
beyer m88's>sony d5, tdk ma-r90's
Lineage:
nak dragon>hd-p2 24/48>adobe>cd wave>flac
Taper Notes:
View Notesunfortunate tape flips at start of Lost Sailor and during Gloria. drums are faded out.
Transferrer: Bill Koucky
2:32:32
Rating:
9.33 / 3 ratings
Transferrer:
Bill Koucky
SHNID:
gd1985-11-01.fob.senn421.koucky.gmb.96195.flac24
Source:
2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX-90's Location: FOB, 20' from stage. Center patched out of Steve Adleman.
Lineage:
Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac
Taper Notes:
View NotesMastering Notes: No patch sources were used for tape flips or pauses. All cuts were crossfaded. Tape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me. Pauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job.
Taper: Bill Koucky
2:32:32
Rating:
8.00 / 1 rating
Taper:
Bill Koucky
Transferrer:
Bill Koucky
SHNID:
gd1985-11-01.fob.senn421.koucky.gmb.96194.flac16
Source:
2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX-90's Location: FOB, 20' from stage.
Lineage:
Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac
Taper Notes:
View NotesMastering Notes: No patch sources were used for tape flips or pauses. All cuts were crossfaded. Tape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me. Pauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job. To Burn to 3 discs: Disc 1 s1t01 - s1t10 54:11 Disc 2 s2t01 - s2t08 57:47 Disc 3 s2t09 - s2t14 40:48
Taper: Lucien Zaleski
2:35:26
Rating:
8.86 / 7 ratings
Taper:
Lucien Zaleski
Transferrer:
Alex Ford
SHNID:
gd1985-11-01.senn441.zaleski.ford.91179.sbeok.flac16
Source:
MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II)
Lineage:
MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > flac16.
Taper Notes:
View Notes- Master audience cassettes provided by Mark McCue. - SBE Free, files encoded @ level 8. - shnid 9217 supplies: "Me My Uncle" > "Big River", 01:48 - 03:53 of "Lost Sailor", 01:26 - 02:19 of "She Belongs To Me" and 02:09 - 02:21 of "Gloria".
Taper: See info file
2:31:38
Rating:
10.00 / 1 rating
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1985-11-01.dts.haugh.34558.sbeok.flac16
Source:
DTS-Audio-CD 5.1 Mix
Lineage:
See info file
Taper Notes:
View Notes--------------------------------------------------------- Source Info SBD Set I SBD > ? > DAT > CDR (likely a cassette master) Set 2 SBD > PCM > DAT > CDR AUD FOB: Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 --------------------------------------------------------- Tech Notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch the 3 sources. SF6.0 used to adjust the volume for the center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels. Both of the sources for the front and rear channels were left at their original levels. - Mixed by [email protected] - Shn conversion 19-MAY-2004 - Coverted to FLAC 13-APL-06 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Set 1 Front Left Channel SBD > ? > DAT Right Channel SBD > ? > DAT Center Mixed to Mono -2.75db SBD > ? > DAT Surround Left Channel Schoeps CMC441s + Omni CMC42 Right Channel Schoeps CMC441s + Omni CMC42 Sub/LFE Mixed to Mono -3db SBD > ? > DAT Set 2 Front Left Channel SBD > PCM > DAT Right Channel SBD > PCM > DAT Center Mixed to Mono -2.75db SBD > PCM > DAT Surround Left Channel Schoeps CMC441s + Omni CMC42 Right Channel Schoeps CMC441s + Omni CMC42 Sub/LFE Mixed to Mono -3db SBD > PCM > DAT --------------------------------------------------------- Notes *Important* One of my earlier surround mixes. I would no longer run the center or sub channel this high in the mix. This is an easy end-user adjustment and I suggest you do so. In other words, decrease the volume on the center channel and on your sub. Disc 2 and 3 can be assembled seamlessly on longer media. Quite a bit of meaningless between song "dead" air was missing on the SBD source. The FOB was seamlessly edited to match. No music, no stage talk or tuning was missing, just crowd noise. The result is smooth and most likely completely undetectable. 1:36.386 of crowd was missing on the SBD source between Cold, Rain & Snow and Little Red Rooster. 1:22.669 of crowd was missing on the SBD source between Stagger Lee and Me & My Uncle. 0:01.879 of crowd was missing on the SBD source between Samson & Delilah and High Time. 0:11.655 of crowd was missing on the SBD source between Gloria and Day Job. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio-CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and rise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. --------------------------------------------------------- More Info On The AUD Recording Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441, 1 x CMC42) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR DSP Notes: Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16 bit conversions of DAW files. Tracked: CD-R > HD > verified mkw signature file - converted mkw to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 > compressed with mkwACT0.97b (SHN trackable - sector boundaries verified with shntool v1.02) ---------------------------------------------------------
Source 16 of 17
2:38:53
REMASTER
Rating:
9.18 / 22 ratings
SHNID:
gd85-11-01.aud-oade.remaster.20416.sbeok.shnf
Source:
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1
Taper Notes:
View NotesSchoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
Source 17 of 17
2:37:58
Rating:
9.37 / 40 ratings
SHNID:
gd85-11-01.oade.connor.9217.sbeok.shnf
Source:
Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)
Taper Notes:
View NotesSources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">Dick's Picks 21</a>- go buy that