RELISTENTOTHE Grateful Dead
Re
1985
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1985
6/27/85
In The Midnight Hour >
4:13
Bertha >
5:05
Little Red Rooster
9:09
Stagger Lee >
6:39
El Paso
5:25
Crazy Fingers >
8:39
Supplication >
4:35
High Time
8:27
Hell In A Bucket >
7:19
Don't Ease Me In
3:36
tuning
1:40
Feel Like A Stranger >
8:42
Eyes Of The World >
9:16
Goin' Down The Road Feeling Bad >
4:22
Man Smart (Woman Smarter) >
6:54
Drums >
10:49
Space >
9:16
Truckin' >
6:10
Spoonful >
4:39
Black Peter >
8:06
Turn On Your Love Light
8:38
Johnny B. Goode >
4:49
It's All Over Now, Baby Blue
7:50
FIN
View on archive.org
Sources
Taper: Steve Marcus copied Don Pearson's masters
2:39:21
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 13, 2024
SHNID:
gd1985-06-27.169156.SPAC.SaratogaSprings.NY.sbd.pearson.marcus.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Chris Ladner and the Oade brothers for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 169092 2496 > 1648
Taper: DAT kindly provided for transfer by M.Townshend
2:36:57
SBD
Taper:
DAT kindly provided for transfer by M.Townshend
Transferrer:
Chris Ladner
SHNID:
gd1985-06-27.sbd.gmb.79558.flac24
Source:
SBD > MC > DAT(48KHz)
Lineage:
Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II.
Taper Notes:
View NotesComments: First 11 seconds of d1t01 are spliced from previously circulating SBD source which was uprendered to 24/96 using Waves IDR. This source has less hiss than the other good sounding circulating sources and the lineage does not mention a VHS tape.
Taper: DAT kindly provided for transfer by M.Townshend
2:36:52
SBD
Rating:
9.00 / 8 ratings
Taper:
DAT kindly provided for transfer by M.Townshend
Transferrer:
C.Ladner
SHNID:
gd1985-06-27.sbd.gmb.79382.flac16
Source:
SBD > MC > DAT(48KHz)
Lineage:
DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC
Taper Notes:
View NotesComments: First 11 seconds of d1t01 are spliced from previously circulating SBD source. This source from my listening has less hiss than the other good sounding circulating sources and better stereo imaging. **GEMS** www.shnflac.net October 2006
Taper: Robert Bryant
2:34:18
Taper:
Robert Bryant
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesNotes: - There were a number of small dropouts in the left channel of "In The Midnight Hour", "Bertha", "High Time" and "Feel Like A Stranger" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford. - Tape pauses have been smoothed out. Thanks to Joe B. Jones for his help with pitch correction. Thanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
2:39:19
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
SHNID:
gd1985-06-27.158250.NAK300.Anon-Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - tape pauses in set 1 were cross faded - pitch corrected Thanks to; - Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer. - Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.
Taper: Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
2:39:19
Taper:
Recorded & Transferred by Anon Edited & Mastered (Adobe Audition) by Joe Noel April 22, 2022
SHNID:
gd1985-06-27.158249.NAK300.Anon-Noel.t-flac16
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Dolby B On) Location: Mics on Shure s15 stands (up high), approx. 25' from repeaters, front of lawn.
Lineage:
Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.
Taper Notes:
View NotesNotes; - tape pauses in set 1 were cross faded - pitch corrected - dithered using dBpoweramp Thanks to; - Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer. - Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
2:35:05
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP *** Bobby: Ugh, Ugh, the management has requested that you don't hang off there. //+ tape flip; missed start / tape paused to save tape // tape flip ||| tape stopped/started on master; Rt channel missing 8 seconds
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
2:35:05
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-27.152626.akgc422-davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesFourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP *** Bobby: Ugh, Ugh, the management has requested that you don't hang off there. //+ tape flip; missed start / tape paused to save tape // tape flip ||| tape stopped/started on master; Rt channel missing 8 seconds
Taper: Mark McCue
2:33:31
Rating:
9.00 / 2 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-27.135270.senn441.mccue.ford.flac24
Source:
MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
Taper Notes:
View NotesComments: - I started transferring and or editing Mark McCue’s personal cassette collection in 2005. This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank Mark and all of his friends who made these tapes with such love and care. Working on the recordings has brought so much fun and enjoyment into my life. It all started because they couldn’t get their hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves. Alex Ford - February 24, 2016. Notes: - * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz - # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez
Taper: Mark McCue
2:33:30
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16
Source:
MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
Taper Notes:
View NotesComments: - I started transferring and or editing Mark McCue’s personal cassette collection in 2005. This source fits in the top ten out of all of them (sound and performance quality). I’d like to thank Mark and all of his friends who made these tapes with such love and care. Working on the recordings has brought so much fun and enjoyment into my life. It all started because they couldn’t get their hands on enough great sounding tapes from recent tours. So, they went up front and did it themselves. Alex Ford - February 24, 2016. Notes: - * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz - # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez