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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1985
4/7/85
Why Don't We Do It in the Road ->
3:42
Mississippi Half-Step Uptown Toodeloo ->
6:52
C C Rider
8:00
Bird Song
13:40
Dancing in the Street
6:32
Deal
6:09
Shakedown Street ->
13:07
Samson & Delilah
10:11
She Belongs To Me ->
6:03
Man Smart (Woman Smarter) ->
7:33
Drums ->
8:51
Space ->
10:42
Gimme Some Lovin' ->
5:26
Truckin' ->
5:29
Smokestack Lightnin' ->
3:15
Morning Dew ->
9:09
Sugar Magnolia
11:33
Keep Your Day Job
4:33
FIN
View on archive.org
Sources
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:20:47
SBD
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1985-04-07.139542.5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-OCT-2017 - Trader Little Helper - Tagged 14-OCT-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Matrix by Kevin Tobin DTS
2:20:38
SBD
Transferrer:
Matrix by Kevin Tobin DTS
SHNID:
gd1985-04-07.139541.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:20:38
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1985-04-07.139540.mtx.tobin.flac16
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-OCT-2017 - Trader Little Helper - Tagged 14-OCT-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Created by Brian Miksis January 15, 2025
2:19:58
SBD
Transferrer:
Created by Brian Miksis January 15, 2025
SHNID:
gd1985-04-07.169904.matrix.miksis.sacks.hunt.mattes.clugston.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View NotesNotes: - This source is 100% complete - Patched, level adjusted, de-clicked, pitch corrected and fully remastered - Thanks to Darrin Sacks and Scott Z. for the main soundboard source that first circulated in 2001! - Thanks to Jim Keith for the soundboard source (shnid=14614) that supplies a patch for a tape flip in Space and various dropouts in Birdsong, Drums and Gimme Some Lovin' - Thanks to Joe D'Amico for the soundboard source (shnid=118484) that supplies extra pre-show tuning and tuning before She Belongs To Me - Thanks to Rob Hunt and Ted Mattes for recording the audience source, and to Scott Clugston and Charlie Miller for the transfer and mastering - Thanks to Stephen Thomas for another audience source (shnid=163934) that supplies a few seconds of audience at the end of the show
Transferrer: Mastering by Brian Miksis January 15, 2025
2:19:36
SBDREMASTER
Transferrer:
Mastering by Brian Miksis January 15, 2025
SHNID:
gd1985-04-07.169900.sbd.patched.pitched.remaster.sacks.keith.miksis.flac1648
Source:
Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View Notes Notes: - Three available soundboard sources were used to make this 100% complete - Patched, level adjusted, de-clicked, pitch corrected and fully remastered - Thanks to Darrin Sacks and Scott Z. for the main soundboard source that first circulated in 2001! - Thanks to Jim Keith for the soundboard source (shnid=14614) that supplies a patch for a tape flip in Space and various dropouts in Birdsong, Drums and Gimme Some Lovin' - Thanks to Joe D'Amico for the soundboard source (shnid=118484) that supplies extra pre-show tuning and tuning before She Belongs To Me
Transferrer: Matrix by Dave Usborne
2:22:00
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1985-04-07.132713.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav
Taper: Dan Healy
2:19:27
SBD
Rating:
8.22 / 11 ratings
Taper:
Dan Healy
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-07.118484.sbd.healy.damico.flac16
Source:
Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
Taper Notes:
View Notes*Missing From Tape . Replaced With My Copy Nak 300 Mics > Sony D-5 Source From Etree (87419)
Source 8 of 32
2:12:24
SBD
Rating:
9.13 / 16 ratings
SHNID:
gd85-04-07.sbd.keith.14614.sbeok.shnf
Source:
Seeded by Todd CampbellEAC & SHN by Jim KeithLineage SBD>?>CD (WILL UPDATE)
Taper Notes:
View NotesSeeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE)
Source 9 of 32
2:20:59
SBD
Rating:
7.78 / 19 ratings
SHNID:
gd85-04-07.sbd.sacks.3346.sbeok.shnf
Source:
Csbd> DAT> CDR> EAC> SHN
Taper Notes:
View NotesCsbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks
Taper: Jim Vita
2:16:25
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.170701.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and first notes of "Deal" (0:08 total), as well as an 0:18 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Jim Vita
2:16:25
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.170700.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and first notes of "Deal" (0:08 total), as well as an 0:18 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Michael Hessberg
2:15:58
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.168027.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:15:58
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.168026.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Stephen Thomas
2:23:56
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.163935.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Stephen Thomas
2:23:56
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.163934.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Hunt and Ted Mattes
2:19:08
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-07.149320.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:29 patch in "Drums", as well as the "Keep Your Day Job" encore in its entirety - Pitch verified Mastered by Scott Clugston March 2020
Taper: Robert Bryant
49:17
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #128613 (Schoeps) - s1t01; all - s1t02; start - 0:17 Notes: - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Transferrer: Charlie Miller
49:17
Transferrer:
Charlie Miller
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #128613 (Schoeps) - s1t01; all - s1t02; start - 0:17
Taper: Rick Pauline
2:15:04
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Two different masters (same lineage) were used to make this complete -- Recorded By Rick Pauline
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:13:24
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-07.152156.beyerm88s.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:13:24
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-07.152155.beyerm88s.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Rob Hunt and Ted Mattes
2:19:08
Taper:
Rob Hunt and Ted Mattes
Transferrer:
S
SHNID:
gd1985-04-07.149319.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:29 patch in "Drums", as well as the "Keep Your Day Job" encore in its entirety - Pitch verified Mastered by Scott Clugston March 2020
Taper: Doug Lamarre
2:11:22
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-07.145488.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:11:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-07.145487.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Oade
2:21:49
Rating:
10.00 / 1 rating
Taper:
Doug Oade
Transferrer:
Dave Usborne
SHNID:
gd1985-04-07.128613.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesPatches: gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16 --end of Truckin' --Smokestack Lightnin' --Morning Dew --Sugar Magnolia --Keep Your Day Job metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:12:26
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-07.124835.chasingwilma.flac24
Source:
lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: d5scott
2:13:38
Taper:
d5scott
Transferrer:
d5scott
SHNID:
gd1985-04-07.beyerm160.d5scott.107238.flac16
Source:
Two Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's
Lineage:
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesGreat sound! This show was general addmission and needless to say lots of fun!! I did not split into disc. I've seen this around as 2 or 3 disc, so you can decide for yourself. Beginnings of sets and encore fade in and the ends of the sets and encore fade out. I'm sure gonna miss the Good Old Spectrum!!! R.I.P. Sandy- aka "Bigfoot" He was a friend of mine, who had nothing to do with this recording, but we sure do miss him!
Taper: Dave Cohen
2:11:37
Rating:
10.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1985-04-07.senn421.cohen.103429.flac16
Source:
Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Joe D'Amico
2:16:50
Rating:
10.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-07.nak300.damico.87419.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Jeff Hubbard
2:19:04
Rating:
4.00 / 1 rating
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-04-07.senn-hubbard.bandrofcheck.81454.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MC.
Lineage:
Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
Taper: Brian Mandel
2:14:08
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1985-04-07.Sennheiser421FOB.35081.shnf
Source:
Sennheiser 421's FOB & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Mark McCue
2:15:40
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-04-07.senn421.mccue.ford.28488.sbeok.shnf
Source:
Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR
Lineage:
Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16.