Turn On Your Lovelight | 1985-06-27 | Grateful Dead

Steve Marcus copied Don Pearson's masters

All Transfers and Mastering by Charlie Miller [email protected] November 13, 2024

gd1985-06-27.169092.sbd1.pearson.marcus.miller.flac24

SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)

Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24

gd85-06-27.sbd.miller.27863.sbeok.flacf

View NotesNotes:
-- Thanks to Steve Marcus for the tapes
-- Steve Marcus copied Don Pearson's masters
-- Thanks to Chris Ladner and the Oade brothers for the patch source
-- Thanks to Joe B. Jones for the pitch correction settings

Transferrer: Charlie Miller

<b>flac16</b> SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD);

Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

gd1985-06-27.mtx.seamons.fix.92963.sbeok.flac16

View Notes<b>flac16</b>; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

Taper: DAT kindly provided for transfer by M.Townshend

2:36:57

SBD

DAT kindly provided for transfer by M.Townshend

Chris Ladner

gd1985-06-27.sbd.gmb.79558.flac24

SBD > MC > DAT(48KHz)

Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II.

DAT kindly provided for transfer by M.Townshend

View NotesComments:
First 11 seconds of d1t01 are spliced from previously circulating SBD source which was uprendered to 24/96 using Waves IDR.

This source has less hiss than the other good sounding circulating sources and the lineage does not mention a VHS tape.

Taper: DAT kindly provided for transfer by M.Townshend

C.Ladner

gd1985-06-27.sbd.gmb.79382.flac16

SBD > MC > DAT(48KHz)

DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC

gd85-06-27.sbd.clugston.6104.sbeok.shnf

View NotesComments:
First 11 seconds of d1t01 are spliced from previously circulating SBD source.

This source from my listening has less hiss than the other good sounding circulating sources and better stereo imaging.

**GEMS**  www.shnflac.net  October 2006

Source 7 of 27

Amy's Soundboard VHS > Cassette > DAT> CDR

Scott Clugston and Charlie Miller

View NotesAmy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston

Taper: Michael Hessberg

gd1985-06-27.154536.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:11 patch in "Supplication", as well as a 0:37 patch in "Drums"
- Truckin' space included in "Truckin'"
- Pitch corrected

Mastered by Scott Clugston
July 2020

Taper: Michael Hessberg

gd1985-06-27.154535.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Sirmick and Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:11 patch in "Supplication", as well as a 0:37 patch in "Drums"
- Truckin' space included in "Truckin'"
- Pitch corrected

Mastered by Scott Clugston
July 2020

Taper: Robert Bryant

gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16

Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24

Charlie Miller and SIRMick

View NotesNotes:

-  There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford.
- Tape pauses have been smoothed out.

Thanks to Joe B. Jones for his help with pitch correction.

Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
April 2018

Taper: Robert Bryant

gd1985-06-27.141598.aud.bryant.miller.sirmick.flac2496

View NotesNotes:

-  There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford.
- Tape pauses have been smoothed out.

Thanks to Joe B. Jones for his help with pitch correction.

Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
April 2018

Source 12 of 27

2:30:05

gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448

Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022

2:39:19

Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022

gd1985-06-27.158250.NAK300.Anon-Noel.t-flac2448

Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.

Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.

View NotesNotes;
- tape pauses in set 1 were cross faded
- pitch corrected

Thanks to;
- Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer.
- Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.

Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022

2:39:19

Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022

gd1985-06-27.158249.NAK300.Anon-Noel.t-flac16

Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.

View NotesNotes;
- tape pauses in set 1 were cross faded
- pitch corrected
- dithered using dBpoweramp

Thanks to;
- Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer.
- Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.

Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney

2:35:05

Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney

Kyle Holbrook

gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448

Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]

View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

*** Bobby: Ugh, Ugh, the management has requested that you don't hang off there.
//+  tape flip; missed start
/    tape paused to save tape
//   tape flip
|||  tape stopped/started on master; Rt channel missing 8 seconds

Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney

2:35:05

Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney

Kyle Holbrook

gd1985-06-27.152626.akgc422-davis-murtha.holbrook.flac1644

gd1985-06-27.135270.senn441.mccue.ford.flac24

View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

*** Bobby: Ugh, Ugh, the management has requested that you don't hang off there.
//+  tape flip; missed start
/    tape paused to save tape
//   tape flip
|||  tape stopped/started on master; Rt channel missing 8 seconds

Taper: Mark McCue

MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford

gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16

View NotesComments:

- I started transferring and or editing Mark McCue’s personal cassette collection in 2005. 
This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank 
Mark and all of his friends who made these tapes with such love and care. Working on the recordings has 
brought so much fun and enjoyment into my life. It all started because they couldn’t get their 
hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves.

Alex Ford - February 24, 2016.

 
Notes:

- * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz
- # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez

Taper: Mark McCue

MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford

gd1985-06-27.126238.chasingwilma.flac24

View NotesComments:

- I started transferring and or editing Mark McCue’s personal cassette collection in 2005. 
This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank 
Mark and all of his friends who made these tapes with such love and care. Working on the recordings has 
brought so much fun and enjoyment into my life. It all started because they couldn’t get their 
hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves.

Alex Ford - February 24, 2016.

 
Notes:

- * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz
- # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez

Taper: chasingwilma

source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Da Weez

gd1985-06-27.121563.BeyerM160.daweez.d5scott.flac16

Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes;

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

gd1985-06-27.nak300.morris.114489.flac24

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Taper: Bob Morris

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

gd1985-06-27.aud.Holtz.Nak100s.112499.flac16

View NotesNotes:
 - Splices in High Time (0:03), GDTR (4:08), and Baby Blue (5:40).
 - Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris.
 - Thanks to Sam for help. 
 - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.

Taper: Greg Holtz

Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC;

MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz

Taper: Bob Morris

gd1985-06-27.nak300.morris.106788.flac16

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

gd1985-06-27.mtx.seamons.92645.sbeok.flac16

View NotesTape flips patched w/ ID 25000 (Soundforge 9.0) in High Time (0:03-0:16), GDTR (4:09-4:14), Baby B (5:39-6:33; ID27863).
Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris.

Taper: See Notes

Taper: Tony Suraci

gd1985-06-27.nak-beyer.tonys.79597.sbeok.flac16

Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M

Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.

Taper: Oade Brothers

Doug Oade - Darren Sacks

gd85-06-27.oade-schoeps.sacks.25000.sbeok.flacf

Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac