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June 5th
5 shows
26 tapes
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1985
11/10/85
gd85-11-10 t01 Tuning
1:29
gd85-11-10 t02 Touch Of Grey
6:13
gd85-11-10 t03 Hell In A Bucket
6:09
gd85-11-10 t04 Sugaree
8:42
gd85-11-10 t05 Tuning
3:24
gd85-11-10 t06 Cassidy
5:51
gd85-11-10 t07 Stagger Lee
6:05
gd85-11-10 t08 It's All Over Now
9:00
gd85-11-10 t09 Row Jimmy
11:53
gd85-11-10 t10 Feel Like A Stranger
7:39
gd85-11-10 t11 Tuning
1:22
gd85-11-10 t12 Mississippi Half-Step Uptown Toodeloo
6:53
gd85-11-10 t13 I Know You Rider
5:51
gd85-11-10 t14 Playin' In The Band
9:11
gd85-11-10 t15 Uncle John 's Band
12:15
gd85-11-10 t16 Drums
6:30
gd85-11-10 t17 Space
5:23
gd85-11-10 t18 Truckin'
6:48
gd85-11-10 t19 Comes A Time
6:57
gd85-11-10 t20 Around & Around
3:54
gd85-11-10 t21 Good Lovin'
7:23
gd85-11-10 t22 It's All Over Now, Baby Blue
7:17
FIN
View on archive.org
Sources
Transferrer: Scott Clugston and Charlie Miller
2:26:09
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.141082.sbd.miller.clugston.flac1644
Source:
Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16
Transferrer: Kevin Tobin
2:24:58
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-10.142930.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 15-AUG-2018 - Trader Little Helper - Tagged 15-AUG-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Bill Guarneri
2:14:50
SBD
Transferrer:
Bill Guarneri
SHNID:
gd1985-11-10.sbd.127525.flac16
Source:
Recording Info: SBD Grateful Dead hour shows transferred music only shows No. 393, 394, 395 > Pre FM Satellite Feed > Nak pro deck > Maxell metal cassettes; Transfer Info: Master cassettes > Nak DR2 deck > Sound Forge Pro 10 > wav Traders Little Helper > flac
Taper Notes:
View NotesMany tracks are faded for smooth transition Minimal between track crowd noise...edited out by David Gans * Drums and (It's All Over Now) Baby Blue patched from aud. shn ID 79689 Transferred and tracked by Bill Guarneri, March 28, 2014 JazzFanatic. April 8, 2014
Source 4 of 27
2:25:44
SBD
Rating:
8.19 / 23 ratings
SHNID:
gd85-11-10.sbd.barbella.12264.sbeok.shnf
Source:
Master Soundboard Cassette > DAT > Sonic Solutions > CDseeded by Steve Barbella
Taper Notes:
View NotesMaster Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella
Source 5 of 27
4:40:11
SBD
Rating:
8.86 / 7 ratings
SHNID:
gd1985-11-10.sbd.doughty.12202.shnf
Source:
SBD>CM>DAT>DAT CLONE>CDR>EAC>SHN
Lineage:
Fostex D5>Fostex D5>HHB 830>Plextor PX-W012A>EAC>SHN
Taper Notes:
View Notesd1t06 End of All Over Now clipped (tape flip)
Taper: Recorded by Doug Lamarre
2:20:53
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.152046.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:12 patch in the "Space" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:20:53
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.152045.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:12 patch in the "Space" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Rob Hunt and Ted Mattes
2:26:32
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.151337.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:59 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2020
Taper: Rob Hunt and Ted Mattes
2:26:32
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.151336.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:59 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2020
Taper: Michael Hessberg
2:22:46
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.148906.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:12 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Michael Hessberg
2:22:46
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-10.148905.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:12 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2019
Taper: Ray Ackerman
2:21:44
Rating:
8.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-11-10.141651.OTS.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info: - shnid 19212 (Schoeps CMC441) supplies - s1t01; start - 00:31 - s1t07; 08:41 - end - s1t08; start - 00:08 - s2t06; 03:05 - 04:07 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for The Oade Bros. efforts that supply the patch source - While this wasn't my first show, this was where the bus came by.
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel
2:25:29
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-11-10.154261.akgc422.davis-holbrook.flac2448
Source:
Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC
Lineage:
Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesFifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP // tape flip / tape paused between songs Some distortion throughout possibly due to low Power supply batteries (those durn 9 volts!)
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel
2:25:29
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-11-10.154260.akgc422.davis-holbrook.flac1644
Source:
Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC
Lineage:
Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesFifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP // tape flip / tape paused between songs Some distortion throughout possibly due to low Power supply batteries (those durn 9 volts!)
Taper: David Dyche
2:21:09
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1985-11-10.149792.akg224.dyche.flac1644
Source:
AKG 224’s > Sony TCD5M
Lineage:
Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT
Taper: Ray Ackerman
2:21:44
Taper:
Ray Ackerman
SHNID:
gd1985-11-10.145354.ots.at.835b.akg.d12e.blend.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS)
Lineage:
Transfer info; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > FLAC 24/96 April 04, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 19212 (Schoeps CMC441) supplies - s1t01; start - 00:31 - s1t07; 08:41 - end - s1t08; start - 00:08 - s2t06; 03:05 - 04:07 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for The Oade Bros. efforts that supply the patch source - While this wasn't my first show, this was where the bus came by.
Taper: Andrew F.
2:23:03
Rating:
9.00 / 2 ratings
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-11-10.nak300.andrewf.128517.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 05/2014
Taper Notes:
View NotesNote: ID-114678 patches; IAON 0:00 > 0:10, Truckin' 0:17 > 0:27. ID-4774 patch, crowd end of IAON 8:59 > Row Jimmy 0:11.
Taper: chasingwilma
2:16:10
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-10.126721.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:19:39
Rating:
4.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-11-10.nak300.morris.114678.flac24
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
Taper Notes:
View NotesNotes: - Left channel dropout in Halfstep from 0:00 to 0:14 patched w/ rt ch. - Tape flip in Space spliced at 0:12. - Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. - Thanks to Sam for help recording. - Transfer (Nov 2009) & 2496 conversion/edits (Jul 2011) by Bob Morris. - Thanks to dnick926 for supplying the shnid's. - One DVD Flac
Taper: Bob Morris
2:19:32
Rating:
7.33 / 3 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-11-10.aud.morris.106808.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Recorded from Taper Section 5, Row O, Seat 14
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Joe D'Amico
2:19:45
Rating:
2.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-11-10.nak300.damico.87524.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Tony Suraci
2:19:11
Rating:
8.00 / 3 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-11-10.nak-beyer.suraci.79689.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS Floor Section 5, Stand at 9 Feet
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notes* Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Charles Bandrofcheck
2:33:02
Rating:
4.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-11-10.cpb.retransfer.32638.sbeok.flac16
Source:
Do not remember the mics exception that they had shotgun characteristics -> Sony D6 -> Maxell MX 90's, located first right hand seat of taper section 12" stand.
Lineage:
Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN
Taper Notes:
View Notesnotes - Space has tape change toward beginning - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. - Recording of CD is probably the 2nd or 3rd at most times these tapes have been played since being recorded. They have held up extremely well. I keep all my tapes tight wound. Hope you enjoy. Charlie
Taper: Brian Mandel
2:20:46
Rating:
6.00 / 1 rating
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1985-11-10.nak300.mandel.25472.sbeok.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper Notes:
View Notesknown flaws: slight feedback/distortion end of drums. In master tape.
Source 25 of 27
2:25:57
Rating:
7.40 / 10 ratings
SHNID:
gd85-11-10.aud-oade.dwonk.19212.sbeok.shnf
Source:
Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1
Lineage:
PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN)
Taper Notes:
View NotesSchoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taping, transfer by Doug Oade, fileset prep by dwonk, seeded via BT by macdaddy; note no DAE and possible remaster compared to <a href="http://db.etree.org/shninfo_detail.php?shnid=7955" rel="ugc nofollow">previous</a> shn set
Source 26 of 27
2:26:35
Rating:
8.57 / 7 ratings
SHNID:
gd85-11-10.oade.connor.7955.sbeok.shnf
Source:
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDREAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade
Taper Notes:
View NotesOade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd.
Source 27 of 27
2:19:03
Rating:
6.00 / 2 ratings
SHNID:
gd85-11-10.beyer.connor.4774.sbeok.shnf
Source:
AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT)
Taper Notes:
View NotesAUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min