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1985
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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
6/30/85
gd1985-06-30s1t01.flac
8:00
gd1985-06-30s1t02.flac
7:51
gd1985-06-30s1t03.flac
5:20
gd1985-06-30s1t04.flac
3:28
gd1985-06-30s1t05.flac
4:58
gd1985-06-30s1t06.flac
4:30
gd1985-06-30s1t07.flac
4:15
gd1985-06-30s1t08.flac
7:39
gd1985-06-30s1t09.flac
2:59
gd1985-06-30s2t01.flac
2:42
gd1985-06-30s2t02.flac
13:19
gd1985-06-30s2t03.flac
8:05
gd1985-06-30s2t04.flac
5:54
gd1985-06-30s2t05.flac
12:05
gd1985-06-30s2t06.flac
2:09
gd1985-06-30s2t07.flac
9:43
gd1985-06-30s2t08.flac
9:33
gd1985-06-30s2t09.flac
6:44
gd1985-06-30s2t10.flac
8:53
gd1985-06-30s2t11.flac
3:47
gd1985-06-30s2t12.flac
8:19
gd1985-06-30s2t13.flac
5:14
FIN
View on archive.org
Sources
Transferrer: Hunter Seamons
2:34:35
SBD
Rating:
9.53 / 18 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-30.mtx.seamons.94642.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 21, 2007 ---------------------------------------------------- AUD: Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 21, 2008 Notes: 1) Occasional static/clicks/pops in the sources. 2) Cuts in the SBD between some songs. Some dropouts in C.C. Rider, and briefs cuts in LL Rain, Drums, and Other One. Other One also has some brief, shifty channel business. 3) The show appears to be seamless.
Taper: Michael Hessberg
2:27:42
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.148523.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tony Suraci for the shnid79641 Nakamichi 304 + Beyer M101 source which supplies a 0:27 patch at the beginning of "Looks Like Rain", as well as a 0:06 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:27:42
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.148522.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tony Suraci for the shnid79641 Nakamichi 304 + Beyer M101 source which supplies a 0:27 patch at the beginning of "Looks Like Rain", as well as a 0:06 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Ray Ackerman
2:25:10
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-30.145353.ots.at.835b.akg.d12e.blend.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS)
Lineage:
Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > FLAC 24/96 April 04, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 25242 (Schoeps CMC441) supplies - s1t08; 0:05 - 0:23 - s2t06; 4:42 - 5:04 Notes: - This is an upgrade to shnid 102134 - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for The Oade Bros. efforts that supply the patch source
Taper: Mike Guy and Jim Pailes
1:39:08
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.144155.set2.nak304.guy.pailes.miller.clugston.flac2496
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies a 1:39 patch in "Drums", as well as "US Blues" in its entirety - Other One space included in "The Other One" - Pitch corrected - 1st set tape lost Mastered by Scott Clugston December 2018
Taper: Mike Guy and Jim Pailes
1:39:08
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.144154.set2.nak304.guy.pailes.miller.clugston.flac1648
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies a 1:39 patch in "Drums", as well as "US Blues" in its entirety - Other One space included in "The Other One" - Pitch corrected - 1st set tape lost Mastered by Scott Clugston December 2018
Taper: Tom Strizak
2:25:27
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1985-06-30.176640.senn.md41.strizak.flac2448
Source:
Master recording by Tom Strizak (*first show with new mics) 2- Sennheiser MD441 mounted in standard stereo configuration< (mic stand at approx. 7.5' height) > Sony TC-D5M (dolby - On B) > TDK MA90 Cassette. Location: Taper Section on lawn slightly right of center approx. 10' back from last row of pavillion seating. This resulted in a combination of sound mainly coming directly from delay speakers which were used to propagate sound outward to the lawn area, and just a small portion of the sound coming from inside the pavillion.
Lineage:
Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48Khz WAV > Reaper v7.61 *DAW (final audio editing and mastering) > Audacity *DAW (tracking and conversion from WAV file to FLAC 24bit 48khz file set) > LMA for upload (*DAW = Digital Audio Worksatation)
Taper Notes:
View NotesNotes: There is approx. 30 seconds of Brown Eyed Women missing and the splice is slightly rough. Tape flip at beginning of Looks Like Rain is crossfaded and not harsh. Tape was paused between songs so unfortunately some of the actual show context is lost. Overall very pleasant listening and nice quality audio.
Source 17 of 29
2:34:53
Rating:
10.00 / 2 ratings
SHNID:
gd1985-06-30.171568.mtx.seamons.ht23.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (FLAC > AIFF > Final Cut w/EQ [set 1] > Soundtrack [set 2] > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 29, 2025
Taper Notes:
View NotesNotes: Significant upgrade. Set 1 was re-matrixed from scratch, with a different approach to the mix and more exacting sync. Set 2 uses a newer PCM Master source of the SBD. Ray Ackerman's audience tape, #145353 (4/4/18), patches 4 seconds at the beginning of Jim Oade's recording where Half-Step gets cut. As noted by Charlie, it sounds like there was some prior processing done to the "CM > Dat > CD" source for set 1. Some initial SBD vocal mix fluctuations in Half-Step and Mama Tried. Two tiny cuts in C.C. Rider are now patched. There were also two hiccup anomalies that added minuscule duration to the song, which were removed. Soundtrack Pro was used to help clean these edits. 6-second cut in Looks Like Rain SBD is now patched. Some PA static occurs throughout the show. EQ was used for the first set SBD source only.
Taper: Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
2:29:03
Taper:
Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-30.152702.akgc422.davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill)
Lineage:
This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# volume changes, both ours and Healy's first 3 minutes; afterward sound quality improves dramatically / There were more stage EQ issues after Samson, so we paused the tape. The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. This upload is from a fresh master take off with a newly serviced cassette deck. The old takeoff exhibits lots of tape flutter and channel swapping. The original 24 bit post of these masters was: shn ID 84267.sbeok.flac16
Taper: Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
2:29:05
Taper:
Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-30.152701.akgc422.davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill)
Lineage:
This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# volume changes, both ours and Healy's first 3 minutes; afterward sound quality improves dramatically / There were more stage EQ issues after Samson, so we paused the tape. The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. This upload is from a fresh master take off with a newly serviced cassette deck. The old takeoff exhibits lots of tape flutter and channel swapping. The original 24 bit post of these masters was: shn ID 84267.sbeok.flac16
Taper: Charles Bandrofcheck
2:39:13
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-06-30.cpb.2nd-retransfer.33702.flac16
Lineage:
MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View NotesThis recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. This is the last transfer of this tape. I did it for myself since I got much improved computer hardware. It is at a point were I am totally happy with the results I listen to. You are very welcome to a copy.