Bands
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Bands
Grateful Dead
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.7k372
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h743104
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k599
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k135
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.1k282
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k369
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k517
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k303
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h979109
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k203
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k206
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k296
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k691
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k193
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.2k1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.2k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9k1.2k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h92879
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k561
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.5k589
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k390
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k250
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k730
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k584
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60576
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h15923
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h50036
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h443
7d1277
30d57234
2 shows
2 tapes
1985
Sources
Taper: Steve Marcus copied Don Pearson's masters
2:39:21
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 13, 2024
SHNID:
gd1985-06-27.169156.SPAC.SaratogaSprings.NY.sbd.pearson.marcus.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Chris Ladner and the Oade brothers for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 169092 2496 > 1648
Taper: Steve Marcus copied Don Pearson's masters
2:39:21
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 13, 2024
SHNID:
gd1985-06-27.169092.sbd1.pearson.marcus.miller.flac24
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Chris Ladner and the Oade brothers for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:40:54
SBD
Rating:
8.81 / 28 ratings
Transferrer:
Charlie Miller
SHNID:
gd85-06-27.sbd.miller.27863.sbeok.flacf
Source:
<b>flac16</b> SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD);
Lineage:
Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
Transferrer: Hunter Seamons
2:41:23
SBD
Rating:
8.40 / 6 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-27.mtx.seamons.fix.92963.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper: DAT kindly provided for transfer by M.Townshend
2:36:57
SBD
Taper:
DAT kindly provided for transfer by M.Townshend
Transferrer:
Chris Ladner
SHNID:
gd1985-06-27.sbd.gmb.79558.flac24
Source:
SBD > MC > DAT(48KHz)
Lineage:
Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II.
Taper Notes:
View NotesComments: First 11 seconds of d1t01 are spliced from previously circulating SBD source which was uprendered to 24/96 using Waves IDR. This source has less hiss than the other good sounding circulating sources and the lineage does not mention a VHS tape.
Taper: DAT kindly provided for transfer by M.Townshend
2:36:52
SBD
Rating:
9.00 / 8 ratings
Taper:
DAT kindly provided for transfer by M.Townshend
Transferrer:
C.Ladner
SHNID:
gd1985-06-27.sbd.gmb.79382.flac16
Source:
SBD > MC > DAT(48KHz)
Lineage:
DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC
Taper Notes:
View NotesComments: First 11 seconds of d1t01 are spliced from previously circulating SBD source. This source from my listening has less hiss than the other good sounding circulating sources and better stereo imaging. **GEMS** www.shnflac.net October 2006
Source 7 of 27
2:35:54
SBD
Rating:
8.48 / 22 ratings
SHNID:
gd85-06-27.sbd.clugston.6104.sbeok.shnf
Source:
Amy's Soundboard VHS > Cassette > DAT> CDR
Taper Notes:
View NotesAmy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston
Taper: Michael Hessberg
2:33:17
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-27.154536.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:11 patch in "Supplication", as well as a 0:37 patch in "Drums" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:33:17
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-27.154535.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:11 patch in "Supplication", as well as a 0:37 patch in "Drums" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Robert Bryant
2:34:18
Taper:
Robert Bryant
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesNotes: - There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford. - Tape pauses have been smoothed out. Thanks to Joe B. Jones for his help with pitch correction. Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Taper: Robert Bryant
2:34:18
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-27.141598.aud.bryant.miller.sirmick.flac2496
Taper Notes:
View NotesNotes: - There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford. - Tape pauses have been smoothed out. Thanks to Joe B. Jones for his help with pitch correction. Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Source 12 of 27
2:30:05
SHNID:
gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
2:39:19
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
SHNID:
gd1985-06-27.158250.NAK300.Anon-Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - tape pauses in set 1 were cross faded - pitch corrected Thanks to; - Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer. - Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
2:39:19
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
SHNID:
gd1985-06-27.158249.NAK300.Anon-Noel.t-flac16
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - tape pauses in set 1 were cross faded - pitch corrected - dithered using dBpoweramp Thanks to; - Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer. - Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
2:35:05
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP *** Bobby: Ugh, Ugh, the management has requested that you don't hang off there. //+ tape flip; missed start / tape paused to save tape // tape flip ||| tape stopped/started on master; Rt channel missing 8 seconds
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
2:35:05
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-27.152626.akgc422-davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP *** Bobby: Ugh, Ugh, the management has requested that you don't hang off there. //+ tape flip; missed start / tape paused to save tape // tape flip ||| tape stopped/started on master; Rt channel missing 8 seconds
Taper: Mark McCue
2:33:31
Rating:
9.00 / 2 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-27.135270.senn441.mccue.ford.flac24
Source:
MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
Taper Notes:
View NotesComments: - I started transferring and or editing Mark McCue’s personal cassette collection in 2005. This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank Mark and all of his friends who made these tapes with such love and care. Working on the recordings has brought so much fun and enjoyment into my life. It all started because they couldn’t get their hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves. Alex Ford - February 24, 2016. Notes: - * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz - # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez
Taper: Mark McCue
2:33:30
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16
Source:
MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
Taper Notes:
View NotesComments: - I started transferring and or editing Mark McCue’s personal cassette collection in 2005. This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank Mark and all of his friends who made these tapes with such love and care. Working on the recordings has brought so much fun and enjoyment into my life. It all started because they couldn’t get their hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves. Alex Ford - February 24, 2016. Notes: - * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz - # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez
Taper: chasingwilma
2:27:44
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-06-27.126238.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:33:42
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-27.121563.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Bob Morris
2:21:09
Taper:
Bob Morris
SHNID:
gd1985-06-27.nak300.morris.114489.flac24
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Splices in High Time (0:03), GDTR (4:08), and Baby Blue (5:40). - Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. - Thanks to Sam for help. - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.
Taper: Greg Holtz
2:35:07
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1985-06-27.aud.Holtz.Nak100s.112499.flac16
Source:
Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC;
Lineage:
MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz
Taper: Bob Morris
2:22:09
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-06-27.nak300.morris.106788.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flips patched w/ ID 25000 (Soundforge 9.0) in High Time (0:03-0:16), GDTR (4:09-4:14), Baby B (5:39-6:33; ID27863). Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris.
Taper: See Notes
2:43:37
Rating:
9.00 / 3 ratings
Taper:
See Notes
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-27.mtx.seamons.92645.sbeok.flac16
Source:
Matrix (See Notes)
Lineage:
See Notes
Taper: Tony Suraci
2:26:46
Rating:
8.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-06-27.nak-beyer.tonys.79597.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View NotesNotes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Oade Brothers
2:36:34
Rating:
7.50 / 6 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-27.oade-schoeps.sacks.25000.sbeok.flacf
Source:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesSchoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks ([email protected])
Source 27 of 27
2:26:10
Rating:
8.00 / 6 ratings
SHNID:
gd85-06-27.aud.connor.7006.sbeok.shnf