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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1985
9/12/85
Greatest Story Ever Told
4:23
Bertha
7:14
It’s All Over Now
9:56
Row Jimmy
11:51
My Brother Esau
5:12
Big RailRoad Blues
4:57
Looks Like Rain
8:21
Might As Well
4:44
Help On The Way
3:53
Slipknot
7:04
Franklin’s Tower
11:09
Playin’ In The Band
17:01
Drums
6:49
Space
9:55
The Other One
3:22
Black Peter
8:02
Throwing Stones
8:17
Not Fade Away
7:46
Not Fade Away
2:17
Brokedown Palace
5:28
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:30:27
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-12.dts.tobin.123889.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 21-FEB-2013 - Trader Little Helper - Tagged 21-FEB-2013 - Tag&Rename --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 39.388 seconds were missing from the soundboard and was filled using audio from the video. 2) At the beginning of the show, 27.733 seconds were missing from the audience and was filled using audio from the video. 3) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video. 4) Between Bertha and It's All Over Now, 2 minute and 03.484 seconds were missing from the audience and was filled using audio from the video. 5) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video. 6) Between It's All Over Now and Row Jimmy, 21.610 seconds were missing from the audience and was filled using audio from the video. 7) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video. 8) Between Row Jimmy and My Brother Esau, 1 minute and 28.503 seconds were missing from the audience and was filled using audio from the video. 9) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video. 10) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience. 11) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video. 12) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and deleted in order to match the video audio. 13) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video. 14) At the start of Space, 21.687 seconds were missing from the audience and was filled using audio from the video. 15) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience. ----------------------------------------------------------- Front Left Channel -0db SBD Right Channel -0db SBD Center Mixed to mono -1db MTX Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:30:27
SBD
Rating:
7.00 / 2 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-12.123888.mtx.tobin.flac16
Source:
Matrix 3 Source Mix - SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 21-FEB-2013 - Trader Little Helper - Tagged 21-FEB-2013 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -.5 AUD -0 SET TWO Stereo Matrix SBD -.5 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of the show, 39.388 seconds were missing from the soundboard and was filled using audio from the video. 2) At the beginning of the show, 27.733 seconds were missing from the audience and was filled using audio from the video. 3) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video. 4) Between Bertha and It's All Over Now, 2 minute and 03.484 seconds were missing from the audience and was filled using audio from the video. 5) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video. 6) Between It's All Over Now and Row Jimmy, 21.610 seconds were missing from the audience and was filled using audio from the video. 7) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video. 8) Between Row Jimmy and My Brother Esau, 1 minute and 28.503 seconds were missing from the audience and was filled using audio from the video. 9) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video. 10) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience. 11) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video. 12) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and deleted in order to match the video audio. 13) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video. 14) At the start of Space, 21.687 seconds were missing from the audience and was filled using audio from the video. 15) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience. Brokedown House Production
Transferrer: Kevin Tobin
2:30:27
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-12.upg.sbd.tobin.123886.flac16
Source:
upgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesAudio Patches: 1) At the beginning of the show, 39.388 seconds were missing from the soundboard and was filled using audio from the video. 2) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video. 3) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video. 4) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video. 5) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video. 6) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience. 7) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video. 8) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and was deleted in order to match the video audio. 9) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video. 10) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience. 11) Matrix\DTS and Soundboard were synced using the video as a timing reference until the end of Black Peter (when the video was cut) afterwhich the audience was used as it was more consistent. 12) NOTE: The Darby Audience came in 24/48 format and the Soundboard came as 16/44 format. Using R8brain Pro, the Soundboard was expanded to 24/48. After matrix was mixed and soundboard was patched, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44. Brokedown House Production
Source 4 of 15
2:27:41
SBD
Rating:
8.22 / 11 ratings
SHNID:
gd85-09-12.sbd.barbella.11803.sbeok.shnf
Source:
Master Soundboard Cassette > DAT > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella
Taper: Mark Terry
2:27:54
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-12.175957.beyer.m88.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; Beyer M88 mics > Sony WM-D6 (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:19 patch in the "My Brother Esau > Big Railroad Blues" transition, as well as a 0:20 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Mark Terry
2:27:54
Rating:
10.00 / 1 rating
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-12.175956.beyer.m88.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; Beyer M88 mics > Sony WM-D6 (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:19 patch in the "My Brother Esau > Big Railroad Blues" transition, as well as a 0:20 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston August 2025
Taper: Chris Hecht
2:27:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-12.148637.fob.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kevin Tobin and all the folks responsible for the matrix source which supplies the crowd and first few notes of "Greatest Story Ever Told (0:13 total), a 0:21 patch in "Drums", as well as a 1:03 patch in the Not Fade Away reprise - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Chris Hecht
2:27:55
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-12.148636.fob.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kevin Tobin and all the folks responsible for the matrix source which supplies the crowd and first few notes of "Greatest Story Ever Told (0:13 total), a 0:21 patch in "Drums", as well as a 1:03 patch in the Not Fade Away reprise - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Robert Bryant
2:29:23
Taper:
Robert Bryant
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1985-09-12.145494.aud.bryant.miller.sirmick.flac16
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape pauses smoothed out. - Tape flips patched with shnid 118321 - Thank you Michael Darby and Keo. Thanks to Charlie Miller for the transfer Thanks to Robert Bryant for taping this edited and mastered SIRMick July 2018
Taper: Robert Bryant
2:29:23
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-09-12.142801.aud.bryant.miller.sirmick.flac2496
Taper Notes:
View NotesNotes: - Pitch corrected. - Tape pauses smoothed out. - Tape flips patched with shnid 118321 - Thank you Michael Darby and Keo. Thanks to Charlie Miller for the transfer Thanks to Robert Bryant for taping this edited and mastered SIRMick July 2018
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:30:28
Rating:
8.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1985-09-12.144569.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 05-JAN-2019 - Trader Little Helper - Tagged 05-JAN-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:30:27
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-12.upg-aud.tobin.123887.flac16
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesAudio Patches: 1) At the beginning of the show, 27.733 seconds were missing from the audience and was filled using audio from the video. 2) Between Bertha and It's All Over Now, 2 minute and 03.484 seconds were missing from the audience and was filled using audio from the video. 3) Between It's All Over Now and Row Jimmy, 21.610 seconds were missing from the audience and was filled using audio from the video. 4) Between Row Jimmy and My Brother Esau, 1 minute and 28.503 seconds were missing from the audience and was filled using audio from the video. 5) At the start of Space, 21.687 seconds were missing from the audience and was filled using audio from the video. 6) Matrix\DTS and Soundboard were synced using the video as a timing reference until the end of Black Peter (when the video was cut) afterwhich the audience was used as it was more consistent. 7) NOTE: The Darby Audience came in 24/48 format and the Soundboard came as 16/44 format. Using R8brain Pro, the Soundboard was expanded to 24/48. After matrix was mixed and soundboard was patched, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44. Brokedown House Production
Taper: Mike Darby
2:23:30
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-12.Senn421.Darby.118322.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and performance! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:23:30
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-12.Senn421.Darby.118321.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent recording and performance! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Charlie Connor
2:24:21
Rating:
9.50 / 4 ratings
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-09-12.beyerM88.connor.77181.sbeok.flac16
Source:
TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Taper Notes:
View NotesComments: The splices in d1t08 (LLR) and d2t05 (drums) are very minor. There may also be a splice in d3t07, but I'm not sure. The start Of d3t07 NFA is a little abrupt but if you listen to the chant behind the music it seems to flow. At any rate if it is a spice it too is minor. As this is a taper's section recording you do hear the ambience of the room. But don't let that deter you from downloading this show. It sort of adds an element of the "you are there" effect and besides that, the music is on fire from start to end. Tons of energy and musically spot on!!!!