Bands
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Bands
Grateful Dead
Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1985
Sources
Transferrer: Charlie Miller
2:16:39
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd85-10-31.matrix.loy.31189.sbeok.flacf
Source:
Soundboard patched with Audience
Lineage:
SBD > Master Cassette > Reel > DAT (48khz) > Sony R500 > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN > Mitsui CDR > EAC > WAV > FLAC16
Transferrer: Transferred and Patched By Charlie Miller [email protected] 4/8/04
2:12:43
SBD
Transferrer:
Transferred and Patched By Charlie Miller [email protected] 4/8/04
SHNID:
gd1985-10-31.sbd.miller.023590.sbeok.shnf
Source:
SBD -> Master Cassette -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Transferrer: Loy
2:17:11
SBD
Transferrer:
Loy
SHNID:
gd1985-10-31.mtx.loy.30829.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSBD:D>C>D>C>D>CDR>DAE>SHN(id=19209) Sony D8 to transfer.Sony R500>HHB CDR800 Toast 1.1 for Wav SC Field: Schoeps CMC441(from TS, 17cm @ 90deg)> Oade M118>Oade modSony PCM-F1>master PCM> DAW(via SEKD card)>DSP*>CD>DAE>SHN(id=20282) Notes:* Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16bit conversions of DAW files.Tracking and verification done by dwonk. First BT hosting by macdaddy October 31, 2003. (too)shntool join>resampled to 32bit float/96khz>matrix>16 bit signed pcm WAV 44100 hz>tracking>FLAC The oade being the lowest gen was used for reference,the 2 auds ran really close together, speed correction board (-4.9% on average set1, -2.8 set2 flux throughout) fortunately the board was really clean,I took the liberty of repairing some of the usual baloon pops. I would guarantee that the fob is the oade recording, mislabeled somewhere along the lines, final mix appr 60/40 sbd/aud sbd was missing tuning between just about every song in the 1st set, the end of tennessee Jed was cut and also some butchering towards the end of what was there(T JED),missing 1min 25 sec of drums set 2 Missing all of encore US BLUES severe distortion at 62.26 nfa in both sources thanks go out to the Oade bros for sharing their diehard devotion and taping skills w/ all of us thanks as always to Jonathan Aizen(gdiap) for keeping us stocked up on the internet archive a very special thanks goes out to 'Cafe Wilhelmina' in Willemstad, Curacao during my last port call I was able to chat w/ my wife, see my kids on the webcam, and download these 3 sources while enjoying a very tasty treat. gave me a project to pass the time on my way home. __________________________________________________________________________________________________________________________________________________ FOB PCM->PCM->DATs->CDR->EAC->SHN(id=2249) I thought this was going to be a 3 source matrix but it turns out all 3 auds on the archive are Oade transfers of differing generations. after listening to(while watching the waveforms) several times, a few seconds of extra crowd at the beginning, one major glitch in the left channel, don't recall the spot but after the .1% speed correction, the waveforms were identical, leveling slightly different, but an exact match. so i didn't see a need to add gens to the matrix when it would have no real effect on sound. rjh
Source 4 of 17
1:59:40
SBD
Rating:
5.67 / 6 ratings
SHNID:
gd85-10-31.sbd.19209.sbeok.shnf
Source:
S:D>C>D>C>D>CDR [Note: See info file for further details]Lineage: Cassette > D8 > Sony R500>HHB CDR800Toast 1.1 for Wav via [email protected]
Lineage:
Cassette > D8 > Sony R500>HHB CDR800
Taper Notes:
View NotesS:D>C>D>C>D>CDR [Note: See info file for further details] Lineage: Cassette > D8 > Sony R500>HHB CDR800 Toast 1.1 for Wav via [email protected]
Transferrer: John Zeiei
4:10:31
SBD
Rating:
10.00 / 3 ratings
Transferrer:
John Zeiei
SHNID:
gd1985-10-31.sbd.zei.2028.shnf
Source:
S:C? > DAT > CDR
Lineage:
CDR > SHN > CDR > SHN
Taper Notes:
View NotesIf you find any errors please contact me.
Taper: Michael Hessberg
2:11:08
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.168185.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Michael Hessberg
2:11:08
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.168184.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:09:03
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.164118.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:09:03
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.164117.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:10:05
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-31.151886.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:10:05
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-31.151885.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston February 2021
Taper: chasingwilma
2:04:54
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-31.126314.chasingwilma.flac24
Source:
source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Stan Roberts
2:09:06
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1985-10-31.122146.senn.roberts.flac16
Source:
Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts
Taper: Charles Bandrofcheck
2:17:07
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-10-31.cpb-redo2.32864.sbeok.flac16
Lineage:
MC -> Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN.
Taper Notes:
View Notesnotes - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. Those who's ears are very susuptable to tape hiss should stear clear of this offering. See comments on my 11/1/85 offering.
Source 15 of 17
2:17:21
REMASTER
Rating:
6.67 / 9 ratings
SHNID:
gd85-10-31.aud-oade.remaster.20282.sbeok.shnf
Source:
Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Lineage:
master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Taper Notes:
View NotesField: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Source 16 of 17
2:17:41
Rating:
8.73 / 11 ratings
SHNID:
gd85-10-31.oade.connor.8793.sbeok.shnf
Source:
Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Dar
Taper Notes:
View NotesOade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor
Source 17 of 17
2:18:00
Rating:
8.29 / 7 ratings
SHNID:
gd85-10-31.aud-fob.sacks.2249.sbeok.shnf
Source:
FOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN
Taper Notes:
View NotesFOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN; via Darrin Sacks, from Scott Z's seed