12 Playing In The Band | 1985-09-12 | Grateful Dead

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 21-FEB-2013  - Trader Little Helper
- Tagged 21-FEB-2013 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) At the beginning of the show,  39.388 seconds were missing from the soundboard and was filled using audio from the video.

2) At the beginning of the show,  27.733 seconds were missing from the audience and was filled using audio from the video.

3) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video.

4) Between Bertha and It's All Over Now, 2 minute and 03.484 seconds were missing from the audience and was filled using audio from the video.

5) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video.

6) Between It's All Over Now and Row Jimmy, 21.610 seconds were missing from the audience and was filled using audio from the video.

7) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video.

8) Between Row Jimmy and My Brother Esau, 1 minute and 28.503 seconds were missing from the audience and was filled using audio from the video.

9) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video.

10) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience.

11) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video.

12) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and deleted in order to match the video audio.

13) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video.

14) At the start of Space, 21.687 seconds were missing from the audience and was filled using audio from the video.

15) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience.
-----------------------------------------------------------
Front  
Left Channel  -0db SBD
Right Channel  -0db SBD

Center
Mixed to mono -1db MTX

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

2:30:27

SBD

gd1985-09-12.123888.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 21-FEB-2013  - Trader Little Helper
- Tagged 21-FEB-2013 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -.5
AUD -0

SET TWO

Stereo Matrix
SBD -.5
AUD -0
---------------------------------------------------------
Audio Patches:
1) At the beginning of the show,  39.388 seconds were missing from the soundboard and was filled using audio from the video.

2) At the beginning of the show,  27.733 seconds were missing from the audience and was filled using audio from the video.

3) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video.

4) Between Bertha and It's All Over Now, 2 minute and 03.484 seconds were missing from the audience and was filled using audio from the video.

5) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video.

6) Between It's All Over Now and Row Jimmy, 21.610 seconds were missing from the audience and was filled using audio from the video.

7) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video.

8) Between Row Jimmy and My Brother Esau, 1 minute and 28.503 seconds were missing from the audience and was filled using audio from the video.

9) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video.

10) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience.

11) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video.

12) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and deleted in order to match the video audio.

13) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video.

14) At the start of Space, 21.687 seconds were missing from the audience and was filled using audio from the video.

15) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1985-09-12.upg.sbd.tobin.123886.flac16

Source:

upgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesAudio Patches:
1) At the beginning of the show,  39.388 seconds were missing from the soundboard and was filled using audio from the video.

2) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video.

3) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video.

4) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video.

5) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video.

6) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience.

7) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video.

8) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and was deleted in order to match the video audio.

9) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video.

10) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience.

11)  Matrix\DTS and Soundboard were synced using the video as a timing reference until the end of Black Peter (when the video was cut) afterwhich the audience was used as it was more consistent.

12) NOTE: The Darby Audience came in 24/48 format and the Soundboard came as 16/44 format. Using R8brain Pro, the Soundboard was expanded to 24/48. After matrix was mixed and soundboard was patched, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

Brokedown House Production

Source 4 of 15

gd85-09-12.sbd.barbella.11803.sbeok.shnf

Source:

Master Soundboard Cassette > DAT > CDR

Taper Notes:

View NotesMaster Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella

Taper: Mark Terry

Scott Clugston, Charlie Miller

SHNID:

gd1985-09-12.175957.beyer.m88.terry.miller.clugston.flac2496

Source:

Mark Terry's Master Audience Cassettes; Beyer M88 mics > Sony WM-D6 (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:19 patch in the "My Brother Esau > Big Railroad Blues" transition, as well as a 0:20 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
August 2025

Taper: Mark Terry

Scott Clugston, Charlie Miller

SHNID:

gd1985-09-12.175956.beyer.m88.terry.miller.clugston.flac1648

Source:

Mark Terry's Master Audience Cassettes; Beyer M88 mics > Sony WM-D6 (Maxell XLII-S90)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:19 patch in the "My Brother Esau > Big Railroad Blues" transition, as well as a 0:20 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
August 2025

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1985-09-12.148637.fob.neumann.km84i.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Kevin Tobin and all the folks responsible for the matrix source which supplies the crowd and first few notes of "Greatest Story Ever Told (0:13 total), a 0:21 patch in "Drums", as well as a 1:03 patch in the Not Fade Away reprise
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1985-09-12.148636.fob.neumann.km84i.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Kevin Tobin and all the folks responsible for the matrix source which supplies the crowd and first few notes of "Greatest Story Ever Told (0:13 total), a 0:21 patch in "Drums", as well as a 1:03 patch in the Not Fade Away reprise
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Robert Bryant

Sirmick and Charlie Miller

SHNID:

gd1985-09-12.145494.aud.bryant.miller.sirmick.flac16

Lineage:

Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24

Taper Notes:

View NotesNotes:

- Pitch corrected.
- Tape pauses smoothed out.
- Tape flips patched with shnid 118321 - Thank you Michael Darby and Keo.


Thanks to Charlie Miller for the transfer

Thanks to Robert Bryant for taping this


edited and mastered
SIRMick
July 2018

Taper: Robert Bryant

Charlie Miller and SIRMick

SHNID:

gd1985-09-12.142801.aud.bryant.miller.sirmick.flac2496

Taper Notes:

View NotesNotes:

- Pitch corrected.
- Tape pauses smoothed out.
- Tape flips patched with shnid 118321 - Thank you Michael Darby and Keo.


Thanks to Charlie Miller for the transfer

Thanks to Robert Bryant for taping this


edited and mastered
SIRMick
July 2018

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1985-09-12.144569.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 05-JAN-2019  - Trader Little Helper
- Tagged 05-JAN-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

gd1985-09-12.upg-aud.tobin.123887.flac16

Source:

Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesAudio Patches:
1) At the beginning of the show,  27.733 seconds were missing from the audience and was filled using audio from the video.

2) Between Bertha and It's All Over Now, 2 minute and 03.484 seconds were missing from the audience and was filled using audio from the video.

3) Between It's All Over Now and Row Jimmy, 21.610 seconds were missing from the audience and was filled using audio from the video.

4) Between Row Jimmy and My Brother Esau, 1 minute and 28.503 seconds were missing from the audience and was filled using audio from the video.

5) At the start of Space, 21.687 seconds were missing from the audience and was filled using audio from the video.

6)  Matrix\DTS and Soundboard were synced using the video as a timing reference until the end of Black Peter (when the video was cut) afterwhich the audience was used as it was more consistent.

7) NOTE: The Darby Audience came in 24/48 format and the Soundboard came as 16/44 format. Using R8brain Pro, the Soundboard was expanded to 24/48. After matrix was mixed and soundboard was patched, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

Brokedown House Production

Taper: Mike Darby

gd1985-09-12.Senn421.Darby.118322.Flac1644

Source:

Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

Taper Notes:

View NotesComments:A Huge Huge Thanks out to Mr. Darby for
recording and sharing his source for this excellent
recording and performance!
As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Mike Darby

gd1985-09-12.Senn421.Darby.118321.Flac2448

Source:

Taper Notes:

View NotesComments:A Huge Huge Thanks out to Mr. Darby for
recording and sharing his source for this excellent
recording and performance!
As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Taper: Charlie Connor

gd1985-09-12.beyerM88.connor.77181.sbeok.flac16

Source:

TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)

Lineage:

Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16

Taper Notes:

View NotesComments:

The splices in d1t08 (LLR) and d2t05 (drums) are very minor. There may also
be a splice in d3t07, but I'm not sure. The start Of d3t07 NFA is a little
abrupt but if you listen to the chant behind the music it seems to flow.
At any rate if it is a spice it too is minor.

As this is a taper's section recording you do hear the ambience of the room.
But don't let that deter you from downloading this show. It sort of adds
an element of the "you are there" effect and besides that, the music is on
fire from start to end. Tons of energy and musically spot on!!!!